Photograph of front view of Roydon, Broadmarsh. Taken April 1960. Located at 58 Clifton Vale Road, Elderslie. Sandstone farm house with a central door and flanking double hung windows, an attic level and weatherboard addition to the rear. The building has a hipped roof and narrow boxed eaves. The sandstone stables feature a half hipped roof, sandstone walls and an iron roof. The building is a floor and a half and is still in use as a stable. There are some other early buildings on the site.
Photograph of the front door of Roydon, Broadmarsh. Taken April 1960. Located at 58 Clifton Vale Road, Elderslie. Sandstone farm house with a central door and flanking double hung windows, an attic level and weatherboard addition to the rear. The building has a hipped roof and narrow boxed eaves. The sandstone stables feature a half hipped roof, sandstone walls and an iron roof. The building is a floor and a half and is still in use as a stable. There are some other early buildings on the site.
Description on back of drawing : Louie an aboriginal worker at Aileron Station used to get it for Mrs (Elsie )Cobson (later Nolan) to send to me. Was never able to paint it from the plant and it faded when sent in. An exquisite blossom that grows close to the ground in Spinifex country hence the name Spinifex Snow : Watercolour on card sketched by Olive Pink, "Native Gap" ( Aileron Stn.), 1960. Identified by Olive Pink as Macrocarpa gregoria ( I think) Spinifex Snow .
Aerial view of the Sandy Bay Campus of the University of Tasmania. Showing sporting fields, Hutchins School, surrounding houses and Wrest Point Hotel prior to the construction of the casino
Aerial view of the Hobart harbour showing Salamanca Place, Watermans dock, Parliamentary House , Hydro Building, Elizabeth Street pier, the Marine Board building under construction, Franklin Square and St, David's Park.
Aerial view of the Ridgeway Reservoir and Waterworks Reserve looking to Hobart, the Tasman Bridge and beyond to the Eastern Shore, Seven Mile Beach and Dodges Ferry
Framed oil painting by Max Angus (1914-2017): a portrait of Dan Sprod (1924-2018), former Morris Miller Librarian (1966-75) and subsequently proprietor of Blubber Head Press and Astrolabe Antiquarian Books, seated at the window of his home in Sandy Bay holding a copy of the book Simpkinson de Wesselow authored by Max Angus and published by Blubber Head Press in 1985
Three photographs of the Honour Board of Tasmanian Society of Honorary Justices, located in hallway (Elizabeth Street entrance) Hobart Town Hall. Honour Board presented to Society by Mr F. G. Shepherd, QPM, JP. Historical notes : 1922 - 1994 dates/names confirmed by joint Society and University of Tasmania (History Department) research of available public records. Photo credit. Mr. P. Baker. 12 December, 2000.
Photograph, thought to have been taken in the 1930's, of the rear of the rebuilt Milton Farm house. In 1826, young John Allen applied for and received a grant of land on Tasmania's east coast: four hundred acres on the west bank of Cygnet River. He named the property Milton, after his home village in England. In February 1828, he reaped his first harvest, but in that same month, an Aboriginal raiding party attacked the (undefended) property, after previously harassing Allen's neighbours John Lyne and George Meredith. Allen's house was robbed and torched and his wheat stack burnt; damage was estimated at £300. Subsequently awarded a two hundred acre extension to his land grant 'as a remuneration for the Aforesaid Loss', he set to work rebuilding, this time a two-storey house of stone
Postcard produced by Swansea photographer, Miss F.M. Kennedy, (c1880-c1950s) of titled Harbottle's at Swansea, Tasmania. This Cottage has also been know as Harbottle's Cottage and Caulfield Cottage. This single storey, sandstone rubble building with a corrugated iron hipped roof was listed by the National Trust in 1976 as it demonstrated the principal characteristics of a single storey, sandstone Victorian Georgian domestic building . Located at 45 Shaw Street, Swansea, Tasmania
Photograph of Apsley original log cabin dating from 1826 on the property granted to William Lyne by Governor Arthur on order from Lord Apsley, eldest son of Lord Bathurst. Copy made by J.W. Beattie of an original of J. Lyne
Most of the papers consist of notes made about historical queries, a rough draft of his book, and correspondence with East Coast residents and others requesting information. There is also a collection of newspaper cuttings and pamphlets relating to the history of Tasmania, especially the East Coast and some photographs and snapshots. Dr Parker also collected some original historical documents~ chiefly from East Coast families (although those of Dr Storey and the Cotton families have now been returned to the Cotton archives (ref. C.7). Dr Parker's collection of Walch's Almanacs has been supplemented by others received from Walch's and is kept up to date and now forms a complete record set for Walch's records (kept for reference in the Archives Reading Room). Some early newspapers (including Colonial Times, Southern Cross, Launceston Courier) were transferred to the State Archives to fill gaps in their collection .
One of eight annotated black and white photographs of the site of the Arid Regions Native Flora Reserve. Noting location of Mt Gillen, part of MacDonnell Range, entrance gate and driveway to hut, driveway for sanitary truck
1 sepia photograph of camp at Professor Lyndhurst Falkiner Giblin's Farm - Cobbler's End, Tasmania. Picturing Olive Pink, Florence Rodway, with mop and basin, Mildred Lovett with grid iron as harp, and Ursula Walker
Framed caricature of Mr. H. Steinbach. A popular vocalist of early Hobart. He often appeared at the Hobart Town Hall; his favourite song was "Alice Where Art Thou "
Black and white 35mm slides of Sarah Dunbabin an early graduate of the University of Tasmania. B.A. March 1909 & M.A. April 1912. One of 11 chidren of Thomas Dunbabin, farmer, and his wife Sarah Ada, née Murdoch of Marchwiel, Bream Creek. Prior to entering university she won prizes for English, Latin, History & German and a scholarship to the University.
The Most Distinguished Order of Saint Michael and Saint George is a British order of chivalry founded on 28th April 1818 by George, Prince Regent, later King George IV, while he was acting as regent for his father, King George Ill. It is named in honour of two military saints, St Michael and St George. Originally awarded to those holding commands or high position in the Mediterranean territories acquired in the Napoleonic Wars, it was subsequently extended to holders of similar office or position in other territories of the British Empire. It is awarded to men and women who hold high office or who render extraordinary or important non-military service in a foreign country, and can also be conferred for important or loyal service in relation to foreign and Commonwealth affairs. The only insignia used by all members of the Ord????r, this badge is a seven-armed, white-enamelled 'Maltese Asterisk'. The obverse shows St Michael trampling on Satan, while the reverse shows St George on horseback killing a dragon -both within a dark blue ring bearing the· Order's motto of Auspicium melioris cevi (Latin for 'Token of a better age'). Bird was appointed Companion of the Order of St Michael and St George (CMG) in the 1920 New Year Honours.
Photograph of All Saints Church, Macquarie Street, Hobart c. 1880 by Anson Brothers, Portrait and Landscape Photographers, Hobart Town, whose firm was located in Liverpool, Collins and Elizabeth Streets between 1878 and 1891.
Photograph of Mt. Gould and the DuCane Range from Narcissus Valley, Lake St. Clair taken from camp on the left hand side of Narcissus Valley going up (according to notes on the reverse of the photograph).
Lantern slide of Campbell and Minchin building, corner Elizabeth and Bathurst street, Hobart. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.
Lantern slide of Elizabeth Street, Hobart looking north. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.
Lantern slide of Government House and St David's Cathedral, Van Diemen's Land. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994. Lantern slide of detail from 'The Seat of His Excellency Lieut. Govr. Arthur / drawn from Nature and on Stone' by Charles Atkinson d.1837
Lantern slide of Hobart Savings Bank, Murray Street Hobart c1860. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.
Lantern slide of an early print of Hobart Town, Van Diemen's Land from the harbour. From the collection of James Backhouse Walker. Thought to have been prepared by J.W. Beattie (1859-1930) whose studio locations were in Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle Arcade, Hobart, until 1994.
Lantern slide of Tasmanian aboriginal canoe and baskets. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.
Lantern slide from the collection of James Backhouse Walker of buildings on the corner of Murray and Macquarie Street, Hobart, Tasmania. Thought to have been prepared by J.W. Beattie (1859-1930) whose studio locations were in Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle Arcade, Hobart, until 1994. Quaker Collection.
Lantern slide of house in Hobart. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.