Lantern slide of Government House and St David's Cathedral, Van Diemen's Land. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994. Lantern slide of detail from 'The Seat of His Excellency Lieut. Govr. Arthur / drawn from Nature and on Stone' by Charles Atkinson d.1837
Photograph of buildings on corner of Macquarie and Murray Streets, Hobart c. 1877. Photographed by Henry Hall Baily who had studios in Elizabeth and Liverpool Streets, Hobart from 1865 until 1918.
Photograph of Franklin Square Hobart was taken by the Anson Brothers photographers, whose firm was located in Liverpool, Collins and Elizabeth Streets between 1878 and 1891.
Letter from architect Edward Rowntree to George Washington Walker regarding the new Savings Bank building. From Walker Family Scrapbook compiled by Peter Benson Walker. Private collection. Page 27
Photograph from the collection of James Backhouse Walker of a view of Hobart from West Hobart looking east toward the river, showing Holy Trinity Church. The photographer is Henry Hall Baily who had studios in Elizabeth and Liverpool Streets Hobart from 1865 until 1918..
Photograph of road to Mt Wellington showing man with a gun hunting. Taken in about 1870 by Alfred Winter, who had studios in Bathurst, Elizabeth and Liverpool Streets from 1869 until 1891.
Souvenir booklet entitled 'Beautiful Hobart and surroundings. 81 views by J.C. Breaden'. It contains a series of black and white photographs of Hobart and places nearby
Photograph of Mrs. Sarah Hammond, youngest daughter of the Reverend Joseph Benson and sister of Ann Benson, aged 62. From Walker Family Scrapbook compiled by Peter Benson Walker. Private collection. Page 10
Lantern slide of Governor Sir Thomas Gore Browne. Governor of Tasmania from 1861-1868. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.
Lantern slide of Hobart Savings Bank, Murray Street Hobart c1860. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.
Letter from George Washington Walker in Hobart to his son James Backhouse Walker, expressing his desire to meet him in Melbourne on his return from England after attending school there. From Walker Family Scrapbook compiled by Peter Benson Walker. Private collection. Page 36a
Lantern slide of Hobart Town Harbour, Van Diemen's Land, in 1830. Prepared by J.W. Beattie (1859-1930) whose studio locations were in Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle Arcade, Hobart, until 1994.
Character sketch of Robert Walker by A.S. Hamilton, phrenologist, 1855. From Walker Family Scrapbook compiled by Peter Benson Walker. Private collection. Page 36a
Aerial view of the Zinc Works at Derwent Park. Looking down the Derwent River toward the Tasman Bridge. Showing Self's Point and Cornelian Bay Cemetery
Meeting held on 15th January 1845 to establish a savings bank in Hobart Town, Van Diemen's Land. It was unanimously resolved that it be called " The Hobart Town Savings Bank" Includes a list of trustees. From Walker Family Scrapbook compiled by Peter Benson Walker. Private collection. Page 26a
Lantern slide of Hobart Town from Mulgrave Battery, Van Diemen's Land, in 1830. From the collection of James Backhouse Walker. Prepared by J.W. Beattie (1859-1930) whose studio locations were in Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle Arcade, Hobart, until 1994.
Letter from Robert Mather to his daughter Sarah Benson Walker who was waiting for the birth of her first child. From Walker Family Scrapbook compiled by Peter Benson Walker. Private collection. Page 14
Lantern slide of an early print of Hobart Town, Van Diemen's Land from the harbour. From the collection of James Backhouse Walker. Thought to have been prepared by J.W. Beattie (1859-1930) whose studio locations were in Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle Arcade, Hobart, until 1994.
Letter and memorial on the death of Ann Mather by her daughter Sarah Benson Mather, Van Diemen's Land, 1831. From Walker Family Scrapbook compiled by Peter Benson Walker. Private collection. Page 21
Photograph rocks on Mount Wellington. The photographer was Albert Sargeant who had studios in Macquarie Street, Hobart and George Street, Launceston between 1886 and 1913.
Sixteen photographs taken at times between 1934 and the 1970s. One is of Ruth at Sandy Bay presumably before leaving for England. Later photographs show Ruth on her honeymoon, horse riding (presumably in England) and, later still, at Eaglehawk Neck and Orford. There are several passport photographs and one studio portrait taken in England in 1945.
Photograph of Launceston, Tasmania, from beyond the Cataract Bridge in about 1881. The photographer was Alfred Winter who had studios in Bathurst, Elizabeth and Liverpool Streets, Hobart, from 1869 until 1891.
Copies of diaries of Jorgen Jorgensen, including Journey to Ouse Plateau, Repat of Jorgensen to V.D.L. Co. on route between Hobart and Circular Head, and Journal kept while exploring from Circular Head to the Pieman River, 1826-7.
Miscellaneous papers re Cradle Mountain comprising correspondence regarding Franz Malcher, translation from Malcher's account of his trip to Tasmania, March 1914, notes on wild animals by G. Weindorfer and copy of his birth certificate, and copy of "Trip to the Summit of Cradle Mountain" by W.O. Weston, published in Examiner, Feb-March 1891 and miscellaneous notes.
Photograph of Davey Street, Hobart, looking east, showing the Oddfellows hall and the Congregational church. Photograph taken from the Harrington Street intersection.
Photograph of Waterloo House Private Boarding Establishment on the corner of Murray and Davey Streets, Hobart c.1893 with an electric tram in the background.
Photograph from the collection of James Backhouse Walker of Franklin Square and the Hobart waterfront taken in about 1870 possibly from St. David's Cathedral according to a note on the reverse. The photographer is Henry Hall Baily who had studios in Elizabeth and Liverpool Streets Hobart from 1865 until 1918.
Photograph of the Cascades' Female Factory looking toward Mt Wellington with the Cascade Brewery in the distance. In 1828 a Female Factory opened on the outskirts of Hobart at Cascades. It became the colony's largest Factory, expanding by 1853 into five major courtyards accommodating 1000 women and 175 children. The photographer was J.W. Beattie (1859-1930) whose studios were in Elizabeth and Murray Streets between 1891 and 1940
Circular letter from David Jenkin of the London Friends Local Conscription Committee offering advice and assistance to prospective conscientious objectors (30/4/40). Sansom's letter to Edgar Dunstan about a draft statement to the War Tribunal. Letters from Edgar Dunstan (8/6/40 and 12/6/40) suggesting appropriate work both the Sansoms could offer to undertake in lieu of active service. Sansom's letter of26/6/40 proposing to establish a house and property in Kent as a centre for conscientious objectors. A further letter to Capper Johnson containing a similar proposal applying to Bunce Court, Otterden (1/7/40) and Johnson's reply (17/7/40).
Photograph of the Bush Hotel, New Norfolk, Tasmania, 1881. Proprietor at the time was Captain Blockey. The photographer was Alfred Winter who had studios in Bathurst, Elizabeth and Liverpool Streets from 1869 until 1891.
Photograph of Port Arthur Penitentiary c. 1880. The photographers are Anson Brothers., Portrait and Landscape Photographers, Hobart Town whose firm was located in Liverpool, Collins and Elizabeth Streets between 1878 and 1891
Copies of letters from Clive Sansom to: • A.G. Prys-Jones of Aberystwyth Press (3/9/49) • The News Chronicle about speech education (27/9/48) and supporting the building of a replica of the Globe Theatre (25/1/49) • The Spectator about poetry (2/9/49) • The Times Literary Supplement about the Arts Council's support for poetry (22/1/49), choral speaking (26/3/29), Gerard Manly Hopkins (20/5/49), and the broadcasting of poetry (1/12/50) • The Observer about the publishing of poetry (7 /8/4?) • John O' London's Weekly about the use of the word 'pretty' (21/1/49) • The Listener about Eliot's Murder in the Cathedral (31/3/49) • The Friend about the concept of vocation in work (28/5/48) and the meaning of Divine Guidance (22/10/48) • The Sunday Times about book publishing (7/11/48) • Muriel Spark about adjudicating and an article on T.S. Eliot (21/2/48) • Mr Foules about a verse-speaking syllabus (5/3/49) • Ruth Sansom on personal matters (at least five letters undated and apparently written before the Sansoms married) • To unidentified correspondents about changing patterns in pronunciation, Quakerism, and Murder in the Cathedral (all undated)
Mary Augusta Walker's certificate from the Slade Fine Art School, University College London, where she studied from 1889-1890. From Walker Family Scrapbook compiled by Peter Benson Walker. Private collection. Page 45
Photograph of St. Mary's Cathedral in Harrington Street in about 1870. Henry Hall Baily is the photographer. He had studios in Elizabeth and Liverpool Streets Hobart from 1865 until 1918.
Photograph of Macquarie Street Hobart including St. Joseph's Catholic Church c. 1870. The view is looking west. The photographer was Henry Hall Baily who had studios in Elizabeth and Liverpool Streets Hobart from 1865 until 1918.
Photograph of Liverpool Street Hobart at the intersection of Argyle Street looking towards West Hobart, taken around the turn of the century showing Cherry's Carlton Club Hotel in the foreground. Also J. Whiteside & Son Furnishing Warehouse and Canes Iron mongers. The date is assumed from the presence of electric power poles which were introduced in 1898.
Photograph of Kangaroo Point (Bellerive) Beach on Hobart's Eastern Shore looking toward settlement c. 1882. The photographer was Henry Hall Baily who had studios in Elizabeth and Liverpool Streets, Hobart from 1865 until 1918.
Lantern slide of Port Arthur 1839. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.
Two photographs of Sunnyside, New Town, Tasmania, home of Thomas Daniel Chapman 1815-1884, Politician. Mt Wellington in distance. The photographer was Henry Hall Baily who had studios in Elizabeth and Liverpool Streets, Hobart from 1865 until 1918.
Lantern slide of Hobart Town, Van Diemen's Land, in February, 1817. Inscribed with the words 'Hobart Town in 1817. Drawn by Lieut. Charles Jeffreys' - also shows the Government schooner the Kangaroo , church, Government House and Fort.
Photograph of advertisement for a facsimile edition of First Fleet Journal of Lt. Wm. Brady. [Lieutenant William Bradley (1757– 1833)?] "A Voyage to N.S.W." R.N. of H.M.S. "Sirius", 1786-1792.
Letter from Ann Mather to her sons who were attending James Thompson's school, Hobart on the present site of Pressland House. Reproduced in Appendix A of 'All that we Inherit' by Peter Benson Walker. From Walker Family Scrapbook compiled by Peter Benson Walker. Private collection.. Page 17
Aerial view of the Hobart harbour showing Salamanca Place, Watermans dock, Parliamentary House , Hydro Building, Elizabeth Street pier, the Marine Board building under construction, Franklin Square and St, David's Park.
View of the Hobart harbour looking from Princes Park showing the cargo ships at Elizabeth Street Pier, MTT bus terminal, RH hospital, transport building, City Hall and Tasmanian Museum
Photograph of the track to Fern Tree Bower, Mount Wellington before taken prior to 1879 by Anson Brothers who had studios in Liverpool, Collins, and Elizabeth Streets between 1878 and 1891.
Lantern slide of early print of Hobart Town, Van Diemen's Land in 1830. From the collection of James Backhouse Walker. Prepared by J.W. Beattie (1859-1930) whose studio locations were in Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle Arcade, Hobart, until 1994.
Letter from Mary Mather in London to her brother Robert in Van Diemen's Land dated 23 September 1830. From Walker Family Scrapbook compiled by Peter Benson Walker. Private collection. Page 20
BHP "History of Bass Strait" series Nos. 1-12 : reproductions of maps and pictures issued each month with The Australian Financial Review, Jan-Dec. 1972.
Lantern slide of Hobart Town, Van Diemen's Land, from Old Wharf in 1839. From the collection of James Backhouse Walker. Prepared by J.W. Beattie (1859-1930) whose studio locations were in Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle Arcade, Hobart, until 1994.