Photograph of Port Arthur from behind the church with ship in the harbour, taken by Henry Hall Baily who had studios in Elizabeth and Liverpool Streets, Hobart from 1865 until 1918.
Photograph of the Hobart Regatta grandstand taken from the water in 1886. The photographer was Albert Sargeant who had studios in Macquarie Street, Hobart, Tasmania from 1886-1890 and George Street, Launceston, Tasmania from 1900-1913.
Photograph of New Town, Tasmania in the snow from Russell Young's Beaulieu (Swans Hill) taken on the morning of 16th June 1882. The photographer was Alfred Winter who had studios in Bathurst, Elizabeth and Liverpool Streets from 1869 until 1891.
Extracts from the personal diaries of R. S. Sanderson, Burnie. Entries refer to events that occurred on the North West coast of Tasmania between 1884 and 1928. Also notes on ships in Emu Bay
Lantern slides of the University of Tasmania, Queen's Domain, Hobart. Views of exterior and laboratories and library. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994 (Collection Pr.S.Uni/1-8)
Lantern slides of the University of Tasmania, Queen's Domain, Hobart. Views of exterior and laboratories and library. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994 (Collection Pr.S.Uni/1-8)
Lantern slides of the University of Tasmania, Queen's Domain, Hobart. Views of exterior and laboratories and library. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994 (Collection Pr.S.Uni/1-8)
Lantern slides of the University of Tasmania, Queen's Domain, Hobart. Views of exterior and laboratories and library. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994 (Collection Pr.S.Uni/1-8)
Lantern slide photograph of Henry Ling Roth. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.
Lantern slide of James Backhouse. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.
Lantern slide of maps of Tasmania. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.
Lantern slide of maps of Tasmania. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.
Lantern slide of West Australian aboriginal stone implements. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.
Lantern slides of Tasmanian aboriginal stone implement quarry, Plenty river. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.
Lantern slides of Tasmanian aboriginal stone implement quarry, Plenty river. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.
Miscellaneous items including • freehand sketches of Sansom and John Bradford, • photograph of Sansom on board ship, • Christmas card from 'Mother', • invitation from St John's Infant School to attend the crowning of the May Queen, • photograph of a building named 'Green Gates', • printed Christmas card from the Sansoms that contains Sansom' s poem 'Carol of Three'.
Photograph from the collection of James Backhouse Walker of an elevated view of Hobart looking east taken near Browne Street, (about 1876, according to a note on the reverse). Warwick Street in the foreground. Photographed by Henry Hall Baily who had studios in Elizabeth and Liverpool Streets, Hobart from 1865 until 1918.
Photograph of Government House, Hobart taken from the Queen's Domain, c. 1890s. A note on the reverse says 'after railway'. The photographer was Henry Hall Baily who had studios in Elizabeth and Liverpool Streets, Hobart from 1865 until 1918.
Photograph from the Orphan School grounds, New Town, Tasmania c.1870s. The photographer was Henry Hall Baily who had studios in Elizabeth and Liverpool Streets, Hobart from 1865 until 1918.
Letter from Robert Walker to his daughter Winifred, Hobart 1883. From Walker Family Scrapbook compiled by Peter Benson Walker. Private collection. Page 44a
Photograph of the Rev. Robert Knopwood's grave at Rokeby, Clarence Plains, Tasmania. Knopwood died 18 September 1838. He was the first Chaplin of Van Diemen's Land
• A studio portrait of an unknown lady - an old photograph probably of a forebear. • Two photographs of unidentified individuals, one annotated 'Tiesie Austria'. • Postcard of Reigate Wray Common Windmill. • Postcard of Eiger, Monch, Jungfrau. • Pictorial folding letter card of scenes from Reigate. • Two postcards of Reigate. • Seven postcards of Winchmore Hill. • Photograph of the cover designed for the Argo recording of ‘The Witnesses’. • Envelope containing negatives of photographs.
Photograph of Webb's Hotel, later Hadley's, Murray Street, Hobart, Tasmania, in about 1880. The photographer was Alfred Winter who had studios in Bathurst, Elizabeth and Liverpool Streets from 1869 until 1891.
Photograph of the Public Buildings in Launceston, Tasmania. The Criterion Hotel is in the background. The photographers were Anson Brothers who had studios in Liverpool, Collins and Elizabeth Streets, Hobart, between 1878 and 1891.
Photograph of Hobart from the Queen's Domain with the railway station in the foreground, c. 1881. The photographers were Anson Brothers who had studios in Liverpool, Collins and Elizabeth Streets between 1878 and 1891.
Photograph of Queenborough, Sandy Bay, Tasmania, c.1881. The photographer was Alfred Winter who had studios in Bathurst, Elizabeth and Liverpool Streets from 1869 until 1891.
Photograph of Macquarie Street Hobart, looking west in about 1870. The Bank of Van Diemen's Land and Hobart Town Hotel are in the foreground. The photographer is Henry Hall Baily who had studios in Elizabeth and Liverpool Streets between 1865 and 1918.
Photograph of Hobart waterfront - Salamanca looking towards Customs House. Could be around 1870. Photograph appears to have been taken in front of the warehouses near the wharf with ships alongside and a shingle roofed wooden building in the foreground.
Miscellaneous notes and letters relating to the search for accommodation. Letter from Sansom to the Editor of Poetry Review on the subject of poetry and beauty (14/11/40) and one from an unidentified writer [perhaps either Rodney Bennett or Robert Gittings?] on the teaching of oral English and Keats's connection with Dorset (5/12/61).
Photograph of the Ship Inn on the corner of Elizabeth and Collins Streets, Hobart. In 1881 the proprietor was Mr J. C. Hadley . The photographer is Alfred Winter who had studios in Bathurst, Elizabeth and Liverpool Streets from 1869 until 1891.
Photograph of the Cascade Brewery buildings from behind, Hobart, Tasmania. The photographers were Anson Brothers whose studios were located in Liverpool, Collins and Elizabeth Streets between 1878 and 1891.
Lantern slide of the death of Lieutenant Governor David Collins, 1810. From The Derwent Star, and Van Diemen’s Land Intelligencer no. 7, Tuesday April 3rd 1810. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.
Pledge of total abstinence signed by Augustus Carp of the Dr. Syntax Hotel. The pledge is authorised by the Van Diemen's Land Total Abstinence Society of which George Washington Walker is the registrar.
Lantern slide of aboriginal caves at Tedworth. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.
Lantern slide of aboriginal caves at Tedworth. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.
Lantern slide of a tree marked by aborigines at Tedworth. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.
Lantern slide of an aboriginal implement quarry at Tedworth. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.
Lantern slide of mixed race Tasmanian aborigines. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994. The fourth person from the left is believed to be Mary Everett and the fifth person is believed to be Bunny Brown.
Lantern slide of ground stone aboriginal implements. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.
Lantern slide of a Tasmanian aboriginal woman. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.
Lantern slide of Tasmanian aboriginal woman and child 'after Labillardiere'. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994
Lantern slide of Tasmanian aboriginal woman Truggeruana, native of Recherche. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994
Lantern slide of Tasmanian aboriginal stone implements. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.
Seven photographs show either one or both of the Sansoms with Walter Stiasny and his wife, with members of the London verse speaking choir at a choir reunion in London in 1961 and with other groups of unidentified people.
Photograph of Davey Street, Hobart, looking west, in about 1870, showing Ireland's Collegiate School for boys and the Congregational Church in the foreground. The photographer was Alfred Winter who had studios in Bathurst, Elizabeth and Liverpool Streets from 1869 until 1891.
Photograph of north Macquarie Street from the Mercury office (with verandah) corner Macquarie and Argyle Street. Showing the Hobart Town Hall, Franklin Square and the Treasury buildings. Photographed byy Anson Brothers whose firm was located in Liverpool, Collins and Elizabeth Streets. Taken before September 25 1866, as this is the date of the grand opening of the Town Hall, shown on the left-hand side of the photograph
Photograph of Webb's Hotel, later Hadley's, Murray Street, Hobart, in about 1877. The photographer was Henry Hall Baily who had studios in Elizabeth and Liverpool Streets, Hobart, from 1865 until 1918.
Photograph of the settlement of Port Arthur from behind the church and Doctor's house c. 1880. View of vegetable gardens in foreground. The photographers are Anson Brothers., Portrait and Landscape Photographers, Hobart Town whose firm was located in Liverpool, Collins and Elizabeth Streets between 1878 and 1891.
Photograph of Battery Point from Sandy Bay, Tasmania, with St. Helena, later Wrest Point, in foreground, St Georges Church in the distance, c.1881. The photographer was Alfred Winter who had studios in Bathurst, Elizabeth and Liverpool Streets from 1869 until 1891.
Photograph of the Cascades' Female Factory from the rear showing yards with washing and horse. In 1828 a Female Factory opened on the outskirts of Hobart at Cascades. It became the colony's largest Factory, expanding by 1853 into five major courtyards accommodating 1000 women and 175 children. The photographer was J.W. Beattie (1859-1930) whose studios were in Elizabeth and Murray Streets between 1891 and 1940
Letter from James Backhouse Walker in Hobart to his sister Mary who was painting in Quinperle, Brittany. It sets out the Walker genealogy at length and describes the ships which carried Collins and his party to Sullivans Cove. From Walker Family Scrapbook compiled by Peter Benson Walker. Private collection. Page 40
Photograph of Macquarie Street, Hobart looking south in about 1870. The Bank of Australasia and Macquarie House are two of the buildings featured. The photographer is Henry Hall Baily who had studios in Elizabeth and Liverpool Streets between 1865 and 1918.
Photograph of the Ship Inn on the corner of Elizabeth and Collins Streets, Hobart in about 1881. The photographer is Alfred Winter who had studios in Bathurst, Elizabeth and Liverpool Streets from 1869 until 1891.
Photograph of New Norfolk, Tasmania, c. 1880 from the opposite side of the River Derwent. The photographer was Alfred Winter who had studios in Bathurst, Elizabeth and Liverpool Streets from 1869 until 1891.
Photograph of Hobart Town, Tasmania, from the Queen's Domain, looking down Macquarie Street in the 1850s. This photograph appears on page 27 of Allan Sierp's 'Colonial Life in Tasmania: Fifty Years of Photography 1855-1905' (Rigby, 1976)
Photograph from New Town Invalid Asylum, Tasmania in about 1882. The photographer was Henry Hall Baily who had studios in Elizabeth and Liverpool Streets, Hobart from 1865 until 1918.
Letters and documents about Spiceland Training Centre. Circulars outlining the purpose of the Centre. Sansom' s application to undertake a training course at the Centre. Two letters from the Centre's Warden and typed extracts from 'The Fifty-Fifth Column' the Centre's newsletter compiled by the residents (including Sansom). Further letters from Sansom to the Labour Exchange, Chipping Norton, to 'Peter' describing Spicelands Centre building and the daily routines, and to Mr Foulis about LAMDA matters. Two letters from Jonathon Field to Sansom about plans to jointly operate a market garden at 'Tinker's Orchard'.
Two wedding cards with decorative scalloped edges attached together with metallic beaded clip, one smaller, inscribed Mrs D.F. Jobson and D.F. Jobson in a silver embossed envelope with decorative seal addressed Mr & Mrs G.W. Walker
Photograph from the collection of James Backhouse Walker of a view of Mt. Wellington from the foot of St. George's Hill in about 1870. The view is from the corner of Albeura St and Sandy Bay Rd. The photographer's name, Woolley, is recorded in a note on the reverse and presumably refers to Charles Alfred.
Copies of Sansom's poems (some typewritten, others by hand): 'Woods under Grass'; 'Colombo, November 1949', 'My love we have been one so utterly... '; 'On hearing Celtic Lament'; 'Epitaph'; 'Invocation'; 'Because the sun clears in the valleys ... '; and an extract from one of Sansom's poems printed in an obituary notice for Jennie E. Milligan.
A note concerning the sale of Dr Story's house at 18 Critchill Place, New North Road, London. Two thirds of the profits from the sale, after all expenses were paid, were to go to Lowe and Johnson of 30 Bishopsgate Street.
Photograph of the Tasmanian Club formally the Derwent Bank, and Walch's building with a landau outside. The Tasmanian Club is a Georgian style building designed by architect James Alexander Thomson and built in 1846 for banker and merchant Captain Charles Swanston as the Derwent Bank. After the depression of the 1840's the Bank went into liquidation and the building was bought by the Tasmania Club in April 1873 and is still their residence today. The Tasmanian Club was established in 1861 in Hobart by seventy gentlemen. It was founded on the 'London pattern', that is, election or exclusion of candidates by ballot. The photographers are Anson Brothers whose firm was located in Liverpool, Collins and Elizabeth Streets between 1878 and 1891.
Photograph of Liverpool Street Hobart taken from just before the Elizabeth Street intersection around the turn of the century with horse drawn carriages in the foreground. The date is assumed from the presence of electric power poles which were introduced in 1898.
Photograph of St. John's Street, Launceston with St. John's Anglican Church and Chalmers Free Presbyterian Church on opposite sides of the street. The photographer was William Cawston who had studios in Paterson and St. John Streets, Launceston from 1863-1891.
Portrait photograph of Government House, Hobart, Tasmania. The photographer was Henry Hall Baily who had studios in Elizabeth and Liverpool Streets, Hobart from 1865 until 1918