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Seven captioned hand coloured images in proprietary envelope. Showing views of Hobart.
From envelope - Valentine's Snapshots. Eight real photographs. Hand Coloured Hobart, No. 1. Published by The Valentine Publishing Co. Melbourne and Sydney.

Eight small captioned black and white postcards in proprietary envelope. From envelope - For your Album, Murray's Snapshots - Series No. 2. produced by Murray Views Gympie, Queensland. Photographs like these allowed tourists to send many images of their holiday destination or hometown in the one small package.

Eight small captioned black and white postcards in proprietary envelope. From envelope - Beauty Spots in Australia, 8 Real Photographs for your Snapshot Album, Published by the Rose Stereographic Co. Armadale, Victoria

Eight small captioned black and white fold out images in proprietary post-able envelope. From envelope - Join us in a trip around St. Helens Tasmania. Southern series Registered. On reverse - Postage rates within the British Empire. Without correspondence, in an unsealed envelope, will be 3d. If correspondence is added, postage will be 3 1/2d whether envelope is sealed or unsealed. Foreign rate, 7 1/2 d

Collection consists of personal papers, medical case notes and accounts, student notes and exercises, botanical papers which include some correspondence with Baron Sir Ferdinand von Mueller, copies of electoral returns etc.

Sketches, mainly in pencil and crayon, made by Olive Muriel Pink of flowers found in the north of South Australia, Central and North Australia. The majority were made between June and December 1930, at various places along the railway between Port Augusta and Alice Springs. Later sketches were made in various parts of Australia between 1931 and 1960, but often without a note of the place and date. The sketches were often hurriedly made on pieces of thin, cheap paper, or even pieces of cardboard or brown paper. Some were coloured with crayon and a few, more finished drawings were coloured with watercolours. A later donation was made of books, personal belongings and sketches. A second series was received from the family of Olive Pink in 2016, this series includes Olive Pink's book collection, photographs, paintings, letters, items of clothing and other ephemera and memorabilia, some of which are nationally significant in their own right - such as the book plate made by Adrian Feint, notes and sketches done whilst camping with Daisy Bates, and photographs documenting life in Central Australia.

Water colour on paper painted by Olive Pink at Beltana, South Australia, 19/7/30 Identified by Olive Pink as Loranthus exocarpi

Coloured pencil sketched by Olive Pink, Warraweena, Beltana, South Australia 19/7/30 Identified by Olive Pink as Mistletoe Berry - Loranthus exocarpi

Pencil some coloured on card sketched by Olive Pink at Callanna Reservoir South Australia 20-21/7/30

Coloured pencil on paper sketched by Olive Pink at Callanna Reservoir, South Australia 20-21/7/30. Identified by Olive Pink as Lavatera plebeia

Coloured pencil on dark card, sketched by Olive Pink at (Ry)Dam Callanna, South Australia 20-21/7/30. Identified by Olive Pink as Stenopetalum

Coloured pencil on dark card, sketched by Olive Pink at Callanna, South Australia 20-21/7/30. Identified by Olive Pink as Scaevola aemula

Coloured pencil on paper sketched by Olive Pink at Edwards Creek, South Australia "near creek" 25/7/30. Identified by Olive Pink as Swainsona

Watercolour and coloured pencil on paper painted by Olive Pink, Edwards Creek, South Australia, 26/7/30. Identified by Olive Pink as Kochia tomentosa

Coloured pencil on card sketched by Olive Pink at Edwards Creek, South Australia ?/7/30. Identified by Olive Pink as Trichodesma zeylanicum

Watercolour on card with some pencil painted by Olive Pink at Edwards Creek, South Australia 5/8/30. Identified by Olive Pink as Zygophyllum

Watercolour and coloured pencil on paper painted by Olive Pink at Edwards Creek, South Australia 6/8/30. Identified by Olive Pink as Helichrysum semi-papisum

Watercolour on card with pencil, painted by Olive Pink at Edwards Creek, South Australia 1930. Identified by Olive Pink as Psoralea

Water colour and pencil on paper sketched by Olive Pink, 20 miles from Darwin, Northern Territory, October 1930. Identified by Olive Pink as - thought not indigenous?

Coloured pencil on paper sketched by Olive Pink, Darwin, Northern Territory 1930. Not identified by Olive Pink

Pencil on paper sketched by Olive Pink, Darwin, Northern Territory 1930. Not identified by Olive Pink pinned to drawing 6-7-6a "mauve and cream thick textured flowers"

Pencil on card sketched by Olive Pink, Darwin, Northern Territory 29/9/30.- The 10 mile. Not identified by Olive Pink "green stems (to flowers) and green leaves, feathery little petals (like small clematis)

Coloured pencil on paper sketched by Olive Pink, Tortunggah Quadtchah, Northern Territory 27/11/30. Not identified by Olive Pink

Pencil on card sketched by Olive Pink, Tortanga Quatcha, Water Hole, C. Aus, Northern Territory 27/11/30. Not identified by Olive Pink

Water colour and pencil on paper sketched by Olive Pink, Jay Creek, Northern Territory 27/12/30. Identified by Olive Pink as Loranthus miguelii "veins in leaves lighter and more yellow than leaf - flowers bright red"

Water colour and pencil on paper sketched by Olive Pink, Jay Creek, Northern Territory 26/12/30. Identified by Olive Pink as Capparis

Water colour on paper sketched by Olive Pink, (place and date unknown) Northern Territory. Identified by Olive Pink as Crotalaria cunninghamii

Water colour on card sketched by Olive Pink, (place and date unknown) Northern Territory. Not identified by Olive Pink

Pencil on paper sketched by Olive Pink, Northern Territory 1930. Not identified by Olive Pink

Watercolour and pencil on card sketched by Olive Pink, Mt. Tambourine, Queensland, 1926. Not identified by Olive Pink

Pencil on paper sketched by Olive Pink, Darwin, Northern Territory, 1930. Identified by Olive Pink as Careya australis

Pencil on card sketched by Olive Pink, "Near the 10 Mile", Darwin, Northern Territory, 28/9/30. Identified by Olive Pink as apple green calyx of bud, bright apple-green leaves, cream blossom (of magnolia texture) warm brown stem

Coloured pencil on paper sketched by Olive Pink, Jila, Northern Territory, 1934. Not identified by Olive Pink

Coloured pencil on brown paper sketched by Olive Pink, Bond Springs or Aileron Station, Northern Territory, 1934. Not identified by Olive Pink

Watercolour on paper sketched by Olive Pink, Finke, 4/9/3? (Aileron Station, Northern Territory, 1937).

Pencil on card sketched by Olive Pink, "at Wurley", Alice Springs, Northern Territory, 25/7/42. Not identified by Olive Pink. Drawn on the back of a 1913 sketch

Coloured pencil on paper sketched by Olive Pink, Thompsons Rock Hole, 27/8/42. Described by Olive Pink as " I call this hybiscus but I think the whites here call it the Desert Rose ( a silly name !). Fully open blossom - the effect is very papery and slightly more mauve ( in parts) than I have it - buds lovely, rosey and like quince blossom buds rather".

Coloured pencil on paper sketched by Olive Pink, Thompsons Rock Hole, 27/8/42. Not identified by Olive Pink. "Don't know name - small low plant and tall ones too. Very difficult so frail in texture and transparent paperish that the light shine through. They come out at dusk and look lovely ( 5 petals) stamens the same colour as petals with deeper knobs of pollen"

Watercolour on card sketched by Olive Pink, Thompsons Rock Hole, 1943. Identified by Olive Pink as Sturt Bean Tree blossoms and Crimson chat (Leach)

Pencil on card sketched by Olive Pink, Thompsons Rock Hole, 1943. Described by Olive Pink as "light green stems dark green leaves almost lemon yellow at joints" (drawn on the back of P6-15-13a)

Printed reproduction of a painting of the First Landing in Van Diemens Land showing Mt. Wellington in the background

Photograph titled First Friends' Meeting House: The first Quaker Meeting House in Hobart. A cottage at 39 Murray Street which was bought by James Backhouse in 1837 with a loan from Meeting for Sufferings, London. The cost was £400 including alterations. Shows Mr Cheverton and Mr Shields and uniformed police constable in front, Holy Trinity Church on hill in background. From 12 February 1832 the visiting Quakers James Backhouse and George Washington Walker held periods of worship in the Quaker manner and others sought leave to join them. These included ex-English Friends who had been transported, some of whom were still prisoners, other convicts and ‘locals’, together with four current members. The gatherings were held in private homes and various rented rooms. The Hobart Meeting began in 1833 when the first Meeting for Discipline was held on 20 September 1833 at the home of Thomas Crouch, Bathurst Street. Members present were Thomas Squire, Ann Pollard (minor), James Backhouse and George Washington Walker. Photograph (mounted) J. Bishop, Osborne (& copy neg)

Stereoscopic photo, S. Clifford

Photograph of the church at Port Arthur

John Watt Beattie photograph

John Watt Beattie photograph of Cape Raoul on the Tasman Peninsula

Photograph taken by George Musgrave Parker

Photograph taken by F.M. Kennedy - thought to be Buckland church

Photograph of the porch of Buckland church from A.B Series No. 645

Photograph of the old barracks at Spring Bay which were built between 1842 & 1850 taken by George Musgrave Parker

Ifor Butler

Photograph shows oast houses in distance over haycocks (Mrs Mitchell). See also Book chap 9 for closer view (P1/6 and P1/35 26-)

thought to be near Swansea

Photograph of Rocky Hills

Photograph taken from the base of the bridge showing the culvert. Photographed by Ben Sheppard

Spiky Bridge near Swansea. Ash Bester postcard

Convict built Spiky Bridge near Swansea. Ash Bester postcard (Tas A.B. Series No.31)

Photograph of the distant view of Kelvedon taken over the river from the main road (from Mrs Mitchell)

Photograph of Kelvedon House thought to be taken around 1926

Photograph of Kelvedon house and garden showing deck chair and urn thought to have been taken c1926-1928

Photograph of Glen Gala House at Cranbrook. Adam Amos arrived in March 1821 in the Emerald along with George Meredith, and was advised to look for land on the unsettled east coast. Adam's capital entitled him to a grant of 1000 acres (405 ha) which he located on the Swan River at Cranbrook, and called Gala. Glen Gala is a two storey brick Victorian Georgian house constructed in 1860 on the original grant to Adam Amos

Post card showing a view of the three story building of A. Morris General Storekeeper, Franklin Street, Swansea. Post card produced by F.M. Kennedy

Photograph of Bluff Cottage, formerly known as Harbottle's Cottage and Caulfield Cottage. This single storey, sandstone rubble building with a corrugated iron hipped roof was listed by the National Trust in 1976 as it demonstrated the principal characteristics of a single storey, sandstone Victorian Georgian domestic building . Located at 45 Shaw Street, Swansea, Tasmania

Photograph taken by George Musgrave Parker of Swansea from Waterloo Point

Photograph of Gala Mill Cranbrook, Tasmania taken 1929. The Gala Mill was constructed by John Amos in 1842.

Photograph of side view of Apslawn House. A sandstone Georgian house built in the 1840's on 640 acres of land granted to John Lyne, MHA for Glamorgan ,1843-1865. Located on the Tasman Highway, Apslawn, 13km south-west of Bicheno.

Sarah Island was also known by many in the late twentieth century as Settlement Island and the brick and stone penitentiary building was thought to have been constructed in 1828

Photograph by J. Mills, Zeehan. John Mills worked as a photographer in Zeehan from 1896-1900

Photograph of the front view of the schoolhouse, Broadmarsh, Tasmania. Taken April 1960

Photograph of the Congregational Church, Broadmarsh, Tasmania. Taken April 1960.
Two churches were established at Broadmarsh, an Anglican church, St Augustine's in 1847 and a Congregational church in1861.
Location 1497 Elderslie Road. The Broadmarsh Uniting (Congregational) Church was built in 1861 on land owned by William Gunn, at ‘Arndell’.

Photograph of front view of Braeside, Broadmarsh. Taken April 1960. Now known as Stonefield' , 'Braeside' was built in 1824, located at 266 Elderslie Rd, Lower Broadmarsh. A good example of a two storey Georgian home with a separate kitchen wing

Photograph of window at Strathelie, Broadmarsh. Taken April 1960. Located at 974 Elderslie Road Broadmarsh. Strathelie is a very impressive late Georgian house thought to be built by Thomas Johnston in 1851. Constructed of silver grey sandstone, featuring a parapeted facade, enclosed rear courtyard, fine front door and front verandah with slender iron columns. The house is complemented by particularly fine outbuildings comprising stone barn with arched openings and brick stable forming a u-shape about a central yard.

Photograph of stables at Strathelie, Broadmarsh. Taken April 1960. Located at 974 Elderslie Road Broadmarsh. Strathelie is a very impressive late Georgian house thought to be built by Thomas Johnston in 1851. Constructed of silver grey sandstone, featuring a parapeted facade, enclosed rear courtyard, fine front door and front verandah with slender iron columns. The house is complemented by particularly fine outbuildings comprising stone barn with arched openings and brick stable forming a u-shape about a central yard.

Photograph of barn on Dromedary Road, Broadmarsh. Taken April 1960.

Photograph of house on road to Windsor Park, Broadmarsh. Taken April 1960.

Photograph of front view of Roydon, Broadmarsh. Taken April 1960. Located at 58 Clifton Vale Road, Elderslie. Sandstone farm house with a central door and flanking double hung windows, an attic level and weatherboard addition to the rear. The building has a hipped roof and narrow boxed eaves. The sandstone stables feature a half hipped roof, sandstone walls and an iron roof. The building is a floor and a half and is still in use as a stable. There are some other early buildings on the site.

Photograph of the front door of Roydon, Broadmarsh. Taken April 1960. Located at 58 Clifton Vale Road, Elderslie. Sandstone farm house with a central door and flanking double hung windows, an attic level and weatherboard addition to the rear. The building has a hipped roof and narrow boxed eaves. The sandstone stables feature a half hipped roof, sandstone walls and an iron roof. The building is a floor and a half and is still in use as a stable. There are some other early buildings on the site.

Entrance to physical laboratory and registrars office at the rear of Domain House, Hobart.

Undated letter from Henry Meredith to his mother, Mary Ann written from Mr Giblin's New Town Academy, regarding his health, the situation of the school being good, going to the races and seeing a boat on four wheels drawn by horses.

Letter from James Meredith and wife Sarah Meredith to their son John Meredith dated 1821. Sorry to hear he was ill on voyage, regards to Mr George Meredith and family - glad to hear they were well, sending letter with packet of newspapers by "Hope" and also letter in March by Mr Dunn, news of King, harvest, high rates and tithes, insurrection of Greeks against Turks.

Letter from James Meredith and wife Sarah Meredith to their son John Meredith dated 1821. Sorry to hear he was ill on voyage, regards to Mr George Meredith and family - glad to hear they were well, sending letter with packet of newspapers by "Hope" and also letter in March by Mr Dunn, news of King, harvest, high rates and tithes, insurrection of Greeks against Turks.

Letters from Ann Johnston to cousin John Meredith dated 3rd December 1820 expressing her lively interest in his well being, "Emerld" not calling at Madeira so no letter, Mr Dunn taking letters, news of Mr George Meredith's marriage, Mr and Mrs Pearce, Mr Anderson and Mr Johnston enquiring after you.

Letters from Ann Johnston to cousin John Meredith dated 3rd December 1820 expressing her lively interest in his well being, "Emerld" not calling at Madeira so no letter, Mr Dunn taking letters, news of Mr George Meredith's marriage, Mr and Mrs Pearce, Mr Anderson and Mr Johnston enquiring after you.

Letter from Ann Johnston to cousin John Meredith dated 5th March 1821, letter from Teneriffe received - sorry he was so sea sick, visit to Birmingham, John's young brother Ben learning to sing, his mother Sarah, David and Joseph, dined at Henry Meredith's, respects to Mr and Mrs Meredith and love to their children

Letter from Ann Johnston to cousin John Meredith dated 5th March 1821, letter from Teneriffe received - sorry he was so sea sick, visit to Birmingham, John's young brother Ben learning to sing, his mother Sarah, David and Joseph, dined at Henry Meredith's, respects to Mr and Mrs Meredith and love to their children

Letter from Ann Johnston to cousin John Meredith dated 5th March 1821, letter from Teneriffe received - sorry he was so sea sick, visit to Birmingham, John's young brother Ben learning to sing, his mother Sarah, David and Joseph, dined at Henry Meredith's, respects to Mr and Mrs Meredith and love to their children

Letter from Ann Johnston to cousin John Meredith dated 5th March 1821, letter from Teneriffe received - sorry he was so sea sick, visit to Birmingham, John's young brother Ben learning to sing, his mother Sarah, David and Joseph, dined at Henry Meredith's, respects to Mr and Mrs Meredith and love to their children

Black and white photograph showing fig tree planted by Afghans

Sketch of Pink Mountain berries , Hobart

Eight small captioned black and white postcards in proprietary envelope. From envelope - For your Album, Murray's Snapshots - Series No. 1. produced by Murray Views Gympie, Queensland. Photographs like these allowed tourists to send many images of their holiday destination or hometown in the one small package.

Eighteen captioned fold out black and white images in proprietary post-able envelope. Showing views of Launceston.
From envelope : 18 Selected Views, Launceston, Tasmania Launceston. Produced by Murray View, Gympie, Q

Photograph of the Hobart waterfront from the old quarry on the Queen's Domain taken in the 1870s before the railway.

Application to locate additonal grant of 750 acres between Webber's land and Cotton corner tree at Rocky Hills dated 1831

Quarto Farm journal dated 1881 - 1886. Decayed and crumbly at top of pages

Water colour on card sketched by Olive Pink, Alice Springs, 1958