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Notes on Francis and Anna Maria Cotton from London Meeting

Research by Edward Milligan into the history of Francis and Anna Maria Cotton's exclusion (disownment) from the Society of Friends entitled 'Notes from London Meeting (Devonshire House and Southwark) on Francis and Anna Maria Cotton'. The envelope is marked 'sealed until January 1989' with a note from the donor Nancie Hewitt 'to be put under seal for 15 years or until death of Margie Robey whichever is the sooner'.

Edward Milliagan

Rachel Salmon's Will

Copy of Rachel Salmon's Will, dated 1933.Property in trust for three stepdaughters Emma Elizabeth Campbell, Alicia Maria New and Mary Ann Louisa Robinson, bequests to Friends School and nephews and nieces; ms instructions on distribution of household goods to friends.

Rachel Salmon

Tasmanian Aboriginal woman and child

Lantern slide of Tasmanian aboriginal woman and child 'after Labillardiere'. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994

John Watt Beattie

Exterior of physical laboratory, University of Tasmania, Queen's Domain, Hobart, late nineteenth century

Lantern slides of the University of Tasmania, Queen's Domain, Hobart. Views of exterior and laboratories and library. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994 (Collection Pr.S.Uni/1-8)

John Watt Beattie

Interior of chemistry laboratory, University of Tasmania, Queen's Domain, Hobart, late nineteenth century

Lantern slides of the University of Tasmania, Queen's Domain, Hobart. Views of exterior and laboratories and library. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994 (Collection Pr.S.Uni/1-8)

John Watt Beattie

Wood's hut, the Springs, Mount Wellington, Hobart, Tasmania

Lantern slide of Wood's hut, the Springs, Mount Wellington, Hobart. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.

John Watt Beattie

Wybalena, Flinders Island

Lantern slide of Wybalena, Flinders Island. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.

John Watt Beattie

Buildings, early Hobart, Tasmania

Lantern slide from the collection of James Backhouse Walker of buildings in early Hobart, Tasmania. Thought to have been prepared by J.W. Beattie (1859-1930) whose studio locations were in Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle Arcade, Hobart, until 1994.

John Watt Beattie

Early Hobart Town, Van Diemen's Land

Lantern slide from the collection of James Backhouse Walker of early Hobart Town, Van Diemen's Land from the harbour. Thought to have been prepared by J.W. Beattie (1859-1930) whose studio locations were in Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle Arcade, Hobart, until 1994. Quaker Collection.

John Watt Beattie

House, Hunter Street, Hobart, Van Diemen's Land

Lantern slide of house in Hunter Street, Hobart. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.

John Watt Beattie

Streetscape, Hobart, Tasmania

Lantern slide from the collection of James Backhouse Walker of a streetscape in Hobart, Tasmania. Thought to have been prepared by J.W. Beattie (1859-1930) whose studio locations were in Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle Arcade, Hobart, until 1994.

John Watt Beattie

Additonal grant

Application to locate additonal grant of 750 acres between Webber's land and Cotton corner tree at Rocky Hills dated 1831

Francis Cotton

1881-86: Farm Journal

Quarto Farm journal dated 1881 - 1886. Decayed and crumbly at top of pages

Francis Cotton

Letter to Rachel

Letter from Francis Cotton written to Rachel Cotton dated 29 June 1868, while visiting South Australia, Victoria, and New South Wales

Unidentified

Pencil on card sketched by Olive Pink, (date and location unknown)

Olive Pink

Native Lemon

Coloured pencil on paper sketched by Olive Pink, at Anzac Hill (date unknown) "native lemon, Aranda country"

Olive Pink

Capparis

Pencil on card sketched by Olive Pink 4/12/57 (location unknown). Identified by Olive Pink as "Capparis (in profile)"

Olive Pink

Yam flower

Watercolour on card sketched by Olive Pink 27/12/57 (location unknown). Identified by Olive Pink as "Yam flower? badly done"

Olive Pink

Unidentified

Watercolour on card sketched by Olive Pink 10/12/57 (location unknown)

Olive Pink

Unidentified

Water colour on card sketched by Olive Pink 1958 (location unknown)

Olive Pink

Unidentified

Water colour on card sketched by Olive Pink, Alice Springs, 1958

Olive Pink

Macrocarpa gregoria- verso

Description on back of drawing : Louie an aboriginal worker at Aileron Station used to get it for Mrs (Elsie )Cobson (later Nolan) to send to me. Was never able to paint it from the plant and it faded when sent in. An exquisite blossom that grows close to the ground in Spinifex country hence the name Spinifex Snow : Watercolour on card sketched by Olive Pink, "Native Gap" ( Aileron Stn.), 1960. Identified by Olive Pink as Macrocarpa gregoria ( I think) Spinifex Snow .

Olive Pink

Hatband and metal badge

Orange/yellow and white striped hatband and metal badge embossed with decorative GHS. Worn by Olive Pink while attending The Girls’ High School, Hobart ,Tasmania

Olive Pink

Photograph of Olive Pink

Photograph of Olive Pink taken by Ross Studios, Sydney in the 1920's and annotated "A more truthful one"

Olive Pink

Telegraph Message from C. Baker

Telegraph Message from C. Baker to Olive Pink dated 19.7.1930
Message to Olive Pink regarding her painting trip along the railway line between Adelaide and Alice Springs in 1930

Olive Pink

Postcard of Koalas

Black and white postcard inscribed Koalas, Greetings from Australia. On verso Mowbray Series, Scenic and Historic Views

Postcard of Port Arthur

Black and white postcard of Port Arthur, southern Tasmania showing the church, the penitentiary and other buildings. Marked 26

Postcard of Wrest Point Hotel

Black and white postcard of Wrest Point Hotel from the water at Sandy Bay, with Mount Wellington in the background.

Postcard of Lilac

Black and white postcard of Lilac - Prostanthera lasianthos. with initials E.M.A.

Postcard of Ghost Gum

Postcard of Ghost Gum - Letter on back from Olive Pink to her niece Heather Pink 1955

Olive Pink

Copy of testimonials

  • AU TAS UTAS SPARC RS90-4
  • Pièce
  • 1843
  • Fait partie de Belbin Papers

Paper endorsed and dated December 1843 : 'memorandum of certificates to my memorial to his excellency Governor Willmott to grant me a pension on my retiring from my situation as superintendent and inspector to Government Slaughter Houses', including testimonials from : J.L. Pedder, who noted that Belbin's care in entering the marks of animals brought to slaughter:' were of great value in detecting sheep stealing; A. Montague, M. Forster, W. Fletcher, ,W. Kermode, C. Swanston, John Kerr, G. Boyes.

James Belbin

Medical and vital statistics

Medical and vital statistics for 1856. Report and tables, with returns, prepared fer the Royal Society of Tasmania by Edward Swarbreck Hall

Edward Swarbreck Hall

Diary 1866-1868 & 1869-1870

Diary of Sarah E.E. Mitchell of Lisdillon on the East Coast of Tasmania from November 12th 1866 to June 20th 1868 and from July 13 1869 to May 31st 1870. From the age of thirteen she daily noted in her journal the state of the weather, her routine activities about the house and property and visits of friends.

Sarah E.E. Mitchell

Diary 1881

Diary of Sarah E.E. Mitchell of Lisdillon on the East Coast of Tasmania - 1881. From the age of thirteen she daily noted in her journal the state of the weather, her routine activities about the house and property and visits of friends.

Sarah E.E. Mitchell

Daguerreotype of woman seated

This daguerrotype may possibly be of Sophia Lee Archer nee Mattinson, who was born in 1809.
She married John Lee Archer, the Colonial Engineer and Architect, in 1833 aged 25. Pocket case constructed of wood frame, covered in embossed leather. When opened, it has one photograph in a frame made of brass and on the back side of the door a blue velvet embossed pad. Case is hinged with leather and closed with two small latches.

John Lee Archer

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