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Letter from Ann Johnston to cousin John Meredith dated 5th March 1821, letter from Teneriffe received - sorry he was so sea sick, visit to Birmingham, John's young brother Ben learning to sing, his mother Sarah, David and Joseph, dined at Henry Meredith's, respects to Mr and Mrs Meredith and love to their children

Letter from Ann Johnston to cousin John Meredith dated 5th March 1821, letter from Teneriffe received - sorry he was so sea sick, visit to Birmingham, John's young brother Ben learning to sing, his mother Sarah, David and Joseph, dined at Henry Meredith's, respects to Mr and Mrs Meredith and love to their children

Letter from Ann Johnston to cousin John Meredith dated 5th March 1821, letter from Teneriffe received - sorry he was so sea sick, visit to Birmingham, John's young brother Ben learning to sing, his mother Sarah, David and Joseph, dined at Henry Meredith's, respects to Mr and Mrs Meredith and love to their children

Letter from Ann Johnston to cousin John Meredith dated 5th March 1821, letter from Teneriffe received - sorry he was so sea sick, visit to Birmingham, John's young brother Ben learning to sing, his mother Sarah, David and Joseph, dined at Henry Meredith's, respects to Mr and Mrs Meredith and love to their children

Letter from James Meredith and wife Sarah Meredith to their son John Meredith dated 1821. Sorry to hear he was ill on voyage, regards to Mr George Meredith and family - glad to hear they were well, sending letter with packet of newspapers by "Hope" and also letter in March by Mr Dunn, news of King, harvest, high rates and tithes, insurrection of Greeks against Turks.

Letter from James Meredith and wife Sarah Meredith to their son John Meredith dated 1821. Sorry to hear he was ill on voyage, regards to Mr George Meredith and family - glad to hear they were well, sending letter with packet of newspapers by "Hope" and also letter in March by Mr Dunn, news of King, harvest, high rates and tithes, insurrection of Greeks against Turks.

Letter from Ann Johnston to cousin John Meredith dated 5th March 1821, letter from Teneriffe received - sorry he was so sea sick, visit to Birmingham, John's young brother Ben learning to sing, his mother Sarah, David and Joseph, dined at Henry Meredith's, respects to Mr and Mrs Meredith and love to their children

Letter from Ann Johnston to cousin John Meredith dated 5th March 1821, letter from Teneriffe received - sorry he was so sea sick, visit to Birmingham, John's young brother Ben learning to sing, his mother Sarah, David and Joseph, dined at Henry Meredith's, respects to Mr and Mrs Meredith and love to their children

Letters from Ann Johnston to cousin John Meredith dated 3rd December 1820 expressing her lively interest in his well being, "Emerld" not calling at Madeira so no letter, Mr Dunn taking letters, news of Mr George Meredith's marriage, Mr and Mrs Pearce, Mr Anderson and Mr Johnston enquiring after you.

Letters from Ann Johnston to cousin John Meredith dated 3rd December 1820 expressing her lively interest in his well being, "Emerld" not calling at Madeira so no letter, Mr Dunn taking letters, news of Mr George Meredith's marriage, Mr and Mrs Pearce, Mr Anderson and Mr Johnston enquiring after you.

Letters from Ann Johnston to cousin John Meredith dated November 2nd 1820 and addressed to Post Office Vandiemans-Land. Stating her anxiety for his welfare, happiness and prosperity and urging him not to form an intimacy with any of the passengers until he knows them better as he is among a set of disappointed people whos fortunes have become desperate and and that self interest will be their and almost only thoughts. She urges him not enter into engagements lightly or hastily and not to let himself be influenced.

Letters from Ann Johnston to cousin John Meredith dated November 2nd 1820 and addressed to Post Office Vandiemans-Land. Stating her anxiety for his welfare, happiness and prosperity and urging him not to form an intimacy with any of the passengers until he knows them better as he is among a set of disappointed people whos fortunes have become desperate and and that self interest will be their and almost only thoughts. She urges him not enter into engagements lightly or hastily and not to let himself be influenced.

Letters from Ann Johnston to cousin John Meredith dated November 2nd 1820 and addressed to Post Office Vandiemans-Land. Stating her anxiety for his welfare, happiness and prosperity and urging him not to form an intimacy with any of the passengers until he knows them better as he is among a set of disappointed people whos fortunes have become desperate and and that self interest will be their and almost only thoughts. She urges him not enter into engagements lightly or hastily and not to let himself be influenced.

Letters from Ann Johnston to cousin John Meredith dated November 2nd 1820 and addressed to Post Office Vandiemans-Land. Stating her anxiety for his welfare, happiness and prosperity and urging him not to form an intimacy with any of the passengers until he knows them better as he is among a set of disappointed people whos fortunes have become desperate and and that self interest will be their and almost only thoughts. She urges him not enter into engagements lightly or hastily and not to let himself be influenced.

Letters from Ann Johnston to cousin John Meredith dated 3rd December 1820 expressing her lively interest in his well being, "Emerld" not calling at Madeira so no letter, Mr Dunn taking letters, news of Mr George Meredith's marriage, Mr and Mrs Pearce, Mr Anderson and Mr Johnston enquiring after you.

Letters from Ann Johnston to cousin John Meredith dated 3rd December 1820 expressing her lively interest in his well being, "Emerld" not calling at Madeira so no letter, Mr Dunn taking letters, news of Mr George Meredith's marriage, Mr and Mrs Pearce, Mr Anderson and Mr Johnston enquiring after you.

Lantern slide of Hobart Town, Van Diemen's Land, in February, 1817. Inscribed with the words 'Hobart Town in 1817. Drawn by Lieut. Charles Jeffreys' - also shows the Government schooner the Kangaroo , church, Government House and Fort.

Lantern slide of front page of the Hobart Town Gazette, June 1816. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.

Militia substitute certificate dated December 1814. Certificate of enrolment of substitute to serve in place of A. Gatenby, Appleton le Moors, North Riding of Yorkshire, namely Robert Graystock, wheelwright. Until the 19th century militia units were used in home defence and maintaining law and order in vulnerable locations such as Ireland and the south coast of England. Militia units did not have to serve overseas, but they were seen as a useful reserve of trained men. Bounties were offered to militiamen who exchanged into the regular Army for overseas service.
Many of the men serving in the militia were substitutes serving on behalf of those whose names had been drawn in the county ballot. These substitutes often made a charge for taking over the duties. When the militia was fully embodied on a permanent footing during periods of war, a higher figure could be demanded and obtained. The regiment benefited by receiving experienced soldiers instead of raw recruits.

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Lantern slide of funeral notice of Lieutenant Governor David Collins, 1810. From The Derwent Star, and Van Diemen’s Land Intelligencer no. 7, Tuesday April 3rd 1810. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.

Lantern slide of the death of Lieutenant Governor David Collins, 1810. From The Derwent Star, and Van Diemen’s Land Intelligencer no. 7, Tuesday April 3rd 1810. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.

Lantern slide of Sullivans Cove, Hobart Town, Van Diemen's Land, in February, 1804. Inscribed with the words 'Water colour drawing in the possession of J. B. Walker Esq., Hobart, 1891'.

Lantern Slide of plan of early Hobart Town, from a survey done in 1804-1805, showing later alterations. The plan also appears in James Backhouse Walker's paper 'The Founding of Hobart, by Lieut.-Governor Collins' read to the Royal Society of Tasmania 14/10/1889. In this he describes the plan, "I am indebted to my friend Mr. Mault for a beautifully executed plan, which shows very clearly the original features of the ground, and the position of the first camp, and also indicates the alterations which have since taken place. It is taken from a survey made by Surveyor-General Harris in 1804-5. The original plan was discovered many years ago in the Lands Office at Sydney, and was presented by the New South Wales Government to our Lands Department. The Deputy- Commissioner of Crown Lands, Mr. Albert Reid, kindly presented me with a tracing of it."
Lantern slide thought to have been prepared by J.W. Beattie (1859-1930) whose studio locations were in Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle Arcade, Hobart, until 1994.

Coloured pencil on card sketched by Olive Pink at Edwards Creek, South Australia (no date). Identified by Olive Pink as Tribulus (Bindii)

Coloured pencil on dark card sketched by Olive Pink, (place and date unknown) Northern Territory. Identified by Olive Pink as Nicotiana suaveolens

Water colour and pencil on dark card sketched by Olive Pink, (no place or date) Northern Territory. Identified by Olive Pink as Convolvulus erubescen.

Postcard of prisoner's pass for William Rogers

Beattie photograph of painting.

Walch postcard of Tessellated Pavement

Photograph of Orford Bridge. Ash Bester photograph Tas. A.B. Series No.34

Spurling postcard [late 19th cent]

Mrs Mitchell photo

Photograph, thought to have been taken in the 1930's, of the rear of the rebuilt Milton Farm house. In 1826, young John Allen applied for and received a grant of land on Tasmania's east coast: four hundred acres on the west bank of Cygnet River. He named the property Milton, after his home village in England. In February 1828, he reaped his first harvest, but in that same month, an Aboriginal raiding party attacked the (undefended) property, after previously harassing Allen's neighbours John Lyne and George Meredith. Allen's house was robbed and torched and his wheat stack burnt; damage was estimated at £300. Subsequently awarded a two hundred acre extension to his land grant 'as a remuneration for the Aforesaid Loss', he set to work rebuilding, this time a two-storey house of stone

Postcard produced by Swansea photographer, Miss F.M. Kennedy, (c1880-c1950s) of titled Harbottle's at Swansea, Tasmania.
This Cottage has also been know as Harbottle's Cottage and Caulfield Cottage. This single storey, sandstone rubble building with a corrugated iron hipped roof was listed by the National Trust in 1976 as it demonstrated the principal characteristics of a single storey, sandstone Victorian Georgian domestic building . Located at 45 Shaw Street, Swansea, Tasmania

Photograph taken from Swanick looking up the Swan River. Near Swansea, Tasmania

Photograph of Apsley original log cabin dating from 1826 on the property granted to William Lyne by Governor Arthur on order from Lord Apsley, eldest son of Lord Bathurst. Copy made by J.W. Beattie of an original of J. Lyne

Most of the papers consist of notes made about historical queries, a rough draft of his book, and correspondence with East Coast residents and others requesting information. There is also a collection of newspaper cuttings and pamphlets relating to the history of Tasmania, especially the East Coast and some photographs and snapshots. Dr Parker also collected some original historical documents~ chiefly from East Coast families (although those of Dr Storey and the Cotton families have now been returned to the Cotton archives (ref. C.7). Dr Parker's collection of Walch's Almanacs has been supplemented by others received from Walch's and is kept up to date and now forms a complete record set for Walch's records (kept for reference in the Archives Reading Room). Some early newspapers (including Colonial Times, Southern Cross, Launceston Courier) were transferred to the State Archives to fill gaps in their collection .

One of eight annotated black and white photographs of the site of the Arid Regions Native Flora Reserve.

One of eight annotated black and white photographs of the site of the Arid Regions Native Flora Reserve. Noting location of Mt Gillen, part of MacDonnell Range, entrance gate and driveway to hut, driveway for sanitary truck

Black and white photograph of view of valley with palms

Painting of a Tasmanian Waratah

Cover of sketchbook (possibly the one held at P6/

Sketch of White Mountain berries, Hobart

Pencil sketch of a Tasmanian Waratah, Telopea truncata

Sketch of an Eriostomon, NSW

Sketch of a purple flower

Letter to the Tasmanian Museum and Art Gallery (TMAG) regarding donation of her Albert Namatjira paintings – copy of typed letter

1 cream lace short sleeved blouse, square neck and button front with the label "Charming Blouses Sydney"

Cream lace over-dress

1 cream lace dress with gathered shoulders and collar

1 cream satin sash

Watercolour on card sketched by Olive Pink, (date and location unknown)

Pencil on paper sketched by Olive Pink, (location and date unknown) "rough, quick sketches of opening blossoms of Capparis"

Watercolour on paper sketched by Olive Pink, (location and date unknown)

1 sepia photograph of camp at Professor Lyndhurst Falkiner Giblin's Farm - Cobbler's End, Tasmania. Picturing Olive Pink, Florence Rodway, with mop and basin, Mildred Lovett with grid iron as harp, and Ursula Walker

Olive Pink’s father’s leather Masonic pouch –Robert Stuart Pink –801 E. C.

Black and white postcard of Native Cherry Exocarpos cupressiformis, Tasmania

Post card of horse drawn carriage with passengers. On the back Huon Road Tasmania - a packed coach of four - in mothers things at death, Olive Pink

Five negatives thought to be of the Arid Regions Native Flora Reserve site. Wrapped in paper with aboriginal sketch in blue biro

Framed caricature of a messenger in the government resting.

Framed coloured drawing of a bottle of Grumbleene. My father (T.C.W. Midwood) did not like any grumbling at meal time hence this medicine for it.

Framed caricature of Buff Scott, a very popular gentleman of Hobart.

Framed caricature of a civil servant at the Public Works Department.

Framed caricature of William Grubb. Wood and coal merchant known to Hobart as Billy. A keen yachtsman and fisherman.

Framed caricature of Mr. H. Steinbach. A popular vocalist of early Hobart. He often appeared at the Hobart Town Hall; his favourite
song was "Alice Where Art Thou "

Black and white photographic print of a small stone house at Bridgewater, Tasmania. Endorsed "J. Earle's birthplace"

Black and white 35mm slides of Sarah Dunbabin an early graduate of the University of Tasmania. B.A. March 1909 & M.A. April 1912. One of 11 chidren of Thomas Dunbabin, farmer, and his wife Sarah Ada, née Murdoch of Marchwiel, Bream Creek. Prior to entering university she won prizes for English, Latin, History & German and a scholarship to the University.

The Most Distinguished Order of Saint Michael and Saint George is a British order of chivalry founded on 28th April 1818 by George, Prince Regent, later King George IV, while he was acting as regent for his father, King George Ill. It is named in honour of two military saints, St Michael and St George. Originally awarded to those holding commands or high position in the Mediterranean territories acquired in the Napoleonic Wars, it was subsequently extended to holders of similar office or position in other territories of the British Empire. It is awarded to men and women who hold high office or who render extraordinary or important non-military service in a foreign country, and can also be conferred for important or loyal service in relation to foreign and Commonwealth affairs.
The only insignia used by all members of the Ord????r, this badge is a seven-armed, white-enamelled 'Maltese Asterisk'. The obverse shows St Michael tram­pling on Satan, while the reverse shows St George on horseback killing a dragon -both within a dark blue ring bearing the· Order's motto of Auspicium melioris cevi (Latin for 'Token of a better age').
Bird was appointed Companion of the Order of St Michael and St George (CMG) in the 1920 New Year Honours.

Photograph from the collection of James Backhouse Walker of a view of Hobart looking south along Barrack Street toward St Georges Hill, Battery Point

Photograph of All Saints Church, Macquarie Street, Hobart c. 1880 by Anson Brothers, Portrait and Landscape Photographers, Hobart Town, whose firm was located in Liverpool, Collins and Elizabeth Streets between 1878 and 1891.

Photographs of Waterworks off Huon Road. Flowing stream and felled tree.

Photograph of the Derwent River just above New Norfolk, Tasmania. Showing track, buildings, orchard and river.

Photograph of New Norfolk, Tasmania from the opposite side of the river. Showing the town and bridge.

Photograph of the Derwent River above New Norfolk, Tasmania. Looking down the river.

Photograph of Mt. Gould and the DuCane Range from Narcissus Valley, Lake St. Clair taken from camp on the left hand side of Narcissus Valley going up (according to notes on the reverse of the photograph).

Photograph of Cape Pillar on the Tasman Peninsula.

Photograph of Sullivans Cove and Mount Wellington from the water with a three masted ship in foreground.

Lantern slide of Campbell and Minchin building, corner Elizabeth and Bathurst street, Hobart. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.

Lantern slide of Elizabeth Street, Hobart looking north. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.

Lantern slide of Government House and St David's Cathedral, Van Diemen's Land. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994. Lantern slide of detail from 'The Seat of His Excellency Lieut. Govr. Arthur / drawn from Nature and on Stone' by Charles Atkinson d.1837

Lantern slide of Hobart Savings Bank, Murray Street Hobart c1860. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.

Lantern slide of an early print of Hobart Town, Van Diemen's Land from the harbour. From the collection of James Backhouse Walker. Thought to have been prepared by J.W. Beattie (1859-1930) whose studio locations were in Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle Arcade, Hobart, until 1994.

Lantern slide of Tasmanian aboriginal canoe and baskets. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.

Lantern slide from the collection of James Backhouse Walker of buildings on the corner of Murray and Macquarie Street, Hobart, Tasmania. Thought to have been prepared by J.W. Beattie (1859-1930) whose studio locations were in Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle Arcade, Hobart, until 1994. Quaker Collection.

Lantern slide of house in Hobart. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.