Bullock team carting timber, "Wynphotoprint" ND. ''Wynphotoprint" hand colored series published by Selwyn Cox, Launceston', titled:· "Amongst the big logs" Lebriwa, (Lebrina) near Scottsdale' showing bullock teams; logs and wooden waggon way rails.
Photograph of stables at Strathelie, Broadmarsh. Taken April 1960. Located at 974 Elderslie Road Broadmarsh. Strathelie is a very impressive late Georgian house thought to be built by Thomas Johnston in 1851. Constructed of silver grey sandstone, featuring a parapeted facade, enclosed rear courtyard, fine front door and front verandah with slender iron columns. The house is complemented by particularly fine outbuildings comprising stone barn with arched openings and brick stable forming a u-shape about a central yard.
Water colour and pencil on card. Sketched by Olive Pink at Thompsons Rockhole 16/7/45. Identified by Olive Pink as Evening Primrose "Yuggilli Burinyu". Has unidentified sketch on the verso P6-15-18b
Photograph view of arches at the stables, Strathelie, Broadmarsh. Taken April 1960. Located at 974 Elderslie Road Broadmarsh. Strathelie is a very impressive late Georgian house thought to be built by Thomas Johnston in 1851. Constructed of silver grey sandstone, featuring a parapeted facade, enclosed rear courtyard, fine front door and front verandah with slender iron columns. The house is complemented by particularly fine outbuildings comprising stone barn with arched openings and brick stable forming a u-shape about a central yard.
Lantern slide of an early print of Hobart Town, Van Diemen's Land from the harbour. From the collection of James Backhouse Walker. Thought to have been prepared by J.W. Beattie (1859-1930) whose studio locations were in Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle Arcade, Hobart, until 1994.
Photograph rocks on Mount Wellington. The photographer was Albert Sargeant who had studios in Macquarie Street, Hobart and George Street, Launceston between 1886 and 1913.
Coloured pencil on paper sketched by Olive Pink at Horseshoe Bend, Central Australia 13/9/30. "everlasting leaves drawn from faded specimen and from memory, flowers from nature" P6-5-1 drawn on other side of paper
Pencil and crayon on card, sketched by Olive Pink at Rodinga, Northern Territory 28/9/30. "from nature (exactly) but most often a creeper and therefore simple petal at top)+ sometimes 4 below - trails of it are feet long in every direction" "normal position of blossom (1 petal at top 3 below)"
Coloured pencil on paper sketched by Olive Pink, 50 miles from Darwin, Northern Territory 26/10/30. Identified by Olive Pink as a creeper Convolvulus? "from an almost dead specimen when brought to me"
Black and white photograph by Olive Pink of a group of aboriginal children swimming in a waterhole in Central Australia, 1934, with inscription on the back by Olive Pink, 'Native children playing in water-hole - Central Australia.' Photographs sent with a letter to her friend Joan Walker in Hobart, Tasmania.
1 sepia photograph of camp at Professor Lyndhurst Falkiner Giblin's Farm - Cobbler's End, Tasmania. Picturing Olive Pink, Florence Rodway, with mop and basin, Mildred Lovett with grid iron as harp, and Ursula Walker
Photograph of Launceston, Tasmania, from beyond the Cataract Bridge in about 1881. The photographer was Alfred Winter who had studios in Bathurst, Elizabeth and Liverpool Streets, Hobart, from 1869 until 1891.
Seal of Tasmanian Council of Education 1859, red wax, lozenge shaped, backed paper: open book "Floreat Tasmania' on diamond pattern, in tin with document Diploma of degree of Associate of Arts awarded to Henry Lewis Garrett of Hobart Town.
Water colour and pencil on paper sketched by Olive Pink, Jay Creek, Northern Territory 26/12/30. Not identified by Olive Pink but thought to be Capparis spinosa
Photograph of Davey Street, Hobart, looking east, showing the Oddfellows hall and the Congregational church. Photograph taken from the Harrington Street intersection.
Photograph from the collection of James Backhouse Walker of Franklin Square and the Hobart waterfront taken in about 1870 possibly from St. David's Cathedral according to a note on the reverse. The photographer is Henry Hall Baily who had studios in Elizabeth and Liverpool Streets Hobart from 1865 until 1918.
Photograph of the Cascades' Female Factory looking toward Mt Wellington with the Cascade Brewery in the distance. In 1828 a Female Factory opened on the outskirts of Hobart at Cascades. It became the colony's largest Factory, expanding by 1853 into five major courtyards accommodating 1000 women and 175 children. The photographer was J.W. Beattie (1859-1930) whose studios were in Elizabeth and Murray Streets between 1891 and 1940
Framed caricature of John Turner, father of J.G. Turner and grandfather of Col. Turner. In the early days of Hobart he had a woodyard on the land in front of Parliament House. It was then the Customs House.
Photograph of the Bush Hotel, New Norfolk, Tasmania, 1881. Proprietor at the time was Captain Blockey. The photographer was Alfred Winter who had studios in Bathurst, Elizabeth and Liverpool Streets from 1869 until 1891.
Photograph of Port Arthur Penitentiary c. 1880. The photographers are Anson Brothers., Portrait and Landscape Photographers, Hobart Town whose firm was located in Liverpool, Collins and Elizabeth Streets between 1878 and 1891
Pencil on paper sketched by Olive Pink at Edwards Creek , South Australia. (no date) notes on page "five long ones underneath five short on top then smaller leaves on to of these - rough sketch from nature (as far as arrangement went) five long 3 short and one almost long. Root about 3 inches long, white with little roots. Sunset shades (in mesembrianthemum foilage) and puce-petunia flowers" Identified by Olive Pink as Parachylia
Indian ink sketch on card made by Olive Pink between 1940 and 1941. From a collection of sketches made in New South Wales, Tasmania and a few in Queensland. Captioned (Charlton Ed) for Sydney Mail
Photograph of the lighthouse on Betsey Island at the mouth of the Derwent River taken from South Arm, Tasmania. Photograph may have been taken by George Musgrave Parker.
Mary Augusta Walker's certificate from the Slade Fine Art School, University College London, where she studied from 1889-1890. From Walker Family Scrapbook compiled by Peter Benson Walker. Private collection. Page 45
Water colour on textured card sketched by Olive Pink, (place and date unknown) Northern Territory. Identified by Olive Pink as Dodonea. Thought to be Dodonaea microzyga
Pencil on card sketched by Olive Pink, "Near the 10 Mile", Darwin, Northern Territory, 28/9/30. Identified by Olive Pink as apple green calyx of bud, bright apple-green leaves, cream blossom (of magnolia texture) warm brown stem
Photograph of St. Mary's Cathedral in Harrington Street in about 1870. Henry Hall Baily is the photographer. He had studios in Elizabeth and Liverpool Streets Hobart from 1865 until 1918.
Photograph of Macquarie Street Hobart including St. Joseph's Catholic Church c. 1870. The view is looking west. The photographer was Henry Hall Baily who had studios in Elizabeth and Liverpool Streets Hobart from 1865 until 1918.
Photograph of Liverpool Street Hobart at the intersection of Argyle Street looking towards West Hobart, taken around the turn of the century showing Cherry's Carlton Club Hotel in the foreground. Also J. Whiteside & Son Furnishing Warehouse and Canes Iron mongers. The date is assumed from the presence of electric power poles which were introduced in 1898.
Photograph of Kangaroo Point (Bellerive) Beach on Hobart's Eastern Shore looking toward settlement c. 1882. The photographer was Henry Hall Baily who had studios in Elizabeth and Liverpool Streets, Hobart from 1865 until 1918.
Lantern slide of Port Arthur 1839. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.
Two photographs of Sunnyside, New Town, Tasmania, home of Thomas Daniel Chapman 1815-1884, Politician. Mt Wellington in distance. The photographer was Henry Hall Baily who had studios in Elizabeth and Liverpool Streets, Hobart from 1865 until 1918.
Lantern slide of Hobart Town, Van Diemen's Land, in February, 1817. Inscribed with the words 'Hobart Town in 1817. Drawn by Lieut. Charles Jeffreys' - also shows the Government schooner the Kangaroo , church, Government House and Fort.