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People standing outside former Coffee Palace, Bothwell

Colour photograph of people standing beside motor vehicles parked outside former coffee palace, hotel and doctor’s surgery at 90 Dalrymple Street Bothwell. Citation on National heritage register: “A two storey brick and stucco Georgian building with a stone rear section, licensed as the Young Queen from 1851-1877 when the name was changed to Maskell's Hotel. The building appears in a book on Colonial architecture by Hardy Wilson with a crinolined lady at the doorway with luggage and bird cage. The building is an important townscape element.”

Letter to TMAG

Letter to the Tasmanian Museum and Art Gallery (TMAG) regarding donation of her Albert Namatjira paintings – copy of typed letter

Olive Pink

Printed stationery

Two sheets of printed stationery –Home Hut (off) Native Flora Reserve Alice Springs Northern Territory

Olive Pink

Moving firewood at Lake Dobson

Colour photographs shows three people in a small boat laden with firewood being moved from one side of Lake Dobson to another. Hut visible on shore and cleared path of zig-zag track up hill visible in background

Lavender (coloured) bush

Watercolour on paper sketched by Olive Pink, Thompsons Rock Hole, 1943. Identified by Olive Pink as Lavender (coloured) bush in spinifex country

Grumbleene

Framed coloured drawing of a bottle of Grumbleene. My father (T.C.W. Midwood) did not like any grumbling at meal time hence this medicine for it.

Thomas Claude Wade Midwood

Hobart looking south east

Photograph from the collection of James Backhouse Walker of a view of Hobart looking South East with a garden in the foreground and Elizabeth Street in the middle distance. The photographer is Alfred Winter who had studios in Bathurst, Elizabeth and Liverpool Streets from 1874-1880.

James Backhouse Walker

Former Coffee Palace, doctor’s surgery and hotel at Bothwell

Colour photograph of former coffee palace, hotel and doctor’s surgery at 90 Dalrymple Street Bothwell. Citation on National heritage register: “A two storey brick and stucco Georgian building with a stone rear section, licensed as the Young Queen from 1851-1877 when the name was changed to Maskell's Hotel. The building appears in a book on Colonial architecture by Hardy Wilson with a crinolined lady at the doorway with luggage and bird cage. The building is an important townscape element.”

Sullivans Cove, taken from HMS Nelson

Photograph of a ship with Sullivans Cove and Mount Wellington in the background taken from HMS Nelson in 1882. The photographer is Henry Hall Baily who had studios in Elizabeth and Liverpool streets Hobart from 1865 until 1918.

Henry Hall Baily

George Washington Walker

Lantern slide of George Washington Walker (1800-1859). Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.

John Watt Beattie

Fern Tree Hut

Black-and-white photograph of rustic hut built amid fern trees on walking track at Mount Wellington, two figures walking across timber bridge amid fern fronds

Kochia

Watercolour on paper, painted by Olive Pink at Edwards Creek, South Australia, 26/7/30. Identified by Olive Pink as Kochia

Olive Pink

Unidentified

Coloured pencil on brown paper sketched by Olive Pink, Bond Springs or Aileron Station, Northern Territory, 1936. Not identified by Olive Pink

Olive Pink

Unidentified

Watercolour on card sketched by Olive Pink, (date and location unknown)

Olive Pink

Postcard of the pontoon bridge, Hobart

Black and white postcard of the River Derwent and the pontoon bridge with a view to the Montague Bay from the Queens Domain. Inscribed H.J.H No. 143. ( H. J. Hellessey ) Real photo card

Unidentified

Pencil on paper sketched by Olive Pink, Northern Territory 1930. Not identified by Olive Pink

Olive Pink

Photograph of front view of Braeside

Photograph of front view of Braeside, Broadmarsh. Taken April 1960. Now known as Stonefield' , 'Braeside' was built in 1824, located at 266 Elderslie Rd, Lower Broadmarsh. A good example of a two storey Georgian home with a separate kitchen wing

Bed of Eagle Tarn

Colour photograph shows partially dry lakebed of Eagle Tarn, in Mount Field National Park, with hut visible on the opposite shoreline. Sign nailed to tree reads: EAGLE TARN 3390FT

Malunnah

Photograph of Malunnah at Orford, Tasmania. Built by writer & artist Louisa Anne Meredith and her husband Charles. The Merediths lived at the house from 1868 until 1888. This photograph was taken by Miss F.M. Kennedy of Swansea

George Musgrave Parker

Representatives Conference Garden Party at Thos. E. Coopers residence “Chigwell”

Representatives Conference Garden Party at Thos. E. Coopers residence “Chigwell” Left to right. Back: JP Wilson, HE Theobold, J Cooley, DC Vernon, A Hackett, W Lees, N Benson, JC Tankard, F Erskine, AE Lodge, S Lees, JP Whitworth, WH Palmer, H Hives, JH Cooper, JT Jeffrey, (.) Front: EH Colleyshaw, Mrs Colleyshaw, Mrs Clarke, Mrs W Cooper, Miss Joy Cadbury, D. Cooper, William Cadbury, Mrs Cadbury, TE Cooper, Mrs TE Cooper, Miss Gallimore. Seated: WH clarke, Miss Russell, Miss Joyce Cooper, Mrs HV McKernn, Miss H Cooper, Mrs Coley, VC Smith. 1922?

Glen Gala House: brick house, croquet lawn

Photograph of Glen Gala House at Cranbrook. Adam Amos arrived in March 1821 in the Emerald along with George Meredith, and was advised to look for land on the unsettled east coast. Adam's capital entitled him to a grant of 1000 acres (405 ha) which he located on the Swan River at Cranbrook, and called Gala. Glen Gala is a two storey brick Victorian Georgian house constructed in 1860 on the original grant to Adam Amos

George Musgrave Parker

Milton: the residence of J. Allen

Photograph, thought to have been taken in the 1930's, of the rear of the rebuilt Milton Farm house. In 1826, young John Allen applied for and received a grant of land on Tasmania's east coast: four hundred acres on the west bank of Cygnet River. He named the property Milton, after his home village in England. In February 1828, he reaped his first harvest, but in that same month, an Aboriginal raiding party attacked the (undefended) property, after previously harassing Allen's neighbours John Lyne and George Meredith. Allen's house was robbed and torched and his wheat stack burnt; damage was estimated at £300. Subsequently awarded a two hundred acre extension to his land grant 'as a remuneration for the Aforesaid Loss', he set to work rebuilding, this time a two-storey house of stone

George Musgrave Parker

Representatives Conference, Cadbury 1922

Representatives Conference 1922. Left to right. Back: JC Tankard, JF Jeffrey, JP Wilson, JH Cooper, VC Smith, JE Cooper, DC Vernon, H Hives, JP Whitworth, WH Clark. Front: JA Ersjine, J Coley, WH Palmer, EA Clarke, N Benson, WH Lees, S Lees, W Cooper, WA Cadbury.

Careya australis

Coloured pencil on paper sketched by Olive Pink, Darwin, Northern Territory 27/10/30. Identified by Olive Pink as Careya australis (has quince like fruit)

Olive Pink

Elizabeth Street Hobart

Lantern slide of Elizabeth Street, Hobart looking north. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.

John Watt Beattie

Lidiosus glaucifolius

Watercolour and pencil on paper sketched by Olive Pink at Horseshoe Bend, Central Australia, 1930. Identified by Olive Pink as Lidiosus glaucifolius (?)

Olive Pink

Unidentified

Coloured pencil on paper. Sketched by Olive Pink at Rodinga, Northern Territory, 20/8/30 "hurriedly made and unfinished drawing - flower colour true"

Olive Pink

Sida

Pencil and watercolour on paper sketched by Olive Pink, Tortanga Quatcha, Macdonnel Range, Northern Territory, 28/11/30. Identified by Olive Pink as Sida?

Olive Pink

Unidentified

Watercolour on card sketched by Olive Pink, (date and location unknown)

Olive Pink

Hobart from Huon Road looking east

Photograph from the collection of James Backhouse Walker of a view of Hobart from Huon Road looking east in about 1879, according to notes on the reverse.

James Backhouse Walker

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