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Private Deposit Collection : University of Tasmania Library Special and Rare Collections Image Avec objets numériques
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Hobart view

Hobart view

Photograph from the collection of James Backhouse Walker of Hobart viewing over St. Davids Park, probably from Hampden Road, (in about 1878 according to a note on the reverse). The photographer is Henry Hall Baily who had studios in Elizabeth and Liverpool Streets Hobart from 1865 until 1918.

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James Backhouse Walker

New Town Creek, old mill

New Town Creek, old mill

Photograph of Old Mill at New Town Creek showing creek, buildings and mill wheel in disrepair. Mt Wellington in distance

James Backhouse Walker

Runnymede, Hobart Town, Van Diemen's Land

Runnymede, Hobart Town, Van Diemen's Land

Lantern slide from the collection of James Backhouse Walker of Runnymede, Hobart Town, Van Diemen's Land. Thought to have been prepared by J.W. Beattie (1859-1930) whose studio locations were in Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle Arcade, Hobart, until 1994

John Watt Beattie

Sketches of Rosedale

Sketches of Rosedale

  • AU TAS UTAS SPARC L1-H-100 &101
  • Pièce
  • c1850-1854

    • Fait partie de Leake Papers

Two pen sketches of Rosedale showing tower and weather vane, porticos and terraces, conservatory, stables etc, gardens. Drawn by John Travis Leake, c1850 - 1854

John Travis Leake

Apsley house

Apsley house

Photograph of Apsley House. Originally a single storey sandstone Georgian house built in the 1840's on land granted to John Lyne who was MHA for Glamorgan in the period 1843-1865. Small kodak prints. ?G.M.P photographer thought to be taken c1920's - (See also book ch.3, P1/35 (262)

George Musgrave Parker

Apsley house

Apsley house

1 photograph of Apsley House c1920's. Originally a single storey sandstone Georgian house built in the 1840's on land granted to John Lyne who was MHA for Glamorgan in the period 1843-1865.

George Musgrave Parker

Milton: old house, stone on north side

Milton: old house, stone on north side

1 photograph of stone inscribed - J A 1828. Photograph thought to have been taken in the 1930's by G.M.P. of the rebuilt Milton Farm house. In 1826, young John Allen applied for and received a grant of land on Tasmania's east coast: four hundred acres on the west bank of Cygnet River. He named the property Milton, after his home village in England. In February 1828, he reaped his first harvest, but in that same month, an Aboriginal raiding party attacked the (undefended) property, after previously harassing Allen's neighbours John Lyne and George Meredith. Allen's house was robbed and torched and his wheat stack burnt; damage was estimated at £300. Subsequently awarded a two hundred acre extension to his land grant 'as a remuneration for the Aforesaid Loss', he set to work rebuilding, this time a two-storey house of stone.

George Musgrave Parker

Milton

Milton

Photograph thought to have been taken in the 1930's by G.M.P. of the rebuilt Milton Farm house. In 1826, young John Allen applied for and received a grant of land on Tasmania's east coast: four hundred acres on the west bank of Cygnet River. He named the property Milton, after his home village in England. In February 1828, he reaped his first harvest, but in that same month, an Aboriginal raiding party attacked the (undefended) property, after previously harassing Allen's neighbours John Lyne and George Meredith. Allen's house was robbed and torched and his wheat stack burnt; damage was estimated at £300. Subsequently awarded a two hundred acre extension to his land grant 'as a remuneration for the Aforesaid Loss', he set to work rebuilding, this time a two-storey house of stone.

George Musgrave Parker

Milton: the residence of J. Allen

Milton: the residence of J. Allen

Photograph, thought to have been taken in the 1930's, of the rebuilt Milton Farm house. In 1826, young John Allen applied for and received a grant of land on Tasmania's east coast: four hundred acres on the west bank of Cygnet River. He named the property Milton, after his home village in England. In February 1828, he reaped his first harvest, but in that same month, an Aboriginal raiding party attacked the (undefended) property, after previously harassing Allen's neighbours John Lyne and George Meredith. Allen's house was robbed and torched and his wheat stack burnt; damage was estimated at £300. Subsequently awarded a two hundred acre extension to his land grant 'as a remuneration for the Aforesaid Loss', he set to work rebuilding, this time a two-storey house of stone.

George Musgrave Parker

Careya australis

Careya australis

Coloured pencil on paper sketched by Olive Pink, Darwin, Northern Territory 27/10/30. Identified by Olive Pink as Careya australis (has quince like fruit)

Olive Pink

Government messenger

Government messenger

Framed caricature of a messenger in the government resting.

Thomas Claude Wade Midwood

Elizabeth Street Hobart

Elizabeth Street Hobart

Lantern slide of Elizabeth Street, Hobart looking north. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.

John Watt Beattie

Lidiosus glaucifolius

Lidiosus glaucifolius

Watercolour and pencil on paper sketched by Olive Pink at Horseshoe Bend, Central Australia, 1930. Identified by Olive Pink as Lidiosus glaucifolius (?)

Olive Pink

Unidentified

Unidentified

Coloured pencil on paper. Sketched by Olive Pink at Rodinga, Northern Territory, 20/8/30 "hurriedly made and unfinished drawing - flower colour true"

Olive Pink

Sida

Sida

Pencil and watercolour on paper sketched by Olive Pink, Tortanga Quatcha, Macdonnel Range, Northern Territory, 28/11/30. Identified by Olive Pink as Sida?

Olive Pink

Unidentified

Unidentified

Watercolour on card sketched by Olive Pink, (date and location unknown)

Olive Pink

Hobart from Huon Road looking east

Hobart from Huon Road looking east

Photograph from the collection of James Backhouse Walker of a view of Hobart from Huon Road looking east in about 1879, according to notes on the reverse.

James Backhouse Walker

Frankenia

Frankenia

Watercolur on paper painted by Olive Pink, Edwards Creek, South Australia, 25/7/30. Identified by Olive Pink as Frankenia

Olive Pink

Unidentified

Unidentified

Pencil on paper sketched by Olive Pink, Northern Territory, 1930. Not identified by Olive Pink

Olive Pink

Calendar design

Calendar design

Indian ink with some colour sketch on tracing paper made by Olive Pink between 1940 and 1941. From a collection of sketches made in New South Wales, Tasmania and a few in Queensland.

Olive Pink

Unidentified

Unidentified

Coloured pencil on brown paper sketched by Olive Pink, Bond Springs or Aileron Station, Northern Territory, 1934. Not identified by Olive Pink

Olive Pink

Photograph of the Congregational Church

Photograph of the Congregational Church

Photograph of the Congregational Church, Broadmarsh, Tasmania. Taken April 1960.
Two churches were established at Broadmarsh, an Anglican church, St Augustine's in 1847 and a Congregational church in1861.
Location 1497 Elderslie Road. The Broadmarsh Uniting (Congregational) Church was built in 1861 on land owned by William Gunn, at ‘Arndell’.

Public buildings in Macquarie Street

Public buildings in Macquarie Street

Photograph of public buildings in Macquarie Street, Hobart opposite St. Davids Cathedral site, corner Collins Street c. 1876. Mail coach is in front of the Post Office.

Fluted Cape, Adventure Bay

Fluted Cape, Adventure Bay

Photograph of Fluted Cape, Adventure Bay, Bruny Island, Tasmania. The photographer was Henry Hall Baily who had studios in Elizabeth and Liverpool Streets, Hobart from 1865 until 1918

Henry Hall Baily

Milton: the residence of J. Allen

Milton: the residence of J. Allen

Photograph, thought to have been taken in the 1930's, of the rear of the rebuilt Milton Farm house. In 1826, young John Allen applied for and received a grant of land on Tasmania's east coast: four hundred acres on the west bank of Cygnet River. He named the property Milton, after his home village in England. In February 1828, he reaped his first harvest, but in that same month, an Aboriginal raiding party attacked the (undefended) property, after previously harassing Allen's neighbours John Lyne and George Meredith. Allen's house was robbed and torched and his wheat stack burnt; damage was estimated at £300. Subsequently awarded a two hundred acre extension to his land grant 'as a remuneration for the Aforesaid Loss', he set to work rebuilding, this time a two-storey house of stone

George Musgrave Parker

Waratah

Waratah

Pencil sketch of a Waratah, NSW

Olive Pink

Glen Gala House: brick house, croquet lawn

Glen Gala House: brick house, croquet lawn

Photograph of Glen Gala House at Cranbrook. Adam Amos arrived in March 1821 in the Emerald along with George Meredith, and was advised to look for land on the unsettled east coast. Adam's capital entitled him to a grant of 1000 acres (405 ha) which he located on the Swan River at Cranbrook, and called Gala. Glen Gala is a two storey brick Victorian Georgian house constructed in 1860 on the original grant to Adam Amos

George Musgrave Parker

Malunnah

Malunnah

Photograph of Malunnah at Orford, Tasmania. Built by writer & artist Louisa Anne Meredith and her husband Charles. The Merediths lived at the house from 1868 until 1888. This photograph was taken by Miss F.M. Kennedy of Swansea

George Musgrave Parker

Capparis

Capparis

Sketch of Capparis, Central Australia

Olive Pink

Lavender (coloured) bush

Lavender (coloured) bush

Watercolour on paper sketched by Olive Pink, Thompsons Rock Hole, 1943. Identified by Olive Pink as Lavender (coloured) bush in spinifex country

Grumbleene

Grumbleene

Framed coloured drawing of a bottle of Grumbleene. My father (T.C.W. Midwood) did not like any grumbling at meal time hence this medicine for it.

Thomas Claude Wade Midwood

Hobart looking south east

Hobart looking south east

Photograph from the collection of James Backhouse Walker of a view of Hobart looking South East with a garden in the foreground and Elizabeth Street in the middle distance. The photographer is Alfred Winter who had studios in Bathurst, Elizabeth and Liverpool Streets from 1874-1880.

James Backhouse Walker

Sullivans Cove, taken from HMS Nelson

Sullivans Cove, taken from HMS Nelson

Photograph of a ship with Sullivans Cove and Mount Wellington in the background taken from HMS Nelson in 1882. The photographer is Henry Hall Baily who had studios in Elizabeth and Liverpool streets Hobart from 1865 until 1918.

Henry Hall Baily

George Washington Walker

George Washington Walker

Lantern slide of George Washington Walker (1800-1859). Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.

John Watt Beattie

Kochia

Kochia

Watercolour on paper, painted by Olive Pink at Edwards Creek, South Australia, 26/7/30. Identified by Olive Pink as Kochia

Olive Pink

Unidentified

Unidentified

Coloured pencil on brown paper sketched by Olive Pink, Bond Springs or Aileron Station, Northern Territory, 1936. Not identified by Olive Pink

Olive Pink

Unidentified

Unidentified

Watercolour on card sketched by Olive Pink, (date and location unknown)

Olive Pink

Postcard of the pontoon bridge, Hobart

Postcard of the pontoon bridge, Hobart

Black and white postcard of the River Derwent and the pontoon bridge with a view to the Montague Bay from the Queens Domain. Inscribed H.J.H No. 143. ( H. J. Hellessey ) Real photo card

Unidentified

Unidentified

Pencil on paper sketched by Olive Pink, Northern Territory 1930. Not identified by Olive Pink

Olive Pink

Photograph of front view of Braeside

Photograph of front view of Braeside

Photograph of front view of Braeside, Broadmarsh. Taken April 1960. Now known as Stonefield' , 'Braeside' was built in 1824, located at 266 Elderslie Rd, Lower Broadmarsh. A good example of a two storey Georgian home with a separate kitchen wing

Printed stationery

Printed stationery

Two sheets of printed stationery –Home Hut (off) Native Flora Reserve Alice Springs Northern Territory

Olive Pink

Letter to TMAG

Letter to TMAG

Letter to the Tasmanian Museum and Art Gallery (TMAG) regarding donation of her Albert Namatjira paintings – copy of typed letter

Olive Pink

Unidentified

Unidentified

Watercolour on card sketched by Olive Pink, (date and location unknown)

Olive Pink

Photograph of doorway at Braeside

Photograph of doorway at Braeside

Photograph of doorway at Braeside, Broadmarsh. Taken April 1960. Now known as Stonefield' , 'Braeside' was built in 1824, located at 266 Elderslie Rd, Lower Broadmarsh. A good example of a two storey Georgian home with a separate kitchen wing

Government House and St David's Cathedral, Van Diemen's Land

Government House and St David's Cathedral, Van Diemen's Land

Lantern slide of Government House and St David's Cathedral, Van Diemen's Land. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994. Lantern slide of detail from 'The Seat of His Excellency Lieut. Govr. Arthur / drawn from Nature and on Stone' by Charles Atkinson d.1837

John Watt Beattie

Remittance man

Remittance man

Framed caricature of an Englishman living at Hobart on his regular remittance from "Home" which he at once spent on alcohol etc.

Thomas Claude Wade Midwood

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