Watercolour and pencil on light green card sketched by Olive Pink at Rodinga, Northern Territory 13/9/30. Identified by Olive Pink as Brunonia australis (Goodeniaceae)
Ash Bester postcard, A B series, no.3 of the interior of the Buckland church. Ash Bester & Co was a Hobart pharmacy, photographic processor, souvenir and camera store that produced postcards from about 1940 to 1960.
Photograph of buildings on corner of Macquarie and Murray Streets, Hobart c. 1877. Photographed by Henry Hall Baily who had studios in Elizabeth and Liverpool Streets, Hobart from 1865 until 1918.
Lantern slide from the collection of James Backhouse Walker of buildings on the corner of Murray and Macquarie Street, Hobart, Tasmania. Thought to have been prepared by J.W. Beattie (1859-1930) whose studio locations were in Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle Arcade, Hobart, until 1994. Quaker Collection.
Lantern slide from the collection of James Backhouse Walker of buildings in early Hobart, Tasmania. Thought to have been prepared by J.W. Beattie (1859-1930) whose studio locations were in Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle Arcade, Hobart, until 1994.
Bullock team carting timber, "Wynphotoprint" ND. ''Wynphotoprint" hand colored series published by Selwyn Cox, Launceston', titled:· "Amongst the big logs" Lebriwa, (Lebrina) near Scottsdale' showing bullock teams; logs and wooden waggon way rails.
Eight small captioned black and white postcards in proprietary envelope. From envelope - For your Album, Murray's Snapshots - Series No. 2. produced by Murray Views Gympie, Queensland. Photographs like these allowed tourists to send many images of their holiday destination or hometown in the one small package.
Eight small captioned black and white postcards in proprietary envelope. From envelope - For your Album, Murray's Snapshots - Series No. 1. produced by Murray Views Gympie, Queensland. Photographs like these allowed tourists to send many images of their holiday destination or hometown in the one small package.
Photograph of the Bush Hotel, New Norfolk, Tasmania, 1881. Proprietor at the time was Captain Blockey. The photographer was Alfred Winter who had studios in Bathurst, Elizabeth and Liverpool Streets from 1869 until 1891.
Indian ink with some colour sketch on tracing paper made by Olive Pink between 1940 and 1941. From a collection of sketches made in New South Wales, Tasmania and a few in Queensland.
Indian ink with some colour sketch on paper made by Olive Pink between 1940 and 1941. From a collection of sketches made in New South Wales, Tasmania and a few in Queensland.
Indian ink with some colour sketch on tracing paper made by Olive Pink between 1940 and 1941. From a collection of sketches made in New South Wales, Tasmania and a few in Queensland.
Indian ink with some colour sketch on tracing paper made by Olive Pink between 1940 and 1941. From a collection of sketches made in New South Wales, Tasmania and a few in Queensland.
Indian ink with some colour sketch on tracing paper made by Olive Pink between 1940 and 1941. From a collection of sketches made in New South Wales, Tasmania and a few in Queensland.
Watercolour and pencil on dark card sketched by Olive Pink, Darwin, Northern Territory 29/9/30- on the way to 10 mile. Identified by Olive Pink as Calytrix "tall shrub (cyprus-like foliage) covered with blossom"
Lantern slide of Campbell and Minchin building, corner Elizabeth and Bathurst street, Hobart. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.
Water colour and pencil on card sketched by Olive Pink 16/8/58 (location unknown). Identified by Olive Pink as rough sketch of Capparis seedpod (back) "suede texture!"
Framed caricature of Captain Harold. Retired Indian Army Officer. An eccentric who lived at Bellerive. Had a mania for water tanks and ended his life by drowning himself in one.
Lantern slide of Captain Kelly's house, Hobart, Tasmania. Thought to have been prepared by J.W. Beattie (1859-1930) whose studio locations were in Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle Arcade, Hobart, until 1994.
Indian ink with some colour sketch on tracing paper made by Olive Pink between 1940 and 1941. From a collection of sketches made in New South Wales, Tasmania and a few in Queensland.
Indian ink sketch on card made by Olive Pink between 1940 and 1941. From a collection of sketches made in New South Wales, Tasmania and a few in Queensland. Captioned (Charlton Ed) for Sydney Mail
Indian ink with some colour sketch on tracing paper made by Olive Pink between 1940 and 1941. From a collection of sketches made in New South Wales, Tasmania and a few in Queensland.
Indian ink with some colour sketch on tracing paper made by Olive Pink between 1940 and 1941. From a collection of sketches made in New South Wales, Tasmania and a few in Queensland.
Coloured pencil on paper sketched by Olive Pink, Darwin, Northern Territory 27/10/30. Identified by Olive Pink as Careya australis (has quince like fruit)
Photograph of the Cascade Brewery buildings from behind, Hobart, Tasmania. The photographers were Anson Brothers whose studios were located in Liverpool, Collins and Elizabeth Streets between 1878 and 1891.
Photograph of the Cascades' Female Factory looking toward Mt Wellington with the Cascade Brewery in the distance. In 1828 a Female Factory opened on the outskirts of Hobart at Cascades. It became the colony's largest Factory, expanding by 1853 into five major courtyards accommodating 1000 women and 175 children. The photographer was J.W. Beattie (1859-1930) whose studios were in Elizabeth and Murray Streets between 1891 and 1940
Photograph of the Cascades' Female Factory looking down the South Hobart Valley toward the Derwent River. Showing yards and gardens. In 1828 a Female Factory opened on the outskirts of Hobart at Cascades. It became the colony's largest Factory, expanding by 1853 into five major courtyards accommodating 1000 women and 175 children. The photographer was J.W. Beattie (1859-1930) whose studios were in Elizabeth and Murray Streets between 1891 and 1940
Photograph of the Cascades' Female Factory from the rear showing yards with washing and horse. In 1828 a Female Factory opened on the outskirts of Hobart at Cascades. It became the colony's largest Factory, expanding by 1853 into five major courtyards accommodating 1000 women and 175 children. The photographer was J.W. Beattie (1859-1930) whose studios were in Elizabeth and Murray Streets between 1891 and 1940
Watercolour on card sketched by Olive Pink 30/9/57 (location unknown). Identified by Olive Pink as Cassia eremophila - "very hurried - looks like big storm"
Pencil drawing on card with small water colour attached. Painted and sketched by Olive Pink at the Finke 31/8/30. Identified by Olive Pink as Cassia sturtii "usually 7 pairs of leaves on leaf stem - shrub about 3ft high"
Photograph of Launceston, Tasmania from beyond the Cataract Bridge. The photographers were Anson Brothers who had studios in Liverpool, Collins and Elizabeth Streets, Hobart, between 1878 and 1891.
Photograph of Liverpool Street Hobart at the intersection of Argyle Street looking towards West Hobart, taken around the turn of the century showing Cherry's Carlton Club Hotel in the foreground. Also J. Whiteside & Son Furnishing Warehouse and Canes Iron mongers. The date is assumed from the presence of electric power poles which were introduced in 1898.
Pencil, some coloured, on paper sketched by Olive Pink, Tortungah Quadtcha, Northern Territory 1/12/30. Identified by Olive Pink as Cleome viscosa "whole plant, even back of petals of flower and pod sticky - has pungent smell when broken - sticky glands"
Photograph of the commandant's house and jetties, Port Arthur c. 1880. The photographers are Anson Brothers., Portrait and Landscape Photographers, Hobart Town whose firm was located in Liverpool, Collins and Elizabeth Streets between 1878 and 1891.
Photograph of Macquarie Street, Hobart looking south from the corner of Elizabeth Street c. 1870. Some of Franklin Square on left Commercial Bank on right. The photographers were Anson Brothers whose firm was located in Liverpool, Collins and Elizabeth Streets between 1878 and 1891.
Photograph of the Commercial Bank, Macquarie Street, Hobart looking south from the corner of Elizabeth Street in c1877 after old St. Davids Cathedral was pulled down. The photograph is attributed to Henry Hall Baily who had studios in Elizabeth and Liverpool Streets Hobart from 1865 until 1918.
Coloured pencil on paper sketched by Olive Pink, 50 miles from Darwin, Northern Territory 26/10/30. Identified by Olive Pink as a creeper Convolvulus? "from an almost dead specimen when brought to me"
Photographs of Cook's Monument, Fern Tree Bower, Mount Wellington. Memorial stones commemorate Mayor Henry Cook and the Hobart Town Corporation Waterworks erected in 1861.
Includes - Annotated envelope containing original printing plate of Olive Pink bookplate by Adrian Feint and letter from Feint to Olive Pink by the Society of Artists.
Copper etching plate of bookplate , “Simplicity, Beauty, Honesty, Trust –Olive Pink”. 2 .Letter from Adrian Feint to Olive Pink 28. 5. 1929
Envelope containing the above items -written on by Olive Pink
Lantern slides of the University of Tasmania, Queen's Domain, Hobart. Views of exterior and laboratories and library. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994 (Collection Pr.S.Uni/1-8)
Coloured pencil on dark card sketched by Olive Pink at Edwards Creek, South Australia 25/7/30. Identified by Olive Pink as Seed pods of Crolataria cunninghammi. Attached - on white paper watercolour of leaves and bud 10 x 7.5 cm
Black and white photograph showing dead horses on the beach. Photo caption says Beachey [Beachy] Bill's work, Anzac. "Beachy Bill" was the collective nickname given to a battery of Turkish guns located in a position known as the "Olive Grove". The guns were constantly seeking out targets on the beach at Anzac Cove, thus the nickname.
