Photograph of New Town and Mt. Direction, Hobart, Tasmania from the hill above Beaulieu. The photographer was Alfred Winter who had studios in Bathurst, Elizabeth and Liverpool Streets from 1869 until 1891..
Photograph of Battery Point from Sandy Bay, Tasmania, with St. Helena, later Wrest Point, in foreground, St Georges Church in the distance, c.1881. The photographer was Alfred Winter who had studios in Bathurst, Elizabeth and Liverpool Streets from 1869 until 1891.
Photograph of the Cascades' Female Factory looking down the South Hobart Valley toward the Derwent River. Showing yards and gardens. In 1828 a Female Factory opened on the outskirts of Hobart at Cascades. It became the colony's largest Factory, expanding by 1853 into five major courtyards accommodating 1000 women and 175 children. The photographer was J.W. Beattie (1859-1930) whose studios were in Elizabeth and Murray Streets between 1891 and 1940
Photograph of the Cascades' Female Factory from the rear showing yards with washing and horse. In 1828 a Female Factory opened on the outskirts of Hobart at Cascades. It became the colony's largest Factory, expanding by 1853 into five major courtyards accommodating 1000 women and 175 children. The photographer was J.W. Beattie (1859-1930) whose studios were in Elizabeth and Murray Streets between 1891 and 1940
Lantern slide of Campbell and Minchin building, corner Elizabeth and Bathurst street, Hobart. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.
Lantern slide of Elizabeth Street, Hobart looking north. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.
Lantern slide of Government House and St David's Cathedral, Van Diemen's Land. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994. Lantern slide of detail from 'The Seat of His Excellency Lieut. Govr. Arthur / drawn from Nature and on Stone' by Charles Atkinson d.1837
Lantern slide of Hobart Savings Bank, Murray Street Hobart c1860. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.
Lantern slide of an early print of Hobart Town, Van Diemen's Land from the harbour. From the collection of James Backhouse Walker. Thought to have been prepared by J.W. Beattie (1859-1930) whose studio locations were in Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle Arcade, Hobart, until 1994.
Lantern slide of Tasmanian aboriginal canoe and baskets. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.
Lantern slide from the collection of James Backhouse Walker of buildings on the corner of Murray and Macquarie Street, Hobart, Tasmania. Thought to have been prepared by J.W. Beattie (1859-1930) whose studio locations were in Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle Arcade, Hobart, until 1994. Quaker Collection.
Lantern slide of house in Hobart. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.
Ten captioned fold out colour images in unidentified proprietary post-able envelope. Showing views of Huonville on one side and Hobart on the other. From envelope : A Colorful Souvenir of Huonville and Hobart, Tas.. Natural views.
Seven captioned hand coloured images in proprietary envelope. Showing views of Hobart. From envelope - Valentine's Snapshots. Eight real photographs. Hand Coloured Hobart, No. 1. Published by The Valentine Publishing Co. Melbourne and Sydney.
Framed oil painting by Max Angus (1914-2017): a portrait of Dan Sprod (1924-2018), former Morris Miller Librarian (1966-75) and subsequently proprietor of Blubber Head Press and Astrolabe Antiquarian Books, seated at the window of his home in Sandy Bay holding a copy of the book Simpkinson de Wesselow authored by Max Angus and published by Blubber Head Press in 1985
Photograph of Marjorie Blackwell baking scones at her 'dream home' -'Climar', Campbelltown, Tasmania - which she and her first husband Cliff Blackwell built in 1955
Eight small captioned black and white postcards in proprietary envelope. From envelope - For your Album, Murray's Snapshots - Series No. 2. produced by Murray Views Gympie, Queensland. Photographs like these allowed tourists to send many images of their holiday destination or hometown in the one small package.
Eight small captioned black and white postcards in proprietary envelope. From envelope - Beauty Spots in Australia, 8 Real Photographs for your Snapshot Album, Published by the Rose Stereographic Co. Armadale, Victoria
Eight small captioned black and white fold out images in proprietary post-able envelope. From envelope - Join us in a trip around St. Helens Tasmania. Southern series Registered. On reverse - Postage rates within the British Empire. Without correspondence, in an unsealed envelope, will be 3d. If correspondence is added, postage will be 3 1/2d whether envelope is sealed or unsealed. Foreign rate, 7 1/2 d
Lantern slide of Tasmanian aboriginal woman Truggeruana, native of Recherche. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994
Lantern slides of Tasmanian aboriginal stone implement quarry, Plenty river. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.
Lantern slides of Tasmanian aboriginal stone implement quarry, Plenty river. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.
Lantern slide of West Australian aboriginal stone implements. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.
Lantern slides of the University of Tasmania, Queen's Domain, Hobart. Views of exterior and laboratories and library. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994 (Collection Pr.S.Uni/1-8)
Lantern slides of the University of Tasmania, Queen's Domain, Hobart. Views of exterior and laboratories and library. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994 (Collection Pr.S.Uni/1-8)
Colour photograph depicts red C Class steam locomotive, steaming on line approaching Relbia Station railway platform, near Launceston, between Western Junction and Inveresk. The words: ?CENTENARY TRAIN 1871-1971? emblazoned on front of boiler.
Colour photograph of beam engine in Hobart, purportedly the oldest McNaught Beam Engine in existence, originally built 1854 in Paisley Scotland, by A.W. Smith and used by Risby’s Sawmill in Hobart until 1955; photograph possibly taken at Moonah public works depot
Colour photograph of abandoned farmhouse, with only a rickety timber roof frame, some internal walls and floors, three dormer windows and two orange brick chimneys intact; external brickwork has collapsed entirely into to piles of rubble; mature European trees planted surrounding house; electricity poles erected through property and roadside cutting across hillside shows line of road, possibly Midland Hwy, featuring white guide posts. Photograph file is named Bishton, possibly referring to Bishton Creek, near Jericho.
Colour photograph of beach, rocks and paddocks leading to shore at Boat Harbour, west of Wynyard, looking out to sea. Photograph taken north-west over Boat Harbour Beach, also known as Jacobs Boat Harbour.
Colour photograph shows a woman seated on park bench outside main house at Brickendon, historic 465ha estate established and farmed by William Archer and descendants since 1824, who invited tourists to their property from the late 20th century.