Affichage de 245 résultats

Speech of Our Time compiled and edited by Clive Sansom, London (Hinrichsen 1948): correspondence and reviews.

The World turned upside down, London, 1948. A morality play based on the Christmas story: draft & revised typescript, published copy (F. Muller 1948) annotated, radio script 1975, correspondence with agent (Higham), publishers 1947-8, ABC, BBC 1948-1976; reviews, registration certificate (1947).

Typescript, reviews, published pamphlet (1947 Oxford University Press).

Pocket appointment diaries.

Diaries of Ruth Sansom mostly written in carbon copy notebooks (sometimes both carbon copy and torn out top copies exist), written intermittently:-
1934 Voyage to England (2 notebooks)
1934-36 Early days at the Speech Institute - critical of friends, lonely, London, visit to Cotswolds, teaching, vacation schools, Plymouth, King's Jubilee celebrations (loose pages and notebook)
1936-37, 1938-39 Engagement to Clive, holiday in Bavaria and Austria, married Clive at Quaker Meeting House, Winchmore Hill, war impending - Chamberlain (1938) (1 notebook)
1936 Bavarian holiday. Also notes 1945, 1946 (notebook - part unused)
September 1939 War Diary (loose pages and notebook)
1940 War-time diary (notebook - partly unused)
1940 War-time diary, also typed transcription (loose pages, typescript)
1939-1942 War-time diary (carbon notebook)

Modern poetry (5 lectures - University College, 1939); Modern poetry (Tottenham YWCA 1939?); Choral speaking (1943); T.S. Eliot's "The Waste Land" (Progressive League 1947).

Page proofs, correspondence with Resurgam Books. Introduction by Clive Sansom but none of his poems included.

The Unfailing Spring, Clive Sansom, introduction by Walter de la Mare, "Resurgam" Younger Poets, London (Favil 1943): book, some typed poems, correspondence with publishers, contract, reviews (1942-45).

Papers relating to special war-time service by Quaker conscientious objectors and the "Spiceland" Centre. See also Clive's statement to the tribunal (conscientious objection) in cutting book DX18/79 (1) (back of volume).

Diaries or journals: neatly written accounts of daily life, travels, etc. (in quarto volumes); "War Diary" 1939 (loose papers). Also rough diaries in pocket notebooks (some "not written up"). Also a few pages from a diary of c1926 or 1927 and extracts from notebooks c1930-1936.

'Love letters - Clive to Ruth' in a brown A4 envelope. This contains Sansom's letters to Ruth Sansom written in England, Tasmania, mainland Australia and New Zealand. One group of these is marked 'Some special letters from Clive to Ruth'. It also contains some of Ruth Sansom's letters to Sansom, several of which are significant, dealing as they do with life, love, beliefs and personal relationships. It contains two 'very special letters' from Ruth Sansom to her husband in 1940-41.
Other material in this folder: Program of a Speech Fellowship seminar in London 1949 at which Ruth Sansom demonstrated techniques of teaching speech. Copy of a photocopied and bound book of poems by Sansom - dedicated to Ruth. Several references to education and history recorded by Sansom. Typed copy of Sansom's poem 'The Poplars'.

Plastic bag containing:
• Black diary of pencilled notes about the Sansoms' trip to Europe.
• Record of books read by Sansom in 1928 and 1929.
• Printed Christmas card containing Sansom's poem 'The Carol of Three'.
• Sansom's diary for 1939.
• Home Office publication detailing air raid procedures during the Second World War.
• HMSO publication about national service regulations for the same period. Red diaries written by Sansom in I 940.

Brown folder marked 'Clive and Ruth's Letters, and recommendations and references in early England'. The material includes:
• Extracts from letters praising the London Speech Festival 1935, organised by Sansom.
• A personal reference, dated 25/6/1934, from the Sales Manager of the Ironworks Department of the firm Newton Chambers and Co where Sansom worked for eight years. The reference notes that Sansom began work in the firm as a junior clerk and had worked as Traveller for the Light Castings Department for the last two years of his service.
• The original of the Marjorie Gullan Certificate awarded Sansom by the London Speech Fellowship and Institute in August 1936.
• Original certificates awarded Sansom by the English Verse Speaking Association competitions in July 1934: First in Class III Dramatic Poetry; First in the Final Class; First in Lyrical Poetry.
• The original of Clive Sansom's Birth Certificate - 21 June 1910.
• Two of Sansom's curriculum vitae prepared in the 1930s and 40s.

Ten bundles of letters containing a range of material, apparently organised to some extent by Ruth Sansom after her husband's death:

In the Midst of Death: poems by Clive Sansom (privately printed 1940), dedicated "To Ruth": printed copy, typescript, correspondence, printer's bill (O.U.P.), reviews.

Drafts of reading selections for the Junior School and for the Senior School and correspondence with University of London Press and with Rodney Bennett.

Five folders regarding letters and document to do with the war tribunal and Spiceland Camp'

Extensive collection of material including:
• A brown manila folder containing letters relating to the Sansoms' marriage in 1937.
• Miscellaneous letters 1937 -1940.
• Two unpublished poems by Sansom, one written in 1936, and 'On a
• Deserted Shore' written later in Tasmania.
• An undated letter from Sansom to his wife Ruth written later in life.
• Sansom's Will written on 27/7/36.
• The Sansom marriage certificate and congratulatory letters from friends. Separate statements by Sansom and Ruth Sansom on the topic of poetic impetus.
• A typed poem by Sansom with the words 'See St Swithin' added by Ruth Sansom.
• Copy of In the Midst of Death.
• Several letters marked 'Before marriage' in a brown envelope.
• A clear plastic folder of what appear to be Ruth Sansom's writings: 'Three Songs' and other verses, together with letters from Ruth Sansom to her husband including some clipped together and headed by Sansom 'Beautiful Letters, don't lose them love'.

Brown folder marked 'Poems' that comprises copies of letters Sansom received and wrote in 1939.
• Ten letters (several undated and l incomplete) from Allan Keeling and a copy of one of Sansom' s replies.
• Five letters and a post card to the Sansoms from Martin Miles, and one addressed to Ruth Sansom only. Two letters to the Sansoms from Helen Miles, mother of Martin.
• Seven letters from Rodney Bennett.
• Five letters from Anny and Herbert Gunsburg [?]
• Two post cards and six letters from Marjorie Gullan.
• Two letters from Sansom's mother.
• Two letters from Sansom's aunt (Aunt Bee).
• Two letters from Len Sansom (Sansom's brother).
• One letter from Eric Savage and Sansom's reply.
• Single letters from Rolf Maass, Ruth's mother (19 Carr Street, North Hobart), Cicely Beardsall ( including her poem and Sansom' s reply), George Buchanan, Lewis W. Phillips, Marjorie Halben, Butch Levistein, J.R. Firth, and H.W. Chapman
• Copies of Sansom's letters to John O 'London's, The Listener and Palmers Green Gazette.
• Two newspaper clippings of Sansom's letters to the editor (unidentified papers and undated).
• Letter to Barclay's Bank.

Drawings of countryside, life studies, still life studies; illustrated manuscript of copies of poetry; "Christmas Fun" 1923, 1924, 1925 (booklets of drawings, jokes, etc. for Christmas); topographical studies of Norfolk, Southern England, Wales, with notes.

Copy of Adventures in Words Books 2 and 3 by Clive Sansom and Rodney Bennett published in 1939.

Family photographs of Clive and brother as children, ?parents and grandparents, ?brother's children (photographs not labelled or dated).

'Letters from Ruth to Clive from Bunce Court, Otterdam near Laversham Kent at the school and not long before marriage'. This comprises over twenty letters written during 193 7.

Copy of the journal Good Speech (April-June 1937) containing an article by Sansom titled 'Speech Rhythm'.

Poetry and letters sent to newspapers, competition entries, etc. Including early poem "To Mother" (written at age 10) and school essay (at 13), and poems written for Kathleen Stone.

Address book - "commercial travellers journal with Newton Chambers & Co. (c1928-34); notebooks (very rough notes and drafts), word notebook.

Brown folder headed 'South Downs - 1934, Notes for a Book' Contains snippets from texts and poems and the segment of a diary describing a visit to Sussex.

Preservation of England (1930-32), Lake Pedder (1967), stone buildings (1968-69), Lenah Valley sawmill (1970-78), Mount Stuart Community study (1977).

Cuttings of published poems, reviews, articles, short stories, letters to newspapers.

1. 1934-1970s: including "An evening with the Quakers" 1937 (p.12), introduction to Paul Scott's "I Gerontius" (p.32), statement to tribunal (conscientious objection c1940); drawing of Clive 1975.
2. 1930s-1970s: Including biographical details, "faith and service", short stories of 1940s, Quaker funeral testimony 1981, etc. (not entered in any particular order).
3. Reviews of Clive Sansom's work 1943-1950.
4. Poems and letters to newspapers 1958-1976.
5. Letters to newspapers 1974-1976.

Parcel of letters labelled 'from Clive to Ruth when on his exam tours for LAMDA'. Over thirty letters written in the l 930s both before and soon after the Sansoms married in London.

Clear plastic folder containing letters from Sansom to Ruth Sansom mostly before their trip to the Tyrol in the late l 930s.

Parcel of collected materials about the history and locale of North London, described in a note as 'Archival' material which would delight a North London Librarian, eg Winchmore Hill. These are old books and pamphlets on that area. The parcel also contains copies of Sansom' s letters about conservation issues sent to English newspapers and journals during the 1930s.

Green folder of letters from Ian Serraillier, Musgrave Horner, Doris Harding, Frederick Tomlin, M.M. Lewis, Leopold Stein, Teresa Hooley, E. Martin Brown (The Pilgrim Players), Catherine Hollingsworth, Perey Hitchman, E.V. Knox, Herbert Palmer, Hal Ward, E.V. Rieu, Martin Armstrong, Shirley Holtham, Wilson Midgley, Mary Somerville, Robert Swire, Bernard Canter, John Hampden, and J. Donald Adams.

Manila folder containing at least a dozen letters from Nan Chauncy.

Plastic folder of more than thirty letters from English friends including Kath Needham-Hurst, Mrs Ivy Fry, Margaret Miles, Ronald Cook, Margaret Willy, Tim Evens, Harold Holloway, Catherine Hollingsworth, Doris Harding, Hermann Peschmann, Lina Wake, Nan Delaney, Allan Keeling, Helen Linacre, Peter Hearn, Marjorie Jacklin, Ann O'Connor, Therese D' Arey, Margaret Miles, Frieda Hodgeson and Hilary [Outhwaite?].

White folder of letters on a range of topics including the war (fireguard duties, evacuation procedures, etc), the London Academy of Music and Dramatic Art (LAMDA) and Sansom's early poetry, and from Gwen Harwood, Judith Wright, Aunt Bee, Norman H. Potter and Edgar G. Dunstan. Program for the performance of T.B.Morris's play " I Will Arise" produced by Sansom and performed in March 1948. Sansom's typed 'Dictionary ofCliches' and several paper cuttings on a range of subjects.

Typed sheets tied with red ribbon of Sansom's unpublished manuscript 'The Voice that Tempted Eve and other Auditory Observations'. This comprises quotations from various writers containing references to the ways in which people speak - descriptions of their voice quality, facial expressions and gestures.

Folder marked 'Business / Industry' containing six articles by others on oral communication in the business world.

Folder containing background articles for teaching about film and television.

Folder marked 'Tape-Recording' containing a range of relevant British and Australian newspaper clippings and pamphlets.

Folder marked 'Tunes' containing clippings from newspapers and journals on pitch and inflection and Sansom 's notes on these topics.

Folder marked 'Written English' containing many articles on the topic including one by Sansom, and copies of Sansom's letters to the Principal of Launceston Technical College and Sister Canice of Thomas Moore's School.

Folder with newspaper clippings on sound in speech.

Folder marked 'Please Pass it on' comprising notes on listening and retention skills.

Folder marked 'Reading Aloud' containing newspaper and magazine clippings on the topic and Sansom's article 'Is Your Reading too Fast?'

Green scrapbook containing more poems from a number of writers.

Black/ grey scrapbook containing clippings of paintings and sketches.

Brown envelope containing testimonials to Ruth Sansom's work in England.

Clear plastic envelope headed 'Important letters and articles by Clive'. A copy of Sansom's introduction to a published anthology of passages of verse set for examination purposes by the London Academy of Music and Dramatic Art, and letters from the Secretary of the Academy concerning this. Letters in response to Sansom's article 'We the Murderers', published in English in Australia. A copy of Sansom's article on the subject of copyright also published in an issue of English in Australia, and associated letters from that journal's editor.

Letters to Ruth Sansom from Myfanwy Thomas, Kathleen Needham­-Hurst, Cedric Pearce, Hermann Peschmann, Beth Parsons, Hilary Outhwaite, Thomas Green, Peter Heam, Bruce Goodluck, Dorothy Aichrnan, Jim Ward, John Casson, May S. Ali, Therese D' Arcy, Pip Buchanan, Helen and Kenneth Brooks, Roy Chappell, Bev Dorwick, Monash University and Sylvia Read. One unsigned letter.

Group of letters labelled 'About Clive's death' from Peter Leonard, Hugh Macindoe, James Darling, Olive Woolman, Geoffrey[?] and William Ridden.

Program of fortnightly meetings conducted by the 'Here and Now society', advertising Sansom's session on 'Poems from the Chinese'.

Miscellaneous items including an incomplete letter to Sansom from an unidentified writer, a Christmas card to Ruth Sansom from ''Norman and Maisie', part of a letter Ruth Sansom wrote to her parents from London during the Second World War, Sansom's handwritten note to his wife, and a note of Ezra Pound's response when the Speech Institute sought permission to reprint one of his poems.

Twenty-two scripts of ABC 'Speaking and Listening' radio broadcasts for schools, written by Sansom, sometimes with Ruth Sansom's assistance. Sansom recorded most of these with the assistance of his colleagues from the Speech Education Centre.

Four scripts of ABC 'Myths and Legends' radio broadcasts for schools, written by Sansom, sometimes with Ruth Sansom 's assistance. Sansom recorded most of these with the assistance of his colleagues from the Speech Education Centre.

Seven scripts of ABC 'Journeys in Bookland' radio broadcasts for schools, written by Sansom, sometimes with Ruth Sansom's assistance. Sansom recorded most of these with the assistance of his colleagues from the Speech Education Centre.

Seven radio plays and parts thereof written for schools by Sansom.

Sound rhymes and various related notes by Sansom.

Handwritten notes by Ruth Sansom, including her draft autobiography about life with Clive, and section of a typed manuscript titled 'Married Life'. Additional pages of material relating to the Sansoms' experiences during World War II and mentioning contacts with writers and absent friends including Allan Keeling, Kathleen Needham­Hurst, Marjorie Gullan, Gordon Bottomley, Robert Gittings, Frieda Hodgson, Margaret Rutherford, Judith Wright, Dorothy Gear, Walter de la Mare and the young actor Martin Miles. A handwritten biography of Clive Sansom focussing on his childhood and his mother with a further section titled 'Clive 16 to 27'. Ruth Sansom also describes the Sansoms' holiday in the Tyrol and her work in a Jewish refugee school.

Ruth Sansom' s handwritten autobiography - 'The War Years'. This describes her school days, her work in England, the Sansoms' friendship with Paul Scott, and their relationship with Jonathon Field, and Clive Sansom's illness at the end of the Second World War.

Manila folder marked 'Miscellaneous' that includes:
• Four reproduced pencil sketches of Sansom.
• 'The New Alcestes' - a parody on Gilbert Murray by Sansom, written Easter 1933.
• ‘Rostra’ 16/2 July 1981 containing an obituary for Sansom written by Robert Bennett.
• A handwritten article by Ruth titled 'Clive in Satire and Parody after Paul's letters'. This was written following Hilary Spurling's visit to Hobart and reflects Ruth's responses to aspects of her husband's writings.
• Two poems in Ruth Sansom's handwriting titled 'Snake' and 'Indian Play'.
• Several loose pages in Ruth's handwriting that appear to be drafts of her memories of life with her husband.

A collection of sayings on speech collected by Clive Sansom manuscript and typescript draft (not published).

Clear Plastic envelope marked 'Permission to quote in ‘The World of Poetry'.
• Brief letters from writers who gave Clive Sansom permission to use extracts from their writing in his anthology ‘The World of Poetry’: Elizabeth Drew, Aldous Huxley, Basil Willey, E.M. Forster, James Devaney, E.M.W. Tillyard, Clive Bell, Leonard Woolf, George Whalley, G. Wilson Knight, Herbert Read, David Campbell, I.A. Richards, Richard Wilbur, John Ciardi, W.R. Rodgers, Cynthia Asquith, Rosamond E.M. Harding, John Lehman, F.R. Leavis, H.G. Garrod, Erich Heller, Sir George Hamilton, P. Gurrey, Max Eastman and three others whose signatures are indecipherable.
• Letters from James Kirkup, V.S. Pritchett and Robert Graves indicating their refusal to grant this permission.
• The file also contains correspondence from Poetry Review (acknowledging receipt of a poem), Robert Speight (commenting on The Witnesses), Dal Stivens (about copyright), Geoffrey Dutton ( acknowledging Sansom' s letter pointing to errors in one of Dutton's publications), M. Beatrice Forman (about her publication of Keats's letters), N. Pevsner (acknowledging
• Sansom's letter about errors in his publication of a text on the buildings of England), Patricia Excell of Meanjin (acknowledging a poem Sansom had submitted), Patrick Garland (acknowledging receipt of a drama script).

Manila Folder headed 'Poems Doubles and Children's Rhymes'
This contains thirty poems and a verse-drama written by Ruth Sansom. Most are typed, but several are handwritten: 'Christ Triumphant'; 'The Way'; 'May the World be born in Oneness'; 'Taipan'; 'We met on a Journey'; 'Testament of inner Experience'; 'Sitting at the Wellhead'; 'The Adversary'; 'The New Man'; 'Song of the Holy Spirit'; 'The Hand that Swept the Lyre'; 'Son of Man'; 'The Three Kings'; 'One Note of Music'; 'The Grace of His Coming'; 'Philomel'; 'His Voice'; 'The Word was Shared'; 'Eternal Spirit', 'Drifting', 'Divine Spirit'; 'The Return'; 'The New Dawn'; 'All is at Onement'; 'J Search for my Spirit'; 'The Bridge'; 'In the Valley of Death'; 'The Selfless One'; 'Who am I"; 'The Visitation'.
The file also contains preliminary drafts of some of these poems

Seven scripts of ABC 'History for Grades III and IV' radio broadcasts for schools, written by Sansom, sometimes with Ruth Sansom's assistance. Sansom recorded most of these with the assistance of his colleagues from the Speech Education Centre.

Two scripts of ABC 'From the Library Shelf radio broadcasts for schools, written by Sansom, sometimes with Ruth Sansom's assistance. Sansom recorded most of these with the assistance of his colleagues from the Speech Education Centre.

Four scripts of ABC 'The Correspondence School speaks' radio broadcasts for schools, written by Sansom, sometimes with Ruth Sansom's assistance. Sansom recorded most of these with the assistance of his colleagues from the Speech Education Centre.

Nine scripts ofmiscellancous ABC radio broadcasts for schools, written by Sansom, sometimes with Ruth Sansom' s assistance. Sansom recorded most of these with the assistance of his colleagues from the Speech Education Centre.

Tongue twisters, speech rhymes and associated notes either collected or written by Sansom.

Segments of a typed manuseript 'England, The Love, Clive Sansom, by his wife Ruth'. This focuses on the Sansoms' war experiences with brief references to their association with Paul Scott. Some pages are missing.

Handwritten 'Chapter One' of Ruth's autobiography/ Clive Sansom's biography. The focus here is on Sansom's childhood in Palmers Green and his school days.

Manila folder containing handwritten drafts of sections of Ruth Sansom' s autobiography, covering the period in England before the war, mamage to Clive Sansom, work at the Speech Institute, Sansom's poetry, association with the Quakers, and marriage and life in the 1970s. In the final section, Ruth Sansom explores and describes her mystical experiences and her religious faith.

Ruth Sansom' s handwritten autobiography - '1960s and mysticism'. This mentions work at the Tasmanian Speech Education Centre.

Typescript. No date.

Typescript, notes, application for grant, agent's correspondence.

Draft (in alphabetic book), typescript.

Draft novels [1930s or 40s]
(1) "Fenley Green" a novel based on Enfield Chase (Middlesex, UK) including notes on history of Enfield, sketches, drafts, with note at front by Ruth Sansom "These notes have value in showing how Clive worked first on place backgrounds before setting his characters and writing the chapters".
(2) "To Voltaire": rough draft of a novel set in Dorsetshire involving a scientist, Dr. Barnes, and a small boy.

Sansom's handwritten poems in a green and violet covered notebook marked with the archive number DX 18 SAS 88.36. Frontispiece contains Ruth Sansom's poem to her husband. The book is annotated 'Before marriage' and there is at least one further annotation in Ruth Sansom's handwriting. Poems include 'Chopin Noetume', 'The Mirror', 'The Greyhound', 'Sonnet', 'The Voyager', 'Words cannot save', 'Millstream', Spring-Yellow', 'Convalescence', 'The Birds", and 'Nightingale'. Sansom has added pencilled amendments to some of the poems.

Typed text of Sansom's unpublished book on the profession and craft of poetry, titled "The Abominable Trade: A Poet's Notes on his Profession".

Black folder containing correspondence from Rupert Hart-Davis, Anne McAllister, Richard Flatter, T.H. Pear, Hewlett Johnson (Dean of Canterbury), Sylvia Lynd, Philip Mairet, Dennis Fry, J. Compton, Daniel Roberts (including two from Clive Sansom to Roberts), John Moore, Arthur Thompson (references herein to Walter de la Mare, and two letters from Sansom to Thompson), Gwynneth Thurbum,
M.A. Richardson, Peter Hearn and two unidentified writers. The folder is prefaced with a list of correspondents; that listed from Rex Ingarnells is not in the folder.

Brown folder of correspondence from people such as Leonard Clark, Bishop Cranswick, Archbishop Young, Ron James, Leslie Greener, Thomas Moult, Dorothy Hewlett, J.C. Trewin, Charles Kohler, Tony Allan, Peter Heam, Hugh Mack.indoe, Clifford Dyment, James Day, Vicars Bell, Alan Searle, Iva Browe[?], Ashley Dickes, Ron James, Rolf Gardiner, John Gainsworth (The Poetry Society) Val Gilgud, Redwood Anderson, Wallace Nichols, Nikolaus Pevsner, A.W.R. Milligan, Hewlett Johnson (Dean of Canterbury) and Clare Soper. One small bundle of letters groups together messages from ecelesiastics in response to Sansom's religious drama.

Letters to and from Walter and Sylvia Stiasny. Walter Stiasny was a musician and was appointed musical director and conductor of the National Theatre and Fine Arts Society at the Theatre Royal.

Cream folder of correspondence from Walter de la Mare, Ian and Anne Serraillier, E.W.F. Tomlin, Myfanwy Thomas (daughter of E.T. Thomas), Eric Savage, and S. George West of Kings College, University of London.

Green spring-back folder labelled 'Miscellaneous' containing typed manuscripts of Sansom's short story 'Old Frank' and his radio play 'Immortal Evening (December 28th, 1817)'. Characters depicted in this play include Keats, Limb and Wordsworth.

Black spring-back folder of Sansom's unpublished document, 'Strange Goings On: Verses for Children'. This includes one titled 'The Australian Leprechaun'. Many of the poems contain handwritten corrections and amendments.

Green spring-back folder containing the typed manuscript of Sansom's unpublished text 'These Happy Breeds' - a book of poems about dogs.

Typed sheets tied with white string comprising three copies of Sansom's unpublished manuscript 'Definitions, Deft and Daft'. Sansom collected most of these from other sources.

Three texts: 'Highgate and Hampshire', 'Old Southgate' and 'Winchmore Hill', publications that Sansom consulted when writing his autobiography.

Folder labelled 'Reading Aloud' comprising passages for reading, newspaper articles on the subject, and Sansom's notes on the topic, some of which appear to be the draft of the Preface to his anthology 'By Word of Mouth: An Anthology of Prose for Reading Aloud'.

Folder labelled 'American Speech' containing newspaper cuttings and conference programs on the topic. Two unrelated items in the folder are articles by others titled 'John Clare Country' and 'The Classical Face of Bath'.

Folder titled 'What Does it Mean?' containing material Sansom collected and used for teaching the topic.

Folder marked 'Questions' containing three relevant articles taken from newspapers and magazines.

Folder with articles on listening and discrimination, and a copy of Sansom's letter to the principal of Kingston Primary School.

Typed extracts from Sansom's unpublished text 'The Abominable Trade', focussing on specifics such as rhythm in speech, pace, repetition and alliteration.

Collection of letters from Sansom to Ruth Sansom in a small stationery box marked 'Speedy Notes'.

Pale blue scrapbook containing copies of poems and handwritten quotes from a number of writers, compiled by Sansom.

Brown document folder marked 'Sansom's Family Tree' containing:
• folder marked 'Wills'.
• collection of notes on the name 'Sansom' in a white paper cover with paper clip. Plastic folder with notes about R. Browning's assoeiation with Dorset.
• folder of pieces 'Kept by Clive for his autobiography'.
• folder 'Registers from Pentridge- - the Sansom family'.
• folder on the genealogy of 'Fry'
• folder on the genealogy of 'Thurland'.
• folder on Cranbome Chase.
• folder on Owermoigne Village.
• folder with queries on genealogy and history.
• folder on the genealogy of Sansoms.
• folder on the genealogy of the Johnson family.
• folder on the Sansom/ Owermoigne connection.
• folder on Thomas Hardy and Owermoigne
• folder on Sixpenny Handley Glassage (Sansom family).
• Paper clipping on Robert Browning.
• folder on the Sansoms, notes about the family and their locations.
• folder with letters from Sansom's family.
• Collection of letters about family history in a white paper folder clip.
• folder with Sansom's notes on forebears at Owermoigne.
• Brown foolscap envelope headed 'Clive Biography': various letters and a family tree.
• folder holding the family tree.

Three flyers advertising performances of 'Lipstick Dreams' at the Theatre Royal's Backspace, a concert of multicultural music at St David's Cathedral, and several publications of documentary histories of England.

Copy of Sansom's 'Convergence on Bethlehem'- a Christmas program for Radio in 21 scenes, and poems' with explanatory notes.

Brown folder marked 'Clive's Writings'. A series of jottings about travels in England and other short notes.