Photograph of the Cascades' Female Factory looking down the South Hobart Valley toward the Derwent River. Showing yards and gardens. In 1828 a Female Factory opened on the outskirts of Hobart at Cascades. It became the colony's largest Factory, expanding by 1853 into five major courtyards accommodating 1000 women and 175 children. The photographer was J.W. Beattie (1859-1930) whose studios were in Elizabeth and Murray Streets between 1891 and 1940
Pencil drawing on card with small water colour attached. Painted and sketched by Olive Pink at the Finke 31/8/30. Identified by Olive Pink as Cassia sturtii "usually 7 pairs of leaves on leaf stem - shrub about 3ft high"
Pencil and watercolour on paper sketched by Olive Pink, Tortanga Quatcha, Macdonnel Range, Northern Territory, 26/11/30. Identified by Olive Pink as Jonidium
Indian ink with some colour sketch on paper made by Olive Pink between 1940 and 1941. From a collection of sketches made in New South Wales, Tasmania and a few in Queensland.
Black and white photograph of Olive Muriel Pink standing next to a camel, 'Quart-Pot', in Central Australia, 1934, with inscription on the back by Olive Pink, '"Quart-pot" and Olivia - (ready for anything!)' Photographs sent with a letter to her friend Joan Walker in Hobart, Tasmania.
Photograph of Macquarie Street, Hobart looking east towards Elizabeth Street from the Civil Court in about 1880. The photographer was Alfred Winter who had studios in Bathurst, Elizabeth and Liverpool Streets from 1869 until 1880.
Photograph of the Derwent River above New Norfolk, Tasmania, 1882. The photographer was Henry Hall Baily who had studios in Elizabeth and Liverpool Streets, Hobart from 1865 until 1918.
Photograph of the commandant's house and jetties, Port Arthur c. 1880. The photographers are Anson Brothers., Portrait and Landscape Photographers, Hobart Town whose firm was located in Liverpool, Collins and Elizabeth Streets between 1878 and 1891.
Photograph from the collection of James Backhouse Walker of the Hobart waterfront taken in about 1870 with a view of ships moored next to the Salamanca warehouses. The photographer is Henry Hall Baily who had studios in Elizabeth and Liverpool Streets, Hobart, from 1865 until 1918.
Pencil, some coloured on paper sketched by Olive Pink, 58 miles from Darwin, Northern Territory 26/10/30. Identified by Olive Pink as native cotton - " lemon hybiscus like flowers- naturalised cotton - thought not indigenous?"
Photograph of Pressland House, formerly J.P. Cowle's School, in 1881. (from notes by J. B. Walker on back of photograph) The building has a sign on the front which reads 'These premises for sale'. (see detail). During the 1840s Pressland House was the home of Mr Cowle's 'Hobart Town Classical and Commercial Academy'. (Craig, Clifford 'More old Tasmanian Prints', Launceston, Foot and Playsted, 1984 p.312). Photographer: A. Winter, Hobart Town - embossed on bottom left corner of photograph - (Alfred Winter had a photographic studio in Bathurst Street, Hobart from 1869-1891).
Photograph of Liverpool Street Hobart at the intersection of Elizabeth Street. Show gas lighting taken about 1870. The photographer is Alfred Winter who had studios in Bathurst, Elizabeth and Liverpool Streets from 1869 until 1891.
Lantern slide of front page of the Hobart Town Gazette, June 1816. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.
Lantern slide from the collection of James Backhouse Walker of Salamanca from the Wharf, Hobart Town, Van Diemen's Land 1847. Prepared by J.W. Beattie (1859-1930) whose studio locations were in Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle Arcade, Hobart, until 1994. Quaker Collection.
Watercolour on card sketched by Olive Pink 30/9/57 (location unknown). Identified by Olive Pink as Cassia eremophila - "very hurried - looks like big storm"
Lantern slide of Solomon Islander making fire. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.
Lantern slide from the collection of James Backhouse Walker of St. David's Park, Davey Street, Hobart, Tasmania. Thought to have been prepared by J.W. Beattie (1859-1930) whose studio locations were in Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle Arcade, Hobart, until 1994. Quaker Collection.
Lantern slide from the collection of James Backhouse Walker of Stonemason's house, Hobart, Tasmania. Thought to have been prepared by J.W. Beattie (1859-1930) whose studio locations were in Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle Arcade, Hobart, until 1994.
Water colour and pencil on card sketched by Olive Pink 16/8/58 (location unknown). Identified by Olive Pink as rough sketch of Capparis seedpod (back) "suede texture!"
Lantern slide of Sullivans Cove, Hobart Town, Van Diemen's Land, in February, 1804. Inscribed with the words 'Water colour drawing in the possession of J. B. Walker Esq., Hobart, 1891'.
Lantern slide of Tasmanian aboriginal canoe and baskets. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.
Lantern slide of Tasmanian aboriginal man Timmy, native of the East Coast. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.
Lantern slide of Tasmanian aboriginal man Woureddy, native of Bruni[Bruny]Island. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.
Water colour on card sketched by Olive Pink, Alice Springs, 1958. Arid regions (of Australia) Native Flora Reserve, Alice Springs. Identified by Olive Pink as botanical name Prostantera striataflora one "popular" name was the silly one of mint bush.
Lantern slide of Tasmanian aboriginal profile. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.
View of an Aermotor wind-powered water pump at Lindisfarne on the eastern shore of the Derwent River looking toward Mt. Wellington. James Martin & co. Sydney imported the Chicago-built windmills into Australia between 1895-1913
Pencil on card sketched by Olive Pink, "at Wurley", Alice Springs, Northern Territory, 25/7/42. Not identified by Olive Pink. Drawn on the back of a 1913 sketch
Photograph of the Shot Tower, Browns River Road, Hobart, with the Derwent River and South Arm in the background. Photograph may have been taken by George Musgrave Parker.
Photograph of north Macquarie Street from the Mercury office (with verandah) corner Macquarie and Argyle Street. Showing the Hobart Town Hall, Franklin Square and the Treasury buildings. Photographed byy Anson Brothers whose firm was located in Liverpool, Collins and Elizabeth Streets. Taken before September 25 1866, as this is the date of the grand opening of the Town Hall, shown on the left-hand side of the photograph
Photograph of Webb's Hotel, later Hadley's, Murray Street, Hobart, in about 1877. The photographer was Henry Hall Baily who had studios in Elizabeth and Liverpool Streets, Hobart, from 1865 until 1918.
Photograph of the settlement of Port Arthur from behind the church and Doctor's house c. 1880. View of vegetable gardens in foreground. The photographers are Anson Brothers., Portrait and Landscape Photographers, Hobart Town whose firm was located in Liverpool, Collins and Elizabeth Streets between 1878 and 1891.
Photograph of Battery Point from Sandy Bay, Tasmania, with St. Helena, later Wrest Point, in foreground, St Georges Church in the distance, c.1881. The photographer was Alfred Winter who had studios in Bathurst, Elizabeth and Liverpool Streets from 1869 until 1891.
Photograph of the Cascades' Female Factory from the rear showing yards with washing and horse. In 1828 a Female Factory opened on the outskirts of Hobart at Cascades. It became the colony's largest Factory, expanding by 1853 into five major courtyards accommodating 1000 women and 175 children. The photographer was J.W. Beattie (1859-1930) whose studios were in Elizabeth and Murray Streets between 1891 and 1940