Photograph of Launceston, Tasmania from beyond the Cataract Bridge. The photographers were Anson Brothers who had studios in Liverpool, Collins and Elizabeth Streets, Hobart, between 1878 and 1891.
Photograph of the Public Buildings in Launceston, Tasmania. The Criterion Hotel is in the background. The photographers were Anson Brothers who had studios in Liverpool, Collins and Elizabeth Streets, Hobart, between 1878 and 1891.
Photograph of Hobart from the Queen's Domain with the railway station in the foreground, c. 1881. The photographers were Anson Brothers who had studios in Liverpool, Collins and Elizabeth Streets between 1878 and 1891.
Photograph of Queenborough, Sandy Bay, Tasmania, c.1881. The photographer was Alfred Winter who had studios in Bathurst, Elizabeth and Liverpool Streets from 1869 until 1891.
Photograph of the Bush Hotel, New Norfolk, Tasmania, 1881. Proprietor at the time was Captain Blockey. The photographer was Alfred Winter who had studios in Bathurst, Elizabeth and Liverpool Streets from 1869 until 1891.
Photograph of the Ship Inn on the corner of Elizabeth and Collins Streets, Hobart. In 1881 the proprietor was Mr J. C. Hadley . The photographer is Alfred Winter who had studios in Bathurst, Elizabeth and Liverpool Streets from 1869 until 1891.
Photograph of St. John's Street, Launceston with St. John's Anglican Church and Chalmers Free Presbyterian Church on opposite sides of the street. The photographer was William Cawston who had studios in Paterson and St. John Streets, Launceston from 1863-1891.
Photograph of the Town Hall in Launceston, Tasmania. The photographers were Anson Brothers who had studios in Liverpool, Collins and Elizabeth Streets, Hobart, between 1878 and 1891.
Photograph of Launceston from Windmill Hill looking north taken in c1881. The photographer was Alfred Winter who had studios in Bathurst, Elizabeth and Liverpool Streets from 1869 until 1891.
Photograph of Derwentwater, Sandy Bay, Tasmania, home of Captain Langdon Swan, c.1881. The photographer was Alfred Winter who had studios in Bathurst, Elizabeth and Liverpool Streets from 1869 until 1891.
Photograph of ships on the Derwent River taken from the roof of Government House, Hobart, Tasmania in 1882. The photographer was Henry Hall Baily who had studios in Elizabeth and Liverpool Streets, Hobart from 1865 until 1918.
Photograph of view from Government House looking over a vegetable garden and orchard which could either be in the Government House or Botanical Gardens grounds with the River Derwent and Mt. Direction in the background.
Photograph of a ship with Sullivans Cove and Mount Wellington in the background taken from HMS Nelson in 1882. The photographer is Henry Hall Baily who had studios in Elizabeth and Liverpool streets Hobart from 1865 until 1918.
Photograph from New Town Invalid Asylum, Tasmania in about 1882. The photographer was Henry Hall Baily who had studios in Elizabeth and Liverpool Streets, Hobart from 1865 until 1918.
Photograph of Kangaroo Point (Bellerive) Beach on Hobart's Eastern Shore looking toward settlement c. 1882. The photographer was Henry Hall Baily who had studios in Elizabeth and Liverpool Streets, Hobart from 1865 until 1918.
Photograph of an electric tram car in Hobart, about 1893, thought to be travelling along Macquarie Street. Advertising Lester Brothers Family Grocers. Wertheim sewing machines, Pear's soap, Cascade ale & J.W. Beattie, Photographer.
Photograph of the Hobart Regatta taken in 1886. The photographer was Albert Sargeant who had studios in Macquarie Street, Hobart from 1886-1890 and George Street, Launceston from 1900-1913
Photograph of the Hobart Regatta grandstand taken from the water in 1886. The photographer was Albert Sargeant who had studios in Macquarie Street, Hobart, Tasmania from 1886-1890 and George Street, Launceston, Tasmania from 1900-1913.
Photograph of Government House, Hobart taken from the Queen's Domain, c. 1890s. A note on the reverse says 'after railway'. The photographer was Henry Hall Baily who had studios in Elizabeth and Liverpool Streets, Hobart from 1865 until 1918.
Photograph of Government House Hobart taken from the bay below the Queen's Domain, c.1890s. The photographer was Henry Hall Baily who had studios in Elizabeth and Liverpool Streets, Hobart from 1865 until 1918.
Mary Augusta Walker's certificate from the Slade Fine Art School, University College London, where she studied from 1889-1890. From Walker Family Scrapbook compiled by Peter Benson Walker. Private collection. Page 45
Photograph of the Cascades' Female Factory looking down the South Hobart Valley toward the Derwent River. Showing yards and gardens. In 1828 a Female Factory opened on the outskirts of Hobart at Cascades. It became the colony's largest Factory, expanding by 1853 into five major courtyards accommodating 1000 women and 175 children. The photographer was J.W. Beattie (1859-1930) whose studios were in Elizabeth and Murray Streets between 1891 and 1940
Photograph of the Cascades' Female Factory from the rear showing yards with washing and horse. In 1828 a Female Factory opened on the outskirts of Hobart at Cascades. It became the colony's largest Factory, expanding by 1853 into five major courtyards accommodating 1000 women and 175 children. The photographer was J.W. Beattie (1859-1930) whose studios were in Elizabeth and Murray Streets between 1891 and 1940
Photograph of the Cascades' Female Factory looking toward Mt Wellington with the Cascade Brewery in the distance. In 1828 a Female Factory opened on the outskirts of Hobart at Cascades. It became the colony's largest Factory, expanding by 1853 into five major courtyards accommodating 1000 women and 175 children. The photographer was J.W. Beattie (1859-1930) whose studios were in Elizabeth and Murray Streets between 1891 and 1940
Photograph of Macquarie Street looking south from St. David's Cathedral in about 1893 showing two electric trams. The photographer is J.W. Beattie whose studios were located in Elizabeth and Murray Streets from 1891 until 1994
Photograph of Liverpool Street Hobart taken around the turn of the century showing horse drawn carriages in the foreground. The date is assumed from the presence of electric power poles which were introduced in 1898.
Photograph of Liverpool Street Hobart at the intersection of Argyle Street looking towards West Hobart, taken around the turn of the century showing Cherry's Carlton Club Hotel in the foreground. Also J. Whiteside & Son Furnishing Warehouse and Canes Iron mongers. The date is assumed from the presence of electric power poles which were introduced in 1898.
Photograph of Liverpool Street Hobart taken from just before the Elizabeth Street intersection around the turn of the century with horse drawn carriages in the foreground. The date is assumed from the presence of electric power poles which were introduced in 1898.
Photograph of a woman and three small barefooted girls on the foreshore with logs. Houses and orchards in the background. Thought to be Beltana now Lindisfarne.
Photograph of a group on the rocky foreshore. Two older women with young children and three young girls in pinafores holding hands in the background. Thought to be taken at Beltana now Lindisfarne.
View of an Aermotor wind-powered water pump at Lindisfarne on the eastern shore of the Derwent River looking toward Mt. Wellington. James Martin & co. Sydney imported the Chicago-built windmills into Australia between 1895-1913
Aerial view of the Sandy Bay Campus of the University of Tasmania. Showing sporting fields, Hutchins School, surrounding houses and Wrest Point Hotel prior to the construction of the casino
Aerial view of the Hobart harbour showing Salamanca Place, Watermans dock, Parliamentary House , Hydro Building, Elizabeth Street pier, the Marine Board building under construction, Franklin Square and St, David's Park.
Aerial view of the Ridgeway Reservoir and Waterworks Reserve looking to Hobart, the Tasman Bridge and beyond to the Eastern Shore, Seven Mile Beach and Dodges Ferry
Photograph of All Saints Church, Macquarie Street, Hobart c. 1880 by Anson Brothers, Portrait and Landscape Photographers, Hobart Town, whose firm was located in Liverpool, Collins and Elizabeth Streets between 1878 and 1891.
Photograph of Mt. Gould and the DuCane Range from Narcissus Valley, Lake St. Clair taken from camp on the left hand side of Narcissus Valley going up (according to notes on the reverse of the photograph).
Lantern slide of Campbell and Minchin building, corner Elizabeth and Bathurst street, Hobart. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.
Lantern slide of Elizabeth Street, Hobart looking north. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.
Lantern slide of Government House and St David's Cathedral, Van Diemen's Land. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994. Lantern slide of detail from 'The Seat of His Excellency Lieut. Govr. Arthur / drawn from Nature and on Stone' by Charles Atkinson d.1837
Lantern slide of Hobart Savings Bank, Murray Street Hobart c1860. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.
Lantern slide of an early print of Hobart Town, Van Diemen's Land from the harbour. From the collection of James Backhouse Walker. Thought to have been prepared by J.W. Beattie (1859-1930) whose studio locations were in Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle Arcade, Hobart, until 1994.
Lantern slide of Tasmanian aboriginal canoe and baskets. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.
Lantern slide from the collection of James Backhouse Walker of buildings on the corner of Murray and Macquarie Street, Hobart, Tasmania. Thought to have been prepared by J.W. Beattie (1859-1930) whose studio locations were in Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle Arcade, Hobart, until 1994. Quaker Collection.
Lantern slide of house in Hobart. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.
Lantern slide of Tasmanian aboriginal woman Truggeruana, native of Recherche. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994
Lantern slides of Tasmanian aboriginal stone implement quarry, Plenty river. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.
Lantern slides of Tasmanian aboriginal stone implement quarry, Plenty river. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.
Lantern slide of West Australian aboriginal stone implements. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.
Lantern slides of the University of Tasmania, Queen's Domain, Hobart. Views of exterior and laboratories and library. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994 (Collection Pr.S.Uni/1-8)
Lantern slides of the University of Tasmania, Queen's Domain, Hobart. Views of exterior and laboratories and library. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994 (Collection Pr.S.Uni/1-8)
Photograph of the Rev. Robert Knopwood's grave at Rokeby, Clarence Plains, Tasmania. Knopwood died 18 September 1838. He was the first Chaplin of Van Diemen's Land
A view of Hobart Town by Irish born convict-artist Alan Carswell (1823), showing the colony establishing itself around the mouth of Sullivans Cove in the early 1820s.
Aerial view of the Zinc Works at Derwent Park. Looking down the Derwent River toward the Tasman Bridge. Showing Self's Point and Cornelian Bay Cemetery
Photograph of Davey Street, Hobart, looking east, showing the Oddfellows hall and the Congregational church. Photograph taken from the Harrington Street intersection.
Photograph of St. John's Church Goulburn Street, Hobart taken c1880 the photographers were Anson brothers whose firm was located in Liverpool, Collins and Elizabeth Streets between 1878 and 1891
Photograph of the Emporium of Perkins and Nephew Wholesale & Retail Drapers and Grocers established in 1826, situated on the corner of Watchorn and Liverpool Street Hobart, taken in 1881. The photographers were Anson Brothers Portrait and Landscape Photographers Hobart Town whose firm was located in Liverpool, Collins and Elizabeth Streets between 1878 and 1891.
Photograph rocks on Mount Wellington. The photographer was Albert Sargeant who had studios in Macquarie Street, Hobart and George Street, Launceston between 1886 and 1913.
Photograph of the Derwent River above New Norfolk, Tasmania, 1882. The photographer was Henry Hall Baily who had studios in Elizabeth and Liverpool Streets, Hobart from 1865 until 1918.