Indian ink with some colour sketch on tracing paper made by Olive Pink between 1940 and 1941. From a collection of sketches made in New South Wales, Tasmania and a few in Queensland.
Indian ink sketch on card made by Olive Pink between 1940 and 1941. From a collection of sketches made in New South Wales, Tasmania and a few in Queensland. Captioned (Charlton Ed) for Sydney Mail
Indian ink with some colour sketch on tracing paper made by Olive Pink between 1940 and 1941. From a collection of sketches made in New South Wales, Tasmania and a few in Queensland.
Indian ink with some colour sketch on tracing paper made by Olive Pink between 1940 and 1941. From a collection of sketches made in New South Wales, Tasmania and a few in Queensland.
Lantern slide of Captain Kelly's house, Hobart, Tasmania. Thought to have been prepared by J.W. Beattie (1859-1930) whose studio locations were in Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle Arcade, Hobart, until 1994.
Framed caricature of Captain Harold. Retired Indian Army Officer. An eccentric who lived at Bellerive. Had a mania for water tanks and ended his life by drowning himself in one.
Water colour and pencil on card sketched by Olive Pink 16/8/58 (location unknown). Identified by Olive Pink as rough sketch of Capparis seedpod (back) "suede texture!"
Lantern slide of Campbell and Minchin building, corner Elizabeth and Bathurst street, Hobart. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.
Watercolour and pencil on dark card sketched by Olive Pink, Darwin, Northern Territory 29/9/30- on the way to 10 mile. Identified by Olive Pink as Calytrix "tall shrub (cyprus-like foliage) covered with blossom"
Indian ink with some colour sketch on tracing paper made by Olive Pink between 1940 and 1941. From a collection of sketches made in New South Wales, Tasmania and a few in Queensland.
Indian ink with some colour sketch on paper made by Olive Pink between 1940 and 1941. From a collection of sketches made in New South Wales, Tasmania and a few in Queensland.
Indian ink with some colour sketch on tracing paper made by Olive Pink between 1940 and 1941. From a collection of sketches made in New South Wales, Tasmania and a few in Queensland.
Indian ink with some colour sketch on tracing paper made by Olive Pink between 1940 and 1941. From a collection of sketches made in New South Wales, Tasmania and a few in Queensland.
Indian ink with some colour sketch on tracing paper made by Olive Pink between 1940 and 1941. From a collection of sketches made in New South Wales, Tasmania and a few in Queensland.
Photograph of the Bush Hotel, New Norfolk, Tasmania, 1881. Proprietor at the time was Captain Blockey. The photographer was Alfred Winter who had studios in Bathurst, Elizabeth and Liverpool Streets from 1869 until 1891.
Eight small captioned black and white postcards in proprietary envelope. From envelope - For your Album, Murray's Snapshots - Series No. 2. produced by Murray Views Gympie, Queensland. Photographs like these allowed tourists to send many images of their holiday destination or hometown in the one small package.
Eight small captioned black and white postcards in proprietary envelope. From envelope - For your Album, Murray's Snapshots - Series No. 1. produced by Murray Views Gympie, Queensland. Photographs like these allowed tourists to send many images of their holiday destination or hometown in the one small package.
Bullock team carting timber, "Wynphotoprint" ND. ''Wynphotoprint" hand colored series published by Selwyn Cox, Launceston', titled:· "Amongst the big logs" Lebriwa, (Lebrina) near Scottsdale' showing bullock teams; logs and wooden waggon way rails.
Lantern slide from the collection of James Backhouse Walker of buildings in early Hobart, Tasmania. Thought to have been prepared by J.W. Beattie (1859-1930) whose studio locations were in Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle Arcade, Hobart, until 1994.
Lantern slide from the collection of James Backhouse Walker of buildings on the corner of Murray and Macquarie Street, Hobart, Tasmania. Thought to have been prepared by J.W. Beattie (1859-1930) whose studio locations were in Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle Arcade, Hobart, until 1994. Quaker Collection.
Photograph of buildings on corner of Macquarie and Murray Streets, Hobart c. 1877. Photographed by Henry Hall Baily who had studios in Elizabeth and Liverpool Streets, Hobart from 1865 until 1918.
Ash Bester postcard, A B series, no.3 of the interior of the Buckland church. Ash Bester & Co was a Hobart pharmacy, photographic processor, souvenir and camera store that produced postcards from about 1940 to 1960.
Watercolour and pencil on light green card sketched by Olive Pink at Rodinga, Northern Territory 13/9/30. Identified by Olive Pink as Brunonia australis (Goodeniaceae)
Watercolour on paper sketched by Olive Pink, beyond terminus Birdum, Northern Territory 29/10/30. Identified by Olive Pink as Brachychiton ramiflora (Kurrajong)
The Most Distinguished Order of Saint Michael and Saint George is a British order of chivalry founded on 28th April 1818 by George, Prince Regent, later King George IV, while he was acting as regent for his father, King George Ill. It is named in honour of two military saints, St Michael and St George. Originally awarded to those holding commands or high position in the Mediterranean territories acquired in the Napoleonic Wars, it was subsequently extended to holders of similar office or position in other territories of the British Empire. It is awarded to men and women who hold high office or who render extraordinary or important non-military service in a foreign country, and can also be conferred for important or loyal service in relation to foreign and Commonwealth affairs. The only insignia used by all members of the Ord????r, this badge is a seven-armed, white-enamelled 'Maltese Asterisk'. The obverse shows St Michael tramÂpling on Satan, while the reverse shows St George on horseback killing a dragon -both within a dark blue ring bearing the· Order's motto of Auspicium melioris cevi (Latin for 'Token of a better age'). Bird was appointed Companion of the Order of St Michael and St George (CMG) in the 1920 New Year Honours.
Collection consists of awards including a Royal warrant on parchment, an insignia for the Companion of the Order of St.Michael and St.George, photograph and various newspaper clippings of obituary.
Photograph of Bluff Cottage, formerly known as Harbottle's Cottage and Caulfield Cottage. This single storey, sandstone rubble building with a corrugated iron hipped roof was listed by the National Trust in 1976 as it demonstrated the principal characteristics of a single storey, sandstone Victorian Georgian domestic building . Located at 45 Shaw Street, Swansea, Tasmania
Lantern slide of Bishop Nixon Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.
Copy of The Bedford Magazine–dated December 1913-Magazine of Bedford College, Strathfield, Sydney -girls school where Olive Pink taught art. On page 11 reference to Miss Pink taking a party of girls to the Art Gallery and on page 17 an article ‘Western Australian Flowers’ by Olive Pink
Coloured pencil on paper sketched by Olive Pink, Aileron Station, Northern Territory, November 1937. Identified by Olive Pink as Bean Tree [Erythrina vespertilio]
Photograph of Battery Point from Sandy Bay, Tasmania, with St. Helena, later Wrest Point, in foreground, St Georges Church in the distance, c.1881. The photographer was Alfred Winter who had studios in Bathurst, Elizabeth and Liverpool Streets from 1869 until 1891.
Photograph of Macquarie Street, Hobart looking south in about 1870. The Bank of Australasia and Macquarie House are two of the buildings featured. The photographer is Henry Hall Baily who had studios in Elizabeth and Liverpool Streets between 1865 and 1918.
Photograph of Austins Ferry, Hobart, Tasmania, with Austin's old Inn to the right. The photographer was Alfred Winter who had studios in Bathurst, Elizabeth and Liverpool Streets from 1869 until 1891.
One of eight annotated black and white photographs of the site of the Arid Regions Native Flora Reserve. Noting location of Mt Gillen, part of MacDonnell Range, entrance gate and driveway to hut, driveway for sanitary truck
One of eight annotated black and white photographs of the site of the Arid Regions Native Flora Reserve. Noting location of (Elec) Power Stn Rd, MacDonnell Ranges, Todd River Eucalypts
Photograph of Apsley original log cabin dating from 1826 on the property granted to William Lyne by Governor Arthur on order from Lord Apsley, eldest son of Lord Bathurst. Copy made by J.W. Beattie of an original of J. Lyne
Photograph of Apsley House. Originally a single storey sandstone Georgian house built in the 1840's on land granted to John Lyne who was MHA for Glamorgan in the period 1843-1865. Small kodak prints. ?G.M.P photographer thought to be taken c1920's - (See also book ch.3, P1/35 (262)
1 photograph of Apsley House c1920's. Originally a single storey sandstone Georgian house built in the 1840's on land granted to John Lyne who was MHA for Glamorgan in the period 1843-1865.
Photograph of front view of Apslawn House. A sandstone Georgian house built in the 1840's on 640 acres of land granted to John Lyne, MHA for Glamorgan ,1843-1865. Located on the Tasman Highway, Apslawn, 13km south-west of Bicheno.
Photograph of side view of Apslawn House. A sandstone Georgian house built in the 1840's on 640 acres of land granted to John Lyne, MHA for Glamorgan ,1843-1865. Located on the Tasman Highway, Apslawn, 13km south-west of Bicheno.
Watercolour and pencil on paper sketched by Olive Pink at Horseshoe Bend, Central Australia, 13/9/30. Identified by Olive Pink as Angianthus brachypappus
Papers of A.I. Clark sr. include letters received from friends and colleagues, including American lawyers, a few papers relating to his legal practice, letters of appointment to political offices, papers relating to Australian federation and the Australian constitution and drafts of essays, speeches or articles on law, politics, philosophy and religion. Papers of A.I. Clark jr. include correspondence while serving in the army 1915 - 1919, correspondence with family and friends and family photographs, correspondence relating to his law practice and notes and articles on law, and notes on Tasmanian statutes and minutes of the editorial board on reprinting the Tasmanian Statutes (1935).
Militia substitute certificate dated December 1814. Certificate of enrolment of substitute to serve in place of A. Gatenby, Appleton le Moors, North Riding of Yorkshire, namely Robert Graystock, wheelwright. Until the 19th century militia units were used in home defence and maintaining law and order in vulnerable locations such as Ireland and the south coast of England. Militia units did not have to serve overseas, but they were seen as a useful reserve of trained men. Bounties were offered to militiamen who exchanged into the regular Army for overseas service. Many of the men serving in the militia were substitutes serving on behalf of those whose names had been drawn in the county ballot. These substitutes often made a charge for taking over the duties. When the militia was fully embodied on a permanent footing during periods of war, a higher figure could be demanded and obtained. The regiment benefited by receiving experienced soldiers instead of raw recruits.
Photograph of All Saints Church, Macquarie Street, Hobart c. 1880 by Anson Brothers, Portrait and Landscape Photographers, Hobart Town, whose firm was located in Liverpool, Collins and Elizabeth Streets between 1878 and 1891.
Collection consists of correspondence concerning wool shipment and an illustrated booklet compiled by C.B. Thomson and issued to celebrate the firms centenary entitled Alfred Harrap & Son Pty Ltd 1857 - 1957
