The image appears on a printed playing card (7 of Spades) with legend in text at the bottom. The cards were part of a tourism promotion campaign by the Northern Tasmanian Tourist Association, printed and distributed just after the Great War (World War I).
Colour photograph shows Australian K1 champion Jonathan Males, a Tasmanian paddler competing at Bradys Lake slalom course, watched by several spectators on a bridge above and alongside the course. The course on Woodwards Canal, a man-made water course carved between Bradys Lake and Bronte Lagoon by the Hydro Electric Commission during construction of a hydro-electric power scheme
Photograph of Kangaroo Bay (Bellerive) on Hobart's Eastern Shore from hill showing wharf and houses c. 1882. The photographer was Henry Hall Baily who had studios in Elizabeth and Liverpool Streets, Hobart from 1865 until 1918.
Photograph of Kangaroo Point (Bellerive) Beach on Hobart's Eastern Shore looking toward settlement c. 1882. The photographer was Henry Hall Baily who had studios in Elizabeth and Liverpool Streets, Hobart from 1865 until 1918.
Cover photograph from Joe Brown's autobiographical account of racing and broadcasting (radio and television) 1947-1981, in Melbourne. Published by the Australian Broadcasting Corporation, 1984. Includes photographs, racing statistics and appendices (short articles on Warrnambool racecourse, Phar Lap, Moonee Valley centenary)
Pencil and watercolour on paper sketched by Olive Pink, Tortanga Quatcha, Macdonnel Range, Northern Territory, 26/11/30. Identified by Olive Pink as Jonidium
Framed caricature of John Turner, father of J.G. Turner and grandfather of Col. Turner. In the early days of Hobart he had a woodyard on the land in front of Parliament House. It was then the Customs House.
Lantern slide of James Backhouse. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.
Letter from James Meredith and wife Sarah Meredith to their son John Meredith dated 1821. Sorry to hear he was ill on voyage, regards to Mr George Meredith and family - glad to hear they were well, sending letter with packet of newspapers by "Hope" and also letter in March by Mr Dunn, news of King, harvest, high rates and tithes, insurrection of Greeks against Turks.
Letter from James Meredith and wife Sarah Meredith to their son John Meredith dated 1821. Sorry to hear he was ill on voyage, regards to Mr George Meredith and family - glad to hear they were well, sending letter with packet of newspapers by "Hope" and also letter in March by Mr Dunn, news of King, harvest, high rates and tithes, insurrection of Greeks against Turks.
Letter from James Meredith and wife Sarah Meredith to their son John Meredith dated 1821. Sorry to hear he was ill on voyage, regards to Mr George Meredith and family - glad to hear they were well, sending letter with packet of newspapers by "Hope" and also letter in March by Mr Dunn, news of King, harvest, high rates and tithes, insurrection of Greeks against Turks.
Letter from James Meredith and wife Sarah Meredith to their son John Meredith dated 1821. Sorry to hear he was ill on voyage, regards to Mr George Meredith and family - glad to hear they were well, sending letter with packet of newspapers by "Hope" and also letter in March by Mr Dunn, news of King, harvest, high rates and tithes, insurrection of Greeks against Turks.
Lantern slide of Jack, native of Cape Grim. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.
Lantern slide of J. Walch and Sons, Macquarie Street, Hobart c1880. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.
Coloured pencil on paper sketched by Olive Pink, Macdonnell Ranges, Northern Territory 28/11/30. Identified by Olive Pink as Isotoma petraea "goonboonbu in Aranda Country"
Group photograph of Inter-varsity rifle match, Liverpool, New South Wales. Named and signed. P.C. Tapping, D.J. Barclay, D.E. Webster, M.W. Woods ( Vice Captain), D.G. Rockliff, B.B. Smith, J.A. Jillett (Captain) and S.M. Seares.
Black-and-white photograph shows partially completed tanks atop heavy concrete foundations in a building under construction, at E.Z. Co. Zinc Works at Risdon 1924
Lantern slides of the University of Tasmania, Queen's Domain, Hobart. Views of exterior and laboratories and library. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994 (Collection Pr.S.Uni/1-8)
Lantern slides of the University of Tasmania, Queen's Domain, Hobart. Views of exterior and laboratories and library. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994 (Collection Pr.S.Uni/1-8)
Two managers inspecting chocolate production on the factory floor. Female worker is wearing hat, light uniform and floral apron and is seated at conveyor belt
Several female Cadbury workers selecting books from the library, while two men offer suggested reading. Women are wearing uniforms of dark skirt and lighter top embroidered with the Cadbury logo
Image likely sourced from a newspaper or publication as it contains printed legend at the bottom: Opening out of the west - clearing the land for the new town of Crotty. Photographer identified. Primitive buildings just visible in the background. It is likely the image is older than 1902.
Colour photograph taken near the Springs of man dressed in red beside road to Mount Wellington, with icicles dangling from the vegetation after a snowstorm
Lantern slide of house in Hunter Street, Hobart. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.
Lantern slide of house in Hobart. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.
Ten captioned fold out colour images in unidentified proprietary post-able envelope. Showing views of Huonville on one side and Hobart on the other. From envelope : A Colorful Souvenir of Huonville and Hobart, Tas.. Natural views.
