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Permission to quote

Clear Plastic envelope marked 'Permission to quote in ‘The World of Poetry'.
• Brief letters from writers who gave Clive Sansom permission to use extracts from their writing in his anthology ‘The World of Poetry’: Elizabeth Drew, Aldous Huxley, Basil Willey, E.M. Forster, James Devaney, E.M.W. Tillyard, Clive Bell, Leonard Woolf, George Whalley, G. Wilson Knight, Herbert Read, David Campbell, I.A. Richards, Richard Wilbur, John Ciardi, W.R. Rodgers, Cynthia Asquith, Rosamond E.M. Harding, John Lehman, F.R. Leavis, H.G. Garrod, Erich Heller, Sir George Hamilton, P. Gurrey, Max Eastman and three others whose signatures are indecipherable.
• Letters from James Kirkup, V.S. Pritchett and Robert Graves indicating their refusal to grant this permission.
• The file also contains correspondence from Poetry Review (acknowledging receipt of a poem), Robert Speight (commenting on The Witnesses), Dal Stivens (about copyright), Geoffrey Dutton ( acknowledging Sansom' s letter pointing to errors in one of Dutton's publications), M. Beatrice Forman (about her publication of Keats's letters), N. Pevsner (acknowledging
• Sansom's letter about errors in his publication of a text on the buildings of England), Patricia Excell of Meanjin (acknowledging a poem Sansom had submitted), Patrick Garland (acknowledging receipt of a drama script).

Clive Sansom

Poems Doubles and Children's Rhymes

Manila Folder headed 'Poems Doubles and Children's Rhymes'
This contains thirty poems and a verse-drama written by Ruth Sansom. Most are typed, but several are handwritten: 'Christ Triumphant'; 'The Way'; 'May the World be born in Oneness'; 'Taipan'; 'We met on a Journey'; 'Testament of inner Experience'; 'Sitting at the Wellhead'; 'The Adversary'; 'The New Man'; 'Song of the Holy Spirit'; 'The Hand that Swept the Lyre'; 'Son of Man'; 'The Three Kings'; 'One Note of Music'; 'The Grace of His Coming'; 'Philomel'; 'His Voice'; 'The Word was Shared'; 'Eternal Spirit', 'Drifting', 'Divine Spirit'; 'The Return'; 'The New Dawn'; 'All is at Onement'; 'J Search for my Spirit'; 'The Bridge'; 'In the Valley of Death'; 'The Selfless One'; 'Who am I"; 'The Visitation'.
The file also contains preliminary drafts of some of these poems

Clive Sansom

History for Grades III and IV

Seven scripts of ABC 'History for Grades III and IV' radio broadcasts for schools, written by Sansom, sometimes with Ruth Sansom's assistance. Sansom recorded most of these with the assistance of his colleagues from the Speech Education Centre.

Clive Sansom

From the Library Shelf

Two scripts of ABC 'From the Library Shelf radio broadcasts for schools, written by Sansom, sometimes with Ruth Sansom's assistance. Sansom recorded most of these with the assistance of his colleagues from the Speech Education Centre.

Clive Sansom

The Correspondence School speaks

Four scripts of ABC 'The Correspondence School speaks' radio broadcasts for schools, written by Sansom, sometimes with Ruth Sansom's assistance. Sansom recorded most of these with the assistance of his colleagues from the Speech Education Centre.

Clive Sansom

Miscellaneous scripts

Nine scripts ofmiscellancous ABC radio broadcasts for schools, written by Sansom, sometimes with Ruth Sansom' s assistance. Sansom recorded most of these with the assistance of his colleagues from the Speech Education Centre.

Clive Sansom

Tongue twisters

Tongue twisters, speech rhymes and associated notes either collected or written by Sansom.

Clive Sansom

War experiences

Segments of a typed manuseript 'England, The Love, Clive Sansom, by his wife Ruth'. This focuses on the Sansoms' war experiences with brief references to their association with Paul Scott. Some pages are missing.

Clive Sansom

Autobigraphy: chapter one

Handwritten 'Chapter One' of Ruth's autobiography/ Clive Sansom's biography. The focus here is on Sansom's childhood in Palmers Green and his school days.

Clive Sansom

Autobigraphy: drafts of sections

Manila folder containing handwritten drafts of sections of Ruth Sansom' s autobiography, covering the period in England before the war, mamage to Clive Sansom, work at the Speech Institute, Sansom's poetry, association with the Quakers, and marriage and life in the 1970s. In the final section, Ruth Sansom explores and describes her mystical experiences and her religious faith.

Clive Sansom

Ruth Sansom's handwritten autobiography

Ruth Sansom's handwritten autobiography. A number of drafts relating to different stages of her life. This mentions Martin Miles, recitals given by Clive Sansom and herself, Clive Sansom 's personal appearance and character, and the Sansoms' return to Tasmania in 1950. It discusses Sansom's published and unpublished works, their experiences at Spicelands Training Centre, their speech work in England and at the Tasmanian Education Department's Speech Education Centre. It includes a description of Clive Sansom's attitude to poetry and its writing, and provides an account of Sansom's final illness, death and memorial service.

Ruth Sansom

The flags of Verdun

Photograph of the flags of Verdun c1918. Verdun was the site of a major battle, the longest-lasting of the First World War

Herbert Caleb Tapping

Facts and figures on expenditure on hard liquor

Bound notebook containing handwritten notes regarding facts and figures on expenditure on hard liquor, intemperance in the Army, loss of life & property a sea, etc.

George Washington Walker

Rules of the Society

Rough document detailing rules of the society. Some written upside down.

George Washington Walker

Man seated

Unidentified daguerreotype in a plain leather and velvet case of a man, seated, young to middle age, with side whiskers. Head lightly coloured, shirt front painted white, plain background, 1 pillar

James Backhouse Walker

Man seated

Ambrotype in case of a man seated, youngish, straight, short hair, moustache and beard, leaning on elbow on side table with books and lace cloth, plain background, slightly tinted.

James Backhouse Walker

Woman and man seated

Ambrotypes in case of two unidentified portraits. Woman in left side of case and on right side man, seated, thin face, side -burns, white shirt. Background of drapery and mountain view. Head lightly tinted, shirt front painted white. two portraits in oval frames in one case.

James Backhouse Walker

Little girls seated

Ambrotypes in cases of little girls. Both seated, wearing black and white Pierrette type white dresses. One child has ringlets. Cases: tooled imitation leather, lined red velvet, frames oval top.

James Backhouse Walker

Queech Cliffs

M. Allport, "from Queechy Tasmania" (cliffs), 1862. S Clifford, Hobart Town.

James Backhouse Walker

Bothwell township

Photograph of a distant view of Bothwell, Tasmania. Stamped on back "Wilkinson Chemist, Hobart Town), and ms. "Bothwell Township, Tasmania, J B W".

James Backhouse Walker

Burnside

Photograph of "Burnside", rural scene, house in distance.

James Backhouse Walker

Launceston, Cataract Gorge

Photograph of Launceston, Cataract Gorge, with railed walkway, glossy print numbered 49 and stamped D'Emden

James Backhouse Walker

Botanic Gardens

Photograph of Botanic Gardens, Hobart, showing wide footpath leading to water, trees and hedge. Glossy print, amateurishly mounted.

James Backhouse Walker

Pillinger Drive

Photograph of Pillinger Drive, Hobart. Glossy print, amateurishly mounted.

James Backhouse Walker

Hobart from the river

Photograph of Hobart harbor and mountain (snow topped) from river, showing sailing ships, steam ferries. Glossy print, on "cabinet" mount, T. Crawford, Hobart.

James Backhouse Walker

Stone house

Photograph of stone house, two storied, pillared front entrance with double steps, apron clad servants standing on steps.

James Backhouse Walker

Mary Augusta Walker

Three quarter length study of Mary Augusta Walker by Foster & Martin, Melbourne

James Backhouse Walker

Harrington Street Hobart

Various photographs of Harrington Street - St. Marys Cathedral, Wilmot Terrace; Pressland House (formerly J P Cowles School); Goulburn St. ; St John the Baptist Church. Photographs by Winter Baily and Anson Bros.

James Backhouse Walker

New Norfolk

Photographs of the Bush Hotel, River Derwent. Taken c1880-1882. Photographed by Baily and Winter

James Backhouse Walker

Government House & Botanical Gardens

Photographs of Government House, Botanical Gardens, dated c1879-1882. Photographed by Anson Brothers & Baily

James Backhouse Walker

Bellerive

Photographs of Bellerive (Kangaroo Bay), taken c1882 photographed by Baily.

James Backhouse Walker

Correspondence : Robert Clark, FLinders Island

Correspondence from Robert Clark, Flinders Island dated December 1845 to April 1846.
Catechist Flinders Island: aborigines, making rapid advances out of their primeval ignorance, found they used to have a rest day similar to Lord's Day - no hunting, working or play (33), natives petitioned Queen against Dr Jeaneret being over them (1846 W7/34), Aboriginal Bible Society (W7/36), Dr. Milligan

George Washington Walker

Correspondence : William Comstive

Correspondence from William Comstive dated 20 August 1842. Lately a prisoner on Norfolk Island - his pardon and spiritual matters.
Also includes transcript of original letter and additional information from Peter Thomas.

George Washington Walker

Negatives of the early days of the Physics Department

Negatives of the early days of the Physics Department on the Sandy Bay Campus of the University of Tasmania. One negative unidentified and others identified as Malcolm McRae (photograph) and (negatives) huts lower Grosvenor Street, University site c1945, Peter Fenton, Barker & Jackson, ?Dion Martin, seated physics

Grange Property

Documents relating to the Grange Property dated 1846 – 1855. Francis Cotton's correspondence relating to the purchase of the Grange estate) including: copies of letters from Charles Swanston (1846) letter from J.L. Gellibrand offering Grange Farm on the same terms as agreed with Swanston, ie. £4000 at 5% (27 May 1850); letters from Thomas Young, solicitor, relating to the survey of the land, original grantees and application by Gellibrand and Bethune for part of the estate (Oct., Nov. 1854).·copy of letter to Surveyor General (31 Oct. 1854) and to Colonial Secretary (25 Aug. 1855 . Also rough note of history of F. Cotton's purchase of the Grange, uncertain boundaries and "proposals for the occupation of the Grange Estate” (Joseph to have the part known as the Bend and the Big River about 3000 acres, Henry to have remainder of estate and Crown land upwards of 5000 acres)

Francis Cotton

Rough draft

Torn part of rough draft letter relating to land

Francis Cotton

1875-81: Farm Journal

Farm journal dated April 1875 - January 1881. Enclosed is a note about roads and bushfires

Francis Cotton

Wages, rations and stores accounts

Volumes noting wages, rations and stores accounts dated 1853 to 1861. Includes Cotton sons, first volume has index of names

Francis Cotton

Miscellaneous farm records and accounts

Miscellaneous farm records dated1841 to 1881. John Greaves (or Gleave), shepherd, contract 1841 with note of dismissal for
neglect of duties (1842), also rough note about sheep numbers and Gleave's neglect of duties with lambs, shearing and boundary fence 1842 (G.F.Story's hand writing); F.W. Stieglitz inquiry about sheep advertised for sale (21 April 1855); liver fluke:
draft answers to queries (ND}; Synnot Brothers advert for chartered vessel to convey wool and other produce to Melbourne (1881}.

Francis Cotton

Thomas Cotton to son Francis

Letters from Thomas Cotton, England to his son Francis dated c1831, & 1834 regarding religion and death, son Thomas' business fallen off.

Francis Cotton

John Cotton

Letters from sons and daughters: John Cotton, Earlham, Sandspits: Grueber's problems with his farm dated 1861

Francis Cotton

James B. Cotton

Letters from sons and daughters: James B. Cotton, Kelvedon 1862, 1870-1875 Carting hay, municipal candidates Adam Amos, Henwood, John Amos, E.C. Shaw, birds nearly finished cherries, apple pearmains, soft soap for "Dr." (1862), Bentmore: sheep (1870), to Mother: Sydney trip (Mar.71 ), Kelvedon: farm matters (1872).

Francis Cotton

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