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Clive's poem "Innsbruck Bells" one of the poems read at the memorial meeting.

Notes for the "semi-retreat" and the "day of harmony", note on silence or "stillness".

Francis of Assisi: the Sun of Umbria, his life told in verse and prose, Hobart (Cat & Fiddle Press 1981). Also rough drafts of poems "St. Francis. Sun of Umbria (3 volumes), typescript, published copy, research notes including guides and postcards of Assisi (1970s), application for Commonwealth Literary Fund grant, correspondence with agent, publishers and ABC, etc. 1968-1980, poems published, script for performance and programs Winchester (1978) and St. Davids Cathedral, Hobart.

Framed Certificate awarded to Sansom for gaining First Prize in the Birmingham Music Festival, 1948.

Green folder of letters from Ian Serraillier, Musgrave Horner, Doris Harding, Frederick Tomlin, M.M. Lewis, Leopold Stein, Teresa Hooley, E. Martin Brown (The Pilgrim Players), Catherine Hollingsworth, Perey Hitchman, E.V. Knox, Herbert Palmer, Hal Ward, E.V. Rieu, Martin Armstrong, Shirley Holtham, Wilson Midgley, Mary Somerville, Robert Swire, Bernard Canter, John Hampden, and J. Donald Adams.

Black folder containing correspondence from Rupert Hart-Davis, Anne McAllister, Richard Flatter, T.H. Pear, Hewlett Johnson (Dean of Canterbury), Sylvia Lynd, Philip Mairet, Dennis Fry, J. Compton, Daniel Roberts (including two from Clive Sansom to Roberts), John Moore, Arthur Thompson (references herein to Walter de la Mare, and two letters from Sansom to Thompson), Gwynneth Thurbum,
M.A. Richardson, Peter Hearn and two unidentified writers. The folder is prefaced with a list of correspondents; that listed from Rex Ingarnells is not in the folder.

Brown folder of correspondence from people such as Leonard Clark, Bishop Cranswick, Archbishop Young, Ron James, Leslie Greener, Thomas Moult, Dorothy Hewlett, J.C. Trewin, Charles Kohler, Tony Allan, Peter Heam, Hugh Mack.indoe, Clifford Dyment, James Day, Vicars Bell, Alan Searle, Iva Browe[?], Ashley Dickes, Ron James, Rolf Gardiner, John Gainsworth (The Poetry Society) Val Gilgud, Redwood Anderson, Wallace Nichols, Nikolaus Pevsner, A.W.R. Milligan, Hewlett Johnson (Dean of Canterbury) and Clare Soper. One small bundle of letters groups together messages from ecelesiastics in response to Sansom's religious drama.

Three flyers advertising performances of 'Lipstick Dreams' at the Theatre Royal's Backspace, a concert of multicultural music at St David's Cathedral, and several publications of documentary histories of England.

Copy of the journal English in Australia No 1 containing Sansom's article 'Oral Tests in English'.

Cardboard clock to teach children to tell time (hours and hour hand in red, minute hand and minutes "past" and "to" in black), correspondence with agent Higham Associates - suggested an article for Child Education rather than trying to patent and market as toy.

Poetry and letters sent to newspapers, competition entries, etc. Including early poem "To Mother" (written at age 10) and school essay (at 13), and poems written for Kathleen Stone.

Cutting from The Observer, The Wayfarer (Quaker magazine), West Country Magazine, Poetry Review, etc., photocopy of manuscript "Poems - tokens of my love..." (bound into little booklet), Poetry Quarterly Spring 1943 (including Clive Sansom poem "I am a leaf").

Drawings of countryside, life studies, still life studies; illustrated manuscript of copies of poetry; "Christmas Fun" 1923, 1924, 1925 (booklets of drawings, jokes, etc. for Christmas); topographical studies of Norfolk, Southern England, Wales, with notes.

Folder marked 'Drama' that includes school broadcast scripts and articles written by Sansom, relevant newspaper clippings and a bibliography on the subject.

Draft novels [1930s or 40s]

Draft novels [1930s or 40s]
(1) "Fenley Green" a novel based on Enfield Chase (Middlesex, UK) including notes on history of Enfield, sketches, drafts, with note at front by Ruth Sansom "These notes have value in showing how Clive worked first on place backgrounds before setting his characters and writing the chapters".
(2) "To Voltaire": rough draft of a novel set in Dorsetshire involving a scientist, Dr. Barnes, and a small boy.

Dorset Village. Sequence of poems: manuscript, typescript, proof copy, correspondence and notes, "Dorset word book" (alphabetic book of Dorset Dialect words) and notes.

Diaries of Clive Sansom.

Diaries of Ruth Sansom mostly written in carbon copy notebooks (sometimes both carbon copy and torn out top copies exist), written intermittently:-
1934 Voyage to England (2 notebooks)
1934-36 Early days at the Speech Institute - critical of friends, lonely, London, visit to Cotswolds, teaching, vacation schools, Plymouth, King's Jubilee celebrations (loose pages and notebook)
1936-37, 1938-39 Engagement to Clive, holiday in Bavaria and Austria, married Clive at Quaker Meeting House, Winchmore Hill, war impending - Chamberlain (1938) (1 notebook)
1936 Bavarian holiday. Also notes 1945, 1946 (notebook - part unused)
September 1939 War Diary (loose pages and notebook)
1940 War-time diary (notebook - partly unused)
1940 War-time diary, also typed transcription (loose pages, typescript)
1939-1942 War-time diary (carbon notebook)

Diaries or journals: neatly written accounts of daily life, travels, etc. (in quarto volumes); "War Diary" 1939 (loose papers). Also rough diaries in pocket notebooks (some "not written up"). Also a few pages from a diary of c1926 or 1927 and extracts from notebooks c1930-1936.

Typed sheets tied with white string comprising three copies of Sansom's unpublished manuscript 'Definitions, Deft and Daft'. Sansom collected most of these from other sources.

Draft (in alphabetic book), typescript.

Folder containing Sansom's handwritten note about the death of Leslie Greener, and handwritten records of discussions at Quaker meetings.

Cuttings of published poems, reviews, articles, short stories, letters to newspapers.

1. 1934-1970s: including "An evening with the Quakers" 1937 (p.12), introduction to Paul Scott's "I Gerontius" (p.32), statement to tribunal (conscientious objection c1940); drawing of Clive 1975.
2. 1930s-1970s: Including biographical details, "faith and service", short stories of 1940s, Quaker funeral testimony 1981, etc. (not entered in any particular order).
3. Reviews of Clive Sansom's work 1943-1950.
4. Poems and letters to newspapers 1958-1976.
5. Letters to newspapers 1974-1976.

Correspondence with publishers, ABC, budding poets, schools, politicians on conservation etc., Australian Literature Board Council about fellowship and tax, etc. 1974-76, correspondence with Higham Associates (authors' agents) 1962-81, correspondence with publishers, etc. mainly about copyright and permissions to publish (1950-83), royalty statements for tax and execution of estate (1976-82) and some personal correspondence. Also some letters from Brisbane Twelfth Night Theatre about a school of speech and drama 1957.

Brown folder containing correspondence from Nan Delaney.

Letters received, with some drafts, copies or extracts of Clive Sansom's replies from:
Miscellaneous letters 1928-1934
"Babe" (first girlfriend) 1934-1936 (1 folder)
Allan Keeling (antiquarian bookseller and chicken farmer, Kent) 1932-1945 (3 folders)
Marjorie Holben (nee Morse) c1935-1943
Martin Miles (d.1944) and Helen J. Miles c1937-1958. From St. Ninians, Broadstairs, Kent; Oxford, Melbourne and army camps in Wales and England. Lance-Corp. Miles was killed in action in June 1944
Marjorie Gullan and Gertrude Kerby (speech training) c1943-1958.

Miscellaneous correspondence on religious and Quaker matters.

Correspondence relating to Clive Sansom.

Copy of a verse play titled "Culbin Sands" by Gordon Bottomley. This appears to be the director's copy. Sansom may have directed or acted in the play.

A dark blue album compiled by Sansom containing copies of poems by writers such as Margaret Willey, Walter de la Mare, Rosemary Dobson, A.SJ. Tessimond and C. Day Lewis.

Copies of letters from Clive Sansom to:
• A.G. Prys-Jones of Aberystwyth Press (3/9/49)
• The News Chronicle about speech education (27/9/48) and supporting the building of a replica of the Globe Theatre (25/1/49)
• The Spectator about poetry (2/9/49)
• The Times Literary Supplement about the Arts Council's support for poetry (22/1/49), choral speaking (26/3/29), Gerard Manly Hopkins (20/5/49), and the broadcasting of poetry (1/12/50)
• The Observer about the publishing of poetry (7 /8/4?)
• John O' London's Weekly about the use of the word 'pretty' (21/1/49)
• The Listener about Eliot's Murder in the Cathedral (31/3/49)
• The Friend about the concept of vocation in work (28/5/48) and the meaning of Divine Guidance (22/10/48)
• The Sunday Times about book publishing (7/11/48)
• Muriel Spark about adjudicating and an article on T.S. Eliot (21/2/48)
• Mr Foules about a verse-speaking syllabus (5/3/49)
• Ruth Sansom on personal matters (at least five letters undated and apparently written before the Sansoms married)
• To unidentified correspondents about changing patterns in pronunciation, Quakerism, and Murder in the Cathedral (all undated)

Brown manila folder headed 'Copies'. This contains:
• Reviews of Francis of Assisi by Martin Flanagan, Fred J. Nicholson and Norman Talbot.
• A tribute to Sansom by Dr Richard Jones (Tasmanian Wilderness Society).
• A letter from Dr Bob Brown inviting Sansom to be Patron of the Tasmanian Wilderness Society (18/5/80) and a newspaper article announcing this.
• A press release from the Wilderness Society on the death of Sansom (30/5/81). A copy of Lina Wake's entry for Forty Friends.
• A poem in tribute to Sansom by Gerda Shelton.
• Some additional biographical information.

Copy of Sansom's 'Convergence on Bethlehem'- a Christmas program for Radio in 21 scenes, and poems' with explanatory notes.

Christmas poems and play commissioned by the A.B.C. 1970: manuscript, typescript, correspondence, broadcast script, notes, etc.

Conservation, Clive Sansom patron of Tasmanian Wilderness Society (1980), newscuttings, circulars, letters, tribute to Clive Sansom (1981).

Preservation of England (1930-32), Lake Pedder (1967), stone buildings (1968-69), Lenah Valley sawmill (1970-78), Mount Stuart Community study (1977).

Circular letter from David Jenkin of the London Friends Local
Conscription Committee offering advice and assistance to prospective conscientious objectors (30/4/40). Sansom's letter to Edgar Dunstan about a draft statement to the War Tribunal. Letters from Edgar Dunstan (8/6/40 and 12/6/40) suggesting appropriate work both the Sansoms could offer to undertake in lieu of active service. Sansom's letter of26/6/40 proposing to establish a house and property in Kent as a centre for conscientious objectors. A further letter to Capper Johnson containing a similar proposal applying to Bunce Court, Otterden (1/7/40) and Johnson's reply (17/7/40).

Letters relating to Sansom's application for registration as a conscientious objector for service with the armed forces in the Second World War (see his application to the Tribunal in 3.26 above). These include formal notice of the hearing of Sansom's application to be registered as a conscientious objector, copy of a reference from the President of the London Speech Fellowship and Institute to accompany Sansom's application, and letters of advice about his application from Eric Savage and Edgar D. Dunstan. Documents from the Ministry of Labour and National Service advising Sansom that the Tribunal 'was satisfied ... that there was a genuine conscientious objection to combatant military service; but it was not satisfied as to non-combatant service' and that Sansom must therefore undertake full­time 'ARP or AFS work'. Letters including those to and from the City of Birmingham, the Air Raid Precautions Headquarters, the Guildhall Portsmouth, the City and County of Bristol, and the London County Council about the possibility of such employment. Copies of letters from Sansom to the Ministry of Labour indicating that he was seeking admission to the Spicelands Training Centre.

Fifteen scripts of ABC 'Communication' radio broadcasts for schools, written by Sansom, sometimes with Ruth Sansom's assistance. Sansom recorded most of these with the assistance of his colleagues from the Speech Education Centre.

Plain/Clear plastic envelope marked 'Collector's Items' containing a list titled 'Clive Sansom Letters Index'. This is an incomplete alphabetical list of people with whom Sansom corresponded during his life.

Collections of journals containing Sansom's poems, articles, and plays. The poems include 'Nightmare', 'Dr Donne's Unwritten Sonnet', 'Tasmanian Scene', 'The Churchyard', 'Gypsy', 'Orchard', and 'Assisi'. Articles include 'The First Teacher: the Life and Religion of Akhenaten, 'My Job, Poet, etc', and 'We the Murderers'. There is also a copy ofSansom's short play for children titled 'At the Zoo' which includes some verse.

Folder headed 'Collection of Sketches and Extracts' that includes Sansom's note 'Return to England' and references to his 'The Abominable Trade', 'These Happy Breeds' and 'Francis of Assis'i. The folder contains some writing by Robert Gittings, other passages about 'Home', and several jokes for acting and pieces used for speaking.

Extensive collection of material including:
• A brown manila folder containing letters relating to the Sansoms' marriage in 1937.
• Miscellaneous letters 1937 -1940.
• Two unpublished poems by Sansom, one written in 1936, and 'On a
• Deserted Shore' written later in Tasmania.
• An undated letter from Sansom to his wife Ruth written later in life.
• Sansom's Will written on 27/7/36.
• The Sansom marriage certificate and congratulatory letters from friends. Separate statements by Sansom and Ruth Sansom on the topic of poetic impetus.
• A typed poem by Sansom with the words 'See St Swithin' added by Ruth Sansom.
• Copy of In the Midst of Death.
• Several letters marked 'Before marriage' in a brown envelope.
• A clear plastic folder of what appear to be Ruth Sansom's writings: 'Three Songs' and other verses, together with letters from Ruth Sansom to her husband including some clipped together and headed by Sansom 'Beautiful Letters, don't lose them love'.

Brown folder marked 'Clive's Writings'. A series of jottings about travels in England and other short notes.

Orange plastic folder containing handwritten and typed copies of 'Clive's last poem, June 1979' ('Carol of the Three Nails'). Also a typed copy of a poem titled 'Jane Franklin's Journey'.

Clive Sansom's correspondence with Helen Power and, as her literary executor after her death, with Mrs Rae Hogg and other relatives of Helen Power about publishing her poems. Correspondence includes comments on the broadcasts, biographical notes, reviews and correspondence about Helen Power's manuscripts and books (the manuscripts to go to the State Library, her French books to the lecturer in French at the University of Tasmania and books on poetry to the Poetry Group).

Brown folder headed 'Clive Sansom by his Friends' with 'Ruth' in red ink. Handwritten drafts of Ruth's experiences and life with her husband. Subjects mentioned and sometimes described and discussed in greater length include:
• Ruth Sansom's training year at the London Speech Institute.
• Ruth's childhood and upbringing.
• Ruth's personal and professional relationship with her husband.
• Clive and Ruth Sansom's joint public poetry recitals.
• Sansom's sense of humour.
• Sansom's poetry and poetic dramas such as The Cathedral, The Witnesses, Francis of Assisi, and other publications such as By Word of Mouth, Passion Play, and unpublished works such as 'The Voice that Tempted Eve'.
• Sansom' s illness and hospitalisation in 1948.
• Paul Scott's critical response to Sansom's The World Turned Upside Down. Both Ruth and Clive Sansom's lack of University qualifications.
• The Sansoms' move to Tasmania in 1950.
• Sansom's relationship with his mother.
• Sansom's interest in Akhenaten.
• Sansom' s spiritual development.
• Response to Hilary Spurling's biography of Paul Scott, particularly as it relates to Scott's friendship with the Sansoms.
• The Sansoms' friendship with Madame Helen George and the Rowntree sisters.
• Ruth Sansom's deafness.
• Quakers and the spiritual life.

Green and red display folders headed 'To do with 'Clive Sansom by 40 Friends' for Archives University Library'. Papers, drafts and proofs for the publication Clive Sansom by Forty Friends (1990).
Book 1 (Green) comprises the draft text of the Forty Friends book. Here, Ruth Sansom's script and 'Absent Friends' contain more material than that published in the final text.
Book 2 (Red) contains the original scripts from the contributors to the publication.

Collection consists of correspondence, diaries, writings and poetry and speech education areligious writings and other material. Also contained in the collection are a collection of Ruth Sansom’s diaries and the personal papers and correspondence

Brown folder headed 'Clive by Ruth'
Some of Ruth Sansom's handwritten notes of her memories. These notes are in no logical order and many of the loose pages are not numbered. The material describes aspects of the Sansoms' life in England before, during and after the Second World War, life in Tasmania, work with the Education Department and return visits to England in 1961 and 1978. Topics addressed by Ruth Sansom include Sansom's unpublished work, his attitude to the Quakers and his production of T.B. Morris's play 'I Will Arise'. Mention is made of the Sansoms' association and friendship with Allan Keeling, Nan Chauncy, Martin Miles, Margaret Rutherford, Robert Gittings, Nan Delaney and Paul Scott. This file includes Sansom's letter to the Australian on the subject of arts grants (17 February 1969).

Tributes to Clive Sansom by friends, edited with biographical notes on contributors by Ruth Sansom.

Black/ grey scrapbook containing clippings of paintings and sketches.

Brown folder headed 'Christmas Material'. Copies of poems by W. de la Mare, Francis Thompson, Masefield, R Bridges and Kipling, together with a selection of epitaphs. Some prose pieces and short plays titled 'The Christmas Carol',
'Conversation at Christmas', 'After the Dream', 'The Gold Coin' and 'The Gift of the Magi'. These were almost certain! y written by Sansom.

Chorus Plays edited by Clive Sansom, Youth Theatre No. 4, London A. & C. Black (no date) containing short plays mostly arranged by Clive Sansom but not written by him: book, letter from Navy Records Society giving permission to reprint "Cawsand Bay", copy of "The Dumb Wife", a mime arranged by Clive Sansom from School Magazine March 1963. Also further collection of typed drafts of plays: "The Nightingale"; "The golden journey to Samarkand", J.E. Flecker; "The House of the Magi"; "The Enchanted Shirt" by John Hay (The School Magazine 1 April 1958, 3 pages 82-84); "Three Little Billy-Goats", Clive Sansom (The School Magazine June 1963); "How d'ye do" a mime, Clive Sansom; "Faithless Sally Brown", dramatization by Clive Sansom from a poem by Thomas Hood; "Captain Reece", W.S. Gilbert Bab Ballads, adapted by Clive Sansom (2 versions typescript); "Hiawatha" (3 typescripts and Song of Hiawatha, Longfellow, dramatised version by Florence Holbrook); "Robin Hood and Alan-a-Dale", dramatised by Clive Sansom, and poem; "Absolutely Nothing", Eleanor Farjean; "The Pied Piper", Robert Browning (abridged by Clive Sansom); "The Princess and the Gipsies", Frances Cornford; "Little Billee", W.M. Thackeray, dramatised by Clive Sansom; "The golden image", Clarissa Graves; "The Rose and the Cross"; "Guy Fawkes", a verse melodrama by Clive Sansom, also rough manuscript draft; "The Acts of Saltpeter, being ye true historie of ye gunpowder plot" (a "parody of Gordon Bottomley's 'Acts of St. Peter'"; "The ballad of the invisible gardener", based on the story of the twelve dancing princesses.

Poetry and verse for children

Words by Clive Sansom to Saint-Saens' Suite: script, correspondence - broadcast and concert performances.

Folder marked 'Business / Industry' containing six articles by others on oral communication in the business world.

Folder labelled 'Broadcasting' containing various articles and notes on the subject including one prepared by Sansom.

Briar Rose and other plays with choruses edited by Clive Sansom, The Children's Theatre No. 10, London (A. & C. Black, no date), including "Briar Rose" and "The May Queen" by Clive Sansom, "The play of the Pleiades" by Mona Swann, "The Gentle Squire" by Eleanor Farjeon, and acting notes: book, typescript of "Briar Rose", manuscript music.

Unpublished documents and manuscripts and published journal articles

Collection of newspaper clippings, articles on business and industry also teaching materials and school broadcast scripts and articles

Collection of miscellaneous correspondence, Ruth Sansoms handwritten memories, newspaper and journal clippings, scipts, writings and poems

Collection of scripts , newspaper clippings and notes also notes for Ruths autobiography

Personal papers and correspondence, poetry and plays

Collection of personal correspondence between Clive and Ruth Sansom. Will, marriage certificate and other miscellaneous document

Collection of miscellaneous correspondence and copies of letters to the newspapers, autobiographical notes, genealogy and family tree, book and poetry notes

Clive Sansom's reviews: typescripts, cuttings and some correspondence.

Brown manila folder titled 'Biographical' and containing a number of Sansom's letters to others, including letters to and from Hermann Pleschmann and Robert Swire, Sansom's letters about Speech and Drama activities and the teaching of poetry, Sansom's letters to teachers in response to numerous requests for advice and information, to 'Aunt Bee', to the ABC, to Allan Keeling (references here to Truchanas, B. Hean, Max Oldaker and Sansom's personal writing).

Including Speech Institute Course and lectures (1938, 1947), notes and quotations, Sunday School Teachers' Conference (1963).

Typescript. No date.

Folder containing background articles for teaching about film and television.

Early autobiography by Clive Sansom (family and childhood to 1926), and copy of first chapter sent to Australian Literature Board (typescript).

Autobiography by Clive Sansom ND.

Folder headed 'Autobiography' containing Sansom's short handwritten and typed drafts of the early sections of the book describing his childhood experiences, family life and school days. There are also many brief handwritten memos and quotes from writers pertinent to his autobiography, including a note that his proposed title for this was 'Finding my Words: A Poet's Beginnings'. Other material comprises several relevant letters about and reviews of Sansom's publications, including Fred Nicholson's review of 'Francis of Assisi', Sansom's review of John Fuller's 'Epistles to Several Persons', letters from his brother Len, a poem Sansom wrote at the age of 16, Sansom' s humorous letter to the artist Max Angus, and an obituary written by Ron James and published in the journal 'Speech and Drama' (England) following Sansom's death.

Manila folder headed 'Autobiography' comprising:
• OHMS envelope containing extracts from Sansom's personal diaries, 1947/48, and other diary notes on loose sheets of paper.
• Copy of the Tavistock Little Theatre Bulletin, 17/18 May 1935, which includes notes on the play ‘Hassan’. There is a handwritten note next to this indicating that this was the first play production Clive and Ruth Sansom attended together.
• Clear plastic folder marked 'Very Special Autobiography Part 2' containing a draft of a section of the autobiography, a copy of Sansom's poem 'Prophesy' and the Sansom Family Tree.
• Birth Certificate for Ruth (Ruth Annie Large, 14/5/06) and Death Certificate for Clive (Royal Hobart Hospital, 29/3/81).
• Sansom's questionnaire to a family member about the history of the Sansom’s. Biographical details headed 'Dosier (sic) on Sansom 1926-1951 '.
• Handwritten and types notes relating to Sansom's autobiography.
• Sansom’s statement to the War Tribunal, opposing military service
• Clippings from newspapers/journals relating to London and associated topics. Copies of two early poems by Sansom: 'Paul's Cross' and 'The Wood'.
• Copy of 'Invocation of a Poet Seeking Inspiration' from Arthur Grimble's ‘Return to the Islands’.
• Letters from Nan [Delaney?], the Convent of Sacred Heart and from Margaret and Len Sansom (2/10/75).
• Sansom's summary notes of Rilke's letters and Rudolf Steiner's text on agriculture, as well as briefer notes about and extracts from other works.

Handwritten notes by Ruth Sansom, including her draft autobiography about life with Clive, and section of a typed manuscript titled 'Married Life'. Additional pages of material relating to the Sansoms' experiences during World War II and mentioning contacts with writers and absent friends including Allan Keeling, Kathleen Needham­Hurst, Marjorie Gullan, Gordon Bottomley, Robert Gittings, Frieda Hodgson, Margaret Rutherford, Judith Wright, Dorothy Gear, Walter de la Mare and the young actor Martin Miles. A handwritten biography of Clive Sansom focussing on his childhood and his mother with a further section titled 'Clive 16 to 27'. Ruth Sansom also describes the Sansoms' holiday in the Tyrol and her work in a Jewish refugee school.

Folder headed 'labelled by Sansom "Auto"' [Autobiography]. This contains: newspaper and journal cuttings of background material relating to London life at the time of Sansom's childhood and early adult life; published critical responses to his first collection of verse 'In the Midst of Death'; Sansom's letters to the Times on the role of scientists in creating the atom bomb; copy of a press report about Speech in schools and the work of Ruth Sansom; a letter from 'Tim' titled 'The Second Epistle of Timothy to the Sansomonians'; copies of poems probably read by Sansom during his school days; copy of the London Speech Festival Competitions of March 25 1939; Sansom's scribbled reminders of material for the 'Auto'; an article published in 'The Friend' (1971) by Ruth Sansom titled 'The Inner Journey'; photographs of places relating to Sansom' s childhood.

Manila folder containing handwritten drafts of sections of Ruth Sansom' s autobiography, covering the period in England before the war, mamage to Clive Sansom, work at the Speech Institute, Sansom's poetry, association with the Quakers, and marriage and life in the 1970s. In the final section, Ruth Sansom explores and describes her mystical experiences and her religious faith.

Handwritten 'Chapter One' of Ruth's autobiography/ Clive Sansom's biography. The focus here is on Sansom's childhood in Palmers Green and his school days.

Pocket appointment diaries.

Typescript, correspondence (published by Chatto 1975).

Folder labelled 'American Speech' containing newspaper cuttings and conference programs on the topic. Two unrelated items in the folder are articles by others titled 'John Clare Country' and 'The Classical Face of Bath'.

Copy of Adventures in Words Books 2 and 3 by Clive Sansom and Rodney Bennett published in 1939.

Folder headed 'A.C. Black'. This contains several letters to and from the publisher about Sansom's proposed book of story rhymes and about the publisher's rejection of his book of poems 'This Happy Breed'.

Group of letters labelled 'About Clive's death' from Peter Leonard, Hugh Macindoe, James Darling, Olive Woolman, Geoffrey[?] and William Ridden.

Correspondence about fees, copyright, "Convergence on Bethlehem" etc.

"Lady Franklin's Journey": notes, draft, script, correspondence.

Selected and introduced by Clive Sansom, published 1964 by Robert Hale, London. Typescript, page proof, published copy.