Mostrar 8492 resultados

Lantern slide from the collection of James Backhouse Walker of buildings on the corner of Murray and Macquarie Street, Hobart, Tasmania. Thought to have been prepared by J.W. Beattie (1859-1930) whose studio locations were in Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle Arcade, Hobart, until 1994. Quaker Collection.

Lantern slide of Wybalena, Flinders Island. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.

Lantern slide of Wood's hut, the Springs, Mount Wellington, Hobart. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.

Lantern slide of Waterloo Hotel on the corner of Murray and Davey Streets, Hobart - from a painting dated 1832. Renamed Waterloo Tavern in 1842. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.

Lantern slides of the University of Tasmania, Queen's Domain, Hobart. Views of exterior and laboratories and library. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994 (Collection Pr.S.Uni/1-8)

Lantern slides of the University of Tasmania, Queen's Domain, Hobart. Views of exterior and laboratories and library. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994 (Collection Pr.S.Uni/1-8)

Lantern slides of the University of Tasmania, Queen's Domain, Hobart. Views of exterior and laboratories and library. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994 (Collection Pr.S.Uni/1-8)

Lantern slides of the University of Tasmania, Queen's Domain, Hobart. Views of exterior and laboratories and library. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994 (Collection Pr.S.Uni/1-8)

Lantern slides of the University of Tasmania, Queen's Domain, Hobart. Views of exterior and laboratories and library. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994 (Collection Pr.S.Uni/1-8)

Lantern slides of the University of Tasmania, Queen's Domain, Hobart. Views of exterior and laboratories and library. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994 (Collection Pr.S.Uni/1-8)

Lantern slides of the University of Tasmania, Queen's Domain, Hobart. Views of exterior and laboratories and library. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994 (Collection Pr.S.Uni/1-8)

Lantern slides of the University of Tasmania, Queen's Domain, Hobart. Views of exterior and laboratories and library. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994 (Collection Pr.S.Uni/1-8)

Lantern slide photograph of Henry Ling Roth. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.

Lantern slide of James Backhouse. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.

Lantern slide of maps of Tasmania. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.

Lantern slide of maps of Tasmania. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.

Lantern slide of West Australian aboriginal stone implements. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.

Lantern slides of Tasmanian aboriginal stone implement quarry, Plenty river. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.

Lantern slides of Tasmanian aboriginal stone implement quarry, Plenty river. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.

Lantern slide of aboriginal caves at Tedworth. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.

Lantern slide of aboriginal caves at Tedworth. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.

Lantern slide of a tree marked by aborigines at Tedworth. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.

Lantern slide of an aboriginal implement quarry at Tedworth. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.

Lantern slide of mixed race Tasmanian aborigines. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994. The fourth person from the left is believed to be Mary Everett and the fifth person is believed to be Bunny Brown.

Lantern slide of ground stone aboriginal implements. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.

Lantern slide of a Tasmanian aboriginal woman. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.

Lantern slide of Tasmanian aboriginal woman and child 'after Labillardiere'. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994

Lantern slide of Tasmanian aboriginal woman Truggeruana, native of Recherche. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994

Lantern slide of Tasmanian aboriginal stone implements. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.

Lantern slide of Tasmanian aboriginal profile. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.

Lantern slide of Tasmanian aboriginal man Woureddy, native of Bruni[Bruny]Island. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.

Lantern slide of Tasmanian aboriginal man Timmy, native of the East Coast. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.

Lantern slide of Tasmanian aboriginal canoe and baskets. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.

Lantern slide of Sullivans Cove, Hobart Town, Van Diemen's Land, in February, 1804. Inscribed with the words 'Water colour drawing in the possession of J. B. Walker Esq., Hobart, 1891'.

Lantern slide from the collection of James Backhouse Walker of Stonemason's house, Hobart, Tasmania. Thought to have been prepared by J.W. Beattie (1859-1930) whose studio locations were in Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle Arcade, Hobart, until 1994.

Lantern slide from the collection of James Backhouse Walker of St. David's Park, Davey Street, Hobart, Tasmania. Thought to have been prepared by J.W. Beattie (1859-1930) whose studio locations were in Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle Arcade, Hobart, until 1994. Quaker Collection.

Lantern slide of Solomon Islander making fire. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.

Lantern slide from the collection of James Backhouse Walker of Salamanca from the Wharf, Hobart Town, Van Diemen's Land 1847. Prepared by J.W. Beattie (1859-1930) whose studio locations were in Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle Arcade, Hobart, until 1994. Quaker Collection.

Lantern Slide of Queen Victoria, England.

Lantern Slide of Prince Albert, husband of Queen Victoria, England.

Lantern slide of Parliament House, Hobart. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.

Lantern slide of early print of Old Government House, Hobart Town, Van Diemen's Land in 1847. From the collection of James Backhouse Walker. Prepared by J.W. Beattie (1859-1930) whose studio locations were in Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle Arcade, Hobart, until 1994.

Lantern slide from the collection of James Backhouse Walker of the demolition of the old ball room where the Town Hall now stands, Hobart, Tasmania. Thought to have been prepared by J.W. Beattie (1859-1930) whose studio locations were in Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle Arcade, Hobart, until 1994.

Lantern slide of Liverpool Street, Hobart. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.

Lantern slide of Jack, native of Cape Grim. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.

Lantern slide of J. Walch and Sons, Macquarie Street, Hobart c1880. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.

Lantern slide of Hobart Town, Van Diemen's Land, from Old Wharf in 1839. From the collection of James Backhouse Walker. Prepared by J.W. Beattie (1859-1930) whose studio locations were in Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle Arcade, Hobart, until 1994.

Lantern slide of early print of Hobart Town, Van Diemen's Land in 1830. From the collection of James Backhouse Walker. Prepared by J.W. Beattie (1859-1930) whose studio locations were in Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle Arcade, Hobart, until 1994.

Lantern slide of Hobart Town, Van Diemen's Land, in February, 1817. Inscribed with the words 'Hobart Town in 1817. Drawn by Lieut. Charles Jeffreys' - also shows the Government schooner the Kangaroo , church, Government House and Fort.

Lantern slide of an early print of Hobart Town, Van Diemen's Land from the harbour. From the collection of James Backhouse Walker. Thought to have been prepared by J.W. Beattie (1859-1930) whose studio locations were in Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle Arcade, Hobart, until 1994.

Lantern slide of Hobart Town from Mulgrave Battery, Van Diemen's Land, in 1830. From the collection of James Backhouse Walker. Prepared by J.W. Beattie (1859-1930) whose studio locations were in Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle Arcade, Hobart, until 1994.

Lantern slide of Hobart Town Harbour, Van Diemen's Land, in 1830. Prepared by J.W. Beattie (1859-1930) whose studio locations were in Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle Arcade, Hobart, until 1994.

Lantern slide of Hobart Savings Bank, Murray Street Hobart c1860. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.

Lantern slide of Governor Sir Thomas Gore Browne. Governor of Tasmania from 1861-1868. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.

Lantern slide of Government House and St David's Cathedral, Van Diemen's Land. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994. Lantern slide of detail from 'The Seat of His Excellency Lieut. Govr. Arthur / drawn from Nature and on Stone' by Charles Atkinson d.1837

Lantern slide of George Washington Walker (1800-1859). Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.

Lantern slide of Elizabeth Street, Hobart looking north. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.

Lantern slide from the collection of James Backhouse Walker of Runnymede, Hobart Town, Van Diemen's Land. Thought to have been prepared by J.W. Beattie (1859-1930) whose studio locations were in Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle Arcade, Hobart, until 1994

Lantern slide of Captain Kelly's house, Hobart, Tasmania. Thought to have been prepared by J.W. Beattie (1859-1930) whose studio locations were in Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle Arcade, Hobart, until 1994.

Lantern slide of Campbell and Minchin building, corner Elizabeth and Bathurst street, Hobart. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.

Lantern Slide of plan of early Hobart Town, from a survey done in 1804-1805, showing later alterations. The plan also appears in James Backhouse Walker's paper 'The Founding of Hobart, by Lieut.-Governor Collins' read to the Royal Society of Tasmania 14/10/1889. In this he describes the plan, "I am indebted to my friend Mr. Mault for a beautifully executed plan, which shows very clearly the original features of the ground, and the position of the first camp, and also indicates the alterations which have since taken place. It is taken from a survey made by Surveyor-General Harris in 1804-5. The original plan was discovered many years ago in the Lands Office at Sydney, and was presented by the New South Wales Government to our Lands Department. The Deputy- Commissioner of Crown Lands, Mr. Albert Reid, kindly presented me with a tracing of it."
Lantern slide thought to have been prepared by J.W. Beattie (1859-1930) whose studio locations were in Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle Arcade, Hobart, until 1994.

Lantern slide of the death of Lieutenant Governor David Collins, 1810. From The Derwent Star, and Van Diemen’s Land Intelligencer no. 7, Tuesday April 3rd 1810. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.

Lantern slide of funeral notice of Lieutenant Governor David Collins, 1810. From The Derwent Star, and Van Diemen’s Land Intelligencer no. 7, Tuesday April 3rd 1810. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.

Lantern slide of front page of the Hobart Town Gazette, June 1816. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.

Lantern slide of Port Arthur 1839. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.

Lantern slide from the collection of James Backhouse Walker of old Government House, Hobart Town, Van Diemen's Land 1847. Prepared by J.W. Beattie (1859-1930) whose studio locations were in Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle Arcade, Hobart, until 1994.

Illustration from Henry Hellyers diary - " Wednesday July 4th - In splitting a log this morning there came out either a large mouse or a young rat it appeared in a dormant state or it was injured in some way as it remained very quietly in my hand while I sketched it off".
[pygmy possum]

Copy of a letter from Henry Hellyer to Edward Curr, dated 29 November 1828, describing a journey to Mt. Farrell, the Fury Gorge, Barn Bluff and Cradle Mountain, and the discovery of river Mackintosh and Eldon Range

Extract from Cyclopedia of Tasmania 1931 page 195 - Historical Ferry Service

Index to O3 - Harry O'May scrapbook

Index to UTPh/27 - Medical Sciences Photographs

Photograph of the headstone of Bolton Stafford Bird. "In loving memory of Bolton Stafford Bird Husband of Helen Bird of Bru i Vale Lunawanna who died 15th December 1924 aged 84 years" Cemetrey Point Cemetrey, 175 Cemetery Road, Lunawanna, South Bruny, Bruny Island, Tasmania

Terence, Comedies, with the commentary of Petrus Antesignanus Rapistagnensis.
Binding of blind-stamped pigskin over pasteboard. The pigskin presumably once extended over the whole of the boards, but has been cut back near the half-way point from the spine, and the remainder replaced with parts of leaves from a 15th-cent. manuscript liturgical book in gothic textura with red initials and rubric. That on the back is so rubbed as to be illegible.
Pr. Mathias Bonhome, Lyon, 1560. Heavily used, perhaps in a classroom.
Inside the front board are mottos in Greek and Latin with the monogram ‘CIC’. On the first flyleaf in carmine: ‘Iohannes Christianus Wes(?el) Magdeburgensis Saxo / Anno CID ID CCVII Symbol’/ Iesus Crucifixi Vulnera Me Salvant’. The date is 1707. A similar inscription appears to have been washed off the inside of the back board. Lower down, less formally, ‘Jo: Ch: Wapsa / Anno 1702 & 7 Aprilis’. Also, perhaps in the same hand, 22 gl. On the title page ‘Iohannes Christianus Wapsa / Anno 1702 / & 6 Aprilis.’ Below is ‘Henricus Sebast. Wapsa Iur. Pract. [blank] comp. sibi Halae Saxon. Prid. Cal. Maii anno CID IC CLXVIII’. Further down again is ‘[erased] gyl’. Near the head ‘F. 3’ and ‘Ch: Coll: Tasm:’; probably given by Rev. R. R. Davies in 1852. Inside the front board are penciled 2228 and No. 200.

Cent Coll Rare PA 6755 .A2 1560.

Bartolomeo Taegio, La Villa. Dialogo.
Pr. Francesco Moscheni, Milan, 30 May 1559.
Bound in its original limp vellum wrappers; remains of two ties of the same. Fine title page; on the verso the author’s portrait; woodcuts showing surveying at pp. 162 and 164.
Inside the front cover is written ‘1560 Francoforti I. A. à S’. On the verso of the last leaf of text (Cciii) and the following flyleaf are herbal remedies in German, signed ‘Frater Mercurius ordinis S. Basilii in Monte Sinai uel S. Catharina co(mmun)icabat Praga Anno 1570.’ The same hand has annotated the text. On the verso of the first flyleaf is ‘Duplum Bibliothecae regiae Monacensis’, 18th-cent. From the Library of Christ College; given by Rev. R.R. Davies in 1852.

Morris Miller-Christ College Rare-Book SB 471 .T34 1559

Verrius Flaccus (grammarian), fragments, and Sextus Pompeius Festus, De Verborum Significatione.
Pr. Iohannes Maria Bonellus, Venice, 1559 (the colophon has 1560).
The ‘series chartarum’ on the last page of the book (shown here) provides a guide for the binder to ensure that he sewed the book in the correct order. Each quire or section was assigned an alphabetical letter which, with the leaf number, appears at the foot of the leaves (usually four) in the first half of each quire: a1, a2, a3, a4. This system was already used in late medieval manuscripts.
On the last leaf, 16th-cent., ‘Thomas Plower His Book’. From the Library of Christ College; given by Rev. R. R. Davies in 1852.
Morris Miller-Christ College Rare-Book PA 6385 .F4 V477 1560

Virgil, Opera, incl. Appendix Vergiliana, with the notes of Iohannes Frisius, Philip Melancthon et al.
Binding 16th- or 17th-cent., the leather lost, only the pasteboard, damaged by damp, remaining.
Pr. Weigand Han Erb., Sigmund Feierabent, Georg Rab, [Frankfurt], 1563.
Fine full-page engravings, verso of a8, c4, i8, l5, n4 verso, p2 verso, q8 verso, x3, z3, B1 verso, D1 verso, F3, H4 verso, K7.
Inside the front board ‘T. Blyth’s’. The first flyleaf is filled with pen-trials, the verso and following recto with a draft letter, 16th-cent., in English. The same hand writes more of the same on the innermost end flyleaf. At the head of the verso of the title page a 16th-cent. name, ‘Richardus Lath[?]nage’, has been cropped by the binder. The same name is written lower down, inked over. On the verso before b1 is ‘Thomas Tatham 1717’. On the verso of the last flyleaf ‘Mr William Radcliffe’, presumably the Derbyshire cotton weaver of this name (1761-1842). From the Library of Christ College.

Uncatalogued.

Geoffrey Chaucer, Works.
Printed in London by John Kyngston for John Wyght, in 1561.
This is the fourth printed edition of Chaucer’s collected works, effectively a reprint of the 1532 edition, with fourteen leaves of additional verse, and the long poem The Siege of Thebes by John Lydgate, monk of Bury.
The text is in ‘black-letter’, i.e. gothic type, with many decorated initials and several engraved illustrations.
On the second flyleaf is pencilled ‘No. 68 in Arch’s Catalogue of 1814’. John and Arthur Arch (fl. 1792-1838) were London booksellers. Bookplate of Edgar Atheling Drummond (1825-1893). Acquired by the University Library from the bookseller Bernard Quaritch, London, in 1930.

Cent Rare Folio PR 1850 1561.

Charles de l’Ecluse (Clusius), Rariorum aliquot Stirpium per Hispanias Obseruatarum Historia.

Pr. Christopher Plantin, Antwerp, 1576. With numerous engravings by one of Plantin’s best artists, Pieter van der Borcht. The famous press founded by Plantin (c. 1520-1589) was to remain in business until 1867.

Charles de l’Ecluse (1526-1609), professor at the University of Leiden, established Europe’s first botanical garden there (still in existence), and laid the foundations of the Dutch bulb industry. This book is one of the earliest treatises on the flora of Spain.

Inside the front cover is ‘duplicato’, an old shelfmark C. 64, and 12/- in pencil. At the end is ‘Perlegi Tag ij 1580. mense Februario / Laus Deo.’ On the verso of the title page is ‘Will: Forsyth 1825’. From the Library of Christ College; given by Rev. R. R. Davies in 1852.

Morris Miller-Christ College Rare-Book QK 41 .C58 1576

Anthologia Graeca.

Pr. Henricus Stephanus (Henri Estienne), ‘illustris uiri Huldrichi Fuggeri typographus’, [Geneva], 1566. Using a beautiful Greek typeface.

Inside the front board is the plate of Thornton & Son, Booksellers, 11 The Broad, Oxford. On the front flyleaf, in red ink, ‘E libris Marci Pattisonis, uiri doctissimi, Linc. Coll. Oxon. quondam rectoris – Univ. Oxon.’ Pattison (1813-1884) was rector of Lincoln College Oxford. Inside the front board is the bookplate of Mahinda College, Galle, Ceylon. On it is written, in the same red ink, ‘e libris F. L. Woodward Mahinda College, Galle, Ceylon’ and ‘e Sid. Coll. Cam. schol. 1890’. Given by his executors to the University Library in 1952.

Cent Rare PA 3458 .A2 1566.

Bede, Opera.

Pr. in 8 vols. by Ioannes Hervagius (Iohann Herwegen), Basel, 1563.

The first printed edition (editio princeps) of the works of the Venerable Bede (d. 734), and the last until the nineteenth century. The illustrations are from his works on chronology and from some of the many pieces wrongly ascribed to him by the editor.

On the title page of vols. 5 and 7 is ‘Conventus Leod’ fratrum minorum Recoll’’, on that of vol. 2 ‘Conventus PP Recollect Leod’’; i.e. withdrawn from the library of the Franciscan convent at Liège. From the Library of Christ College.

Christ College Rare PA 8260 .O64 1563

Image extracts from the title 'The whole workes of W. Tyndall, Iohn Frith, and Doct. Barnes : three worthy martyrs and principall teachers of this Churche of England'.

Pr. John Daye, London, dated 1573 on the title page, 1572 at the end of the Index. The first edition of the complete works.

Contemporary London blind-stamped binding, rebacked. Centre and corner bosses on both boards, the lower one on the front board nearest the spine gone. Formerly two straps from the front board to catches at the rear. On the spine is a small paper label with typescript 174 B. Fine illustrations, including the title page, one of Tyndal’s burning on the unnumbered page before b1. Anti-papist illustration on the last page.

On the front flyleaf are a series of names. In apparent chronological order: ‘For Elizabeth Louther’, canc.; ‘Ann Tilley April 1844’; ‘For my Nephew’; ‘For John Tilley 21 May 1844’; ‘John Tilley’. All except the first appear to be in the same hand, presumably Ann Tilley’s. On the last flyleaf, upside down, ‘Ann Lowther’, ?18th cent. The Royal Society of Tasmania’s plate inside the front cover, its stamp on the first flyleaf.

Morris Miller RoySoc Rare BR 53 .T95.

Index to UT395 - Photographs : Hilary Webster

Index to UT391 - Information Services Photographs

Pamphlet by Professor T. Thomson Flynn, D.Sc., Ralston Professor of Biology, University of Tasmania entitled 'The Problem of the Birth of the Kangaroo' issued by the Workers' Educational Association of Tasmania as No. 1 in The Searchlight Series.

Index to UT389 - UTAS Planning and Review Committee : Review of Academic Departments

Documents relating to the University of Tasmania Charter

Parchment document bound with green ribbon and sealed with red wax. Letters Patent of King George V granting recognition throughout the Kingdom, empire and Dominions of degrees conferred by the University of Tasmania in Arts, Science, Law, Medicine, Music and all branches of knowledge except Theology

Index to UT517 - University Centenary Committee : video recordings

Index to UT376 - University Club

Index to UT373 - Apple & Pear Advisory Board submissions

Verso of photograph of Christ's College, (High School building) Domain with names

The unpublished memoirs of Sir Leslie Patrick Abercrombie, an English town planner, best known for the post-Second World War re-planning of London

Transcript of UT558 - Library promotional video

Consists of one Library promotional video made in 1981, VHS cassette recording, 6.5 minutes. Script by Mary Howard and Peter Cohen, narrated by Meg Taylor, camera work by Michael Knott, Ross James and Eve Pettit, technical director Brian Rieusset, programme director Eve Pettit. Originally recorded on Umatic cassette for continuous playing over 1 hour, copied on to VHS by Brian Rieusset July, 1993, for University Archives (two showings over 15 minutes). Reformated to DVD in 2017. Includes typed copy of script.

Card written by Olive Pink to John Hargrave, 24 March 1974. Dried plant enclosed in envelope

Letter written by Olive Pink to John Hargrave, circa 1971, incomplete

Letter written by Olive Pink to John Hargrave, mid 1970

Card written by Olive Pink to John Hargrave, 18 February 1970

Letter written by Olive Pink to John Hargrave, 20 April 1970