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Collection consists of 12 unaccessioned boxes

Collection consists of ephemeral material collected by Jim Bacon during his time as Premier of Tasmania

Three photographs of the Honour Board of Tasmanian Society of Honorary Justices, located in hallway (Elizabeth Street entrance) Hobart Town Hall. Honour Board presented to Society by Mr F. G. Shepherd, QPM, JP. Historical notes : 1922 - 1994 dates/names confirmed by joint Society and University of Tasmania (History Department) research of available public records.
Photo credit. Mr. P. Baker. 12 December, 2000.

Collection consists of material produced and collected by Oates. Included are personal and professional papers , diaries, letters, research notes for publications and material relating to the "Singing Ship"

Photograph of Beltana or Lindisfarne jetty showing two young children playing in the foreground. Mt Wellington in the background.

Framed oil painting by Max Angus (1914-2017): a portrait of Dan Sprod (1924-2018), former Morris Miller Librarian (1966-75) and subsequently proprietor of Blubber Head Press and Astrolabe Antiquarian Books, seated at the window of his home in Sandy Bay holding a copy of the book Simpkinson de Wesselow authored by Max Angus and published by Blubber Head Press in 1985

Papers of Margaret Sturge Watts include photo albums of relief work in Central Europe after World War I, an autograph album, visitors books, journals, an unpublished autobiography, newspaper cuttings and miscellaneous items including the notification and congratulatory letters for Margaret Watts' MBE in 1957 for her work in the 'assimiliation of new settlers.'

Collection consists of rugby memorabilia and other material relating to the life and work of George Wilson, master of Hytten Hall, the University of Tasmania's first residential college

Sketches, mainly in pencil and crayon, made by Olive Muriel Pink of flowers found in the north of South Australia, Central and North Australia. The majority were made between June and December 1930, at various places along the railway between Port Augusta and Alice Springs. Later sketches were made in various parts of Australia between 1931 and 1960, but often without a note of the place and date. The sketches were often hurriedly made on pieces of thin, cheap paper, or even pieces of cardboard or brown paper. Some were coloured with crayon and a few, more finished drawings were coloured with watercolours. A later donation was made of books, personal belongings and sketches. A second series was received from the family of Olive Pink in 2016, this series includes Olive Pink's book collection, photographs, paintings, letters, items of clothing and other ephemera and memorabilia, some of which are nationally significant in their own right - such as the book plate made by Adrian Feint, notes and sketches done whilst camping with Daisy Bates, and photographs documenting life in Central Australia.

Material relating to the Tasmanian lottery, the origins of the Drysdales of Dollar and note of interview with Drysdale's daughter

Collection consists of corresspondence recieved, and draft correspondence. Also includes Library Associations, personal records, university lecture notes and papers relating to the University Library. Notes and drafts of publications and lectures and photographs

Aerial view of the Sandy Bay Campus of the University of Tasmania. Showing sporting fields, Hutchins School, surrounding houses and Wrest Point Hotel prior to the construction of the casino

Aerial view of the Hobart harbour showing Salamanca Place, Watermans dock, Parliamentary House , Hydro Building, Elizabeth Street pier, the Marine Board building under construction, Franklin Square and St, David's Park.

Aerial view of the Ridgeway Reservoir and Waterworks Reserve looking to Hobart, the Tasman Bridge and beyond to the Eastern Shore, Seven Mile Beach and Dodges Ferry

Coloured photograph of Yuccas at Miss Pink’s garden taken in 1969 at the Arid Regions Native Flora Reserve Northern Territory
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Collection consists of personal and business correspondence, financial records, scrapbook and cuttings scripts of broadcasts, stories and plays. Theatre programs, photographs and pins and badges. There is also material collected by Francis Ruby Fuller and Edwin Charles Fuller

Watercolour on card sketched by Olive Pink, "Native Gap" ( Aileron Stn.), 1960. Identified by Olive Pink as Macrocarpa gregoria ( I think) Spinifex Snow - description on back of drawing.

Photograph of barn at house on Windsor Road Broadmarsh, Tasmania. Taken April 1960

Photograph of the schoolhouse, Broadmarsh, Tasmania. Taken April 1960

Photograph of the stable at the old prison station, Broadmarsh, Tasmania. Taken April 1960. In 1842 Invercarron became the site of the Broadmarsh Convict Probation Station, which was deemed to be such a disaster [La Trobe’s 1847 report cited ‘utter abandonment of all order and decency’] that it was closed in 1847.

Photograph of font view of St Augustine's Anglican Church, Broadmarsh, Tasmania. Taken April 1960
Consecrated 15 September 185. Located 1 2 Grahams Creek Road, Broadmarsh, now a private residence.

Photograph of doorway at Braeside, Broadmarsh. Taken April 1960. Now known as Stonefield' , 'Braeside' was built in 1824, located at 266 Elderslie Rd, Lower Broadmarsh. A good example of a two storey Georgian home with a separate kitchen wing

Photograph of stables at Strathelie, Broadmarsh. Taken April 1960. Located at 974 Elderslie Road Broadmarsh. Strathelie is a very impressive late Georgian house thought to be built by Thomas Johnston in 1851. Constructed of silver grey sandstone, featuring a parapeted facade, enclosed rear courtyard, fine front door and front verandah with slender iron columns. The house is complemented by particularly fine outbuildings comprising stone barn with arched openings and brick stable forming a u-shape about a central yard.

Photograph view of arches at the stables, Strathelie, Broadmarsh. Taken April 1960. Located at 974 Elderslie Road Broadmarsh. Strathelie is a very impressive late Georgian house thought to be built by Thomas Johnston in 1851. Constructed of silver grey sandstone, featuring a parapeted facade, enclosed rear courtyard, fine front door and front verandah with slender iron columns. The house is complemented by particularly fine outbuildings comprising stone barn with arched openings and brick stable forming a u-shape about a central yard.

Photograph of house on left after Broadmarsh golf course, Broadmarsh. Taken April 1960.

Photograph of post office and out building, Broadmarsh. Taken April 1960.

Photograph of post office, Broadmarsh. Taken April 1960.

Photograph of the old prison station, Broadmarsh, Tasmania. Taken April 1960. In 1842 Invercarron became the site of the Broadmarsh Convict Probation Station, which was deemed to be such a disaster [La Trobe’s 1847 report cited ‘utter abandonment of all order and decency’] that it was closed in 1847

Photograph of St Augustine's Anglican Church and rectory, Broadmarsh, Tasmania. Taken April 1960
Consecrated 15 September 185. Located 1 2 Grahams Creek Road, Broadmarsh, now a private residence.

Photograph of northern wall of Braeside, Broadmarsh. Taken April 1960. Now known as Stonefield' , 'Braeside' was built in 1824, located at 266 Elderslie Rd, Lower Broadmarsh. A good example of a two storey Georgian home with a separate kitchen wing

Watercolour on card sketched by Olive Pink, (location unknown), 1960. Described by Olive Pink as " popular name Pussy Tails" (ugly?)

Photograph of the old prison station, Broadmarsh, Tasmania. Taken April 1960. In 1842 Invercarron became the site of the Broadmarsh Convict Probation Station, which was deemed to be such a disaster [La Trobe’s 1847 report cited ‘utter abandonment of all order and decency’] that it was closed in 1847.

Photograph of the rectory of St Augustine's Anglican Church, Broadmarsh, Tasmania. Taken April 1960

Photograph of the plaque on side of the rectory of St Augustine's Anglican Church, Broadmarsh, Tasmania. Taken April 1960. " "Benjamin Ball Clericus. et Carolus Mann. Aliis Adjuv's Aedific A.D. MDCCCLXIV"

Photograph of doorway at Strathelie, Broadmarsh. Taken April 1960. Located at 974 Elderslie Road Broadmarsh. Strathelie is a very impressive late Georgian house thought to be built by Thomas Johnston in 1851. Constructed of silver grey sandstone, featuring a parapeted facade, enclosed rear courtyard, fine front door and front verandah with slender iron columns. The house is complemented by particularly fine outbuildings comprising stone barn with arched openings and brick stable forming a u-shape about a central yard.

Photograph of the front door of Roydon, Broadmarsh. Taken April 1960. Located at 58 Clifton Vale Road, Elderslie. Sandstone farm house with a central door and flanking double hung windows, an attic level and weatherboard addition to the rear. The building has a hipped roof and narrow boxed eaves. The sandstone stables feature a half hipped roof, sandstone walls and an iron roof. The building is a floor and a half and is still in use as a stable. There are some other early buildings on the site.

Photograph of Braeside from the South West, Broadmarsh. Taken April 1960. Now known as Stonefield' , 'Braeside' was built in 1824, located at 266 Elderslie Rd, Lower Broadmarsh. A good example of a two storey Georgian home with a separate kitchen wing

Photograph of the front view of the schoolhouse, Broadmarsh, Tasmania. Taken April 1960

Photograph of the Congregational Church, Broadmarsh, Tasmania. Taken April 1960.
Two churches were established at Broadmarsh, an Anglican church, St Augustine's in 1847 and a Congregational church in1861.
Location 1497 Elderslie Road. The Broadmarsh Uniting (Congregational) Church was built in 1861 on land owned by William Gunn, at ‘Arndell’.

Photograph of front view of Braeside, Broadmarsh. Taken April 1960. Now known as Stonefield' , 'Braeside' was built in 1824, located at 266 Elderslie Rd, Lower Broadmarsh. A good example of a two storey Georgian home with a separate kitchen wing

Photograph of window at Strathelie, Broadmarsh. Taken April 1960. Located at 974 Elderslie Road Broadmarsh. Strathelie is a very impressive late Georgian house thought to be built by Thomas Johnston in 1851. Constructed of silver grey sandstone, featuring a parapeted facade, enclosed rear courtyard, fine front door and front verandah with slender iron columns. The house is complemented by particularly fine outbuildings comprising stone barn with arched openings and brick stable forming a u-shape about a central yard.

Photograph of stables at Strathelie, Broadmarsh. Taken April 1960. Located at 974 Elderslie Road Broadmarsh. Strathelie is a very impressive late Georgian house thought to be built by Thomas Johnston in 1851. Constructed of silver grey sandstone, featuring a parapeted facade, enclosed rear courtyard, fine front door and front verandah with slender iron columns. The house is complemented by particularly fine outbuildings comprising stone barn with arched openings and brick stable forming a u-shape about a central yard.

Photograph of barn on Dromedary Road, Broadmarsh. Taken April 1960.

Photograph of house on road to Windsor Park, Broadmarsh. Taken April 1960.

Photograph of front view of Roydon, Broadmarsh. Taken April 1960. Located at 58 Clifton Vale Road, Elderslie. Sandstone farm house with a central door and flanking double hung windows, an attic level and weatherboard addition to the rear. The building has a hipped roof and narrow boxed eaves. The sandstone stables feature a half hipped roof, sandstone walls and an iron roof. The building is a floor and a half and is still in use as a stable. There are some other early buildings on the site.

Photograph of the front door of Roydon, Broadmarsh. Taken April 1960. Located at 58 Clifton Vale Road, Elderslie. Sandstone farm house with a central door and flanking double hung windows, an attic level and weatherboard addition to the rear. The building has a hipped roof and narrow boxed eaves. The sandstone stables feature a half hipped roof, sandstone walls and an iron roof. The building is a floor and a half and is still in use as a stable. There are some other early buildings on the site.

Photograph of Edmund Morris Miller with his wife Kate taken in c1960

Description on back of drawing : Louie an aboriginal worker at Aileron Station used to get it for Mrs (Elsie )Cobson (later Nolan) to send to me. Was never able to paint it from the plant and it faded when sent in. An exquisite blossom that grows close to the ground in Spinifex country hence the name Spinifex Snow : Watercolour on card sketched by Olive Pink, "Native Gap" ( Aileron Stn.), 1960. Identified by Olive Pink as Macrocarpa gregoria ( I think) Spinifex Snow .

Watercolour and pencil on paper sketched by Olive Pink 1958 (location unknown)

Water colour and pencil on card sketched by Olive Pink in Alice Springs, 1958

Water colour on card sketched by Olive Pink, (location unknown), 1958

Water colour and pencil on card sketched by Olive Pink in Alice Springs, 1958

Water colour on card sketched by Olive Pink, Alice Springs, 1958. Arid regions (of Australia) Native Flora Reserve, Alice Springs. Identified by Olive Pink as botanical name Prostantera striataflora one "popular" name was the silly one of mint bush.

Water colour on card sketched by Olive Pink 1958 (location unknown)

Water colour on card sketched by Olive Pink, Alice Springs, 1958

Water colour and pencil on card sketched by Olive Pink 16/8/58 (location unknown). Identified by Olive Pink as rough sketch of Capparis seedpod (back) "suede texture!"

Collection consists of correspondence concerning wool shipment and an illustrated booklet compiled by C.B. Thomson and issued to celebrate the firms centenary entitled Alfred Harrap & Son Pty Ltd 1857 - 1957

Watercolour on card sketched by Olive Pink 27/12/57 (location unknown). Identified by Olive Pink as "Yam flower? badly done"

Watercolour on card sketched by Olive Pink 10/12/57 (location unknown)

Pencil on card sketched by Olive Pink 4/12/57 (location unknown). Identified by Olive Pink as "Capparis (in profile)"

Pencil and watercolour on card sketched by Olive Pink 30/9/57 (location unknown). Described by Olive Pink as "mauve-green calyx looking down on blossom - a marvel of beauty when looked at closely"

Watercolour on card sketched by Olive Pink 30/9/57 (location unknown). "other Cassia not time for more leaves (foliage) have closed up!"

Watercolour on card sketched by Olive Pink 30/9/57 (location unknown). Identified by Olive Pink as Cassia eremophila - "very hurried - looks like big storm"

Pencil on card sketched by Olive Pink 16/9/57, Alice Springs. Identified by Olive Pink as Lightwood (Whitewood)

Postcard of Flynn Memorial Church, Alice Springs, Northern Territory - annotated on back

Aerial photo of Alice Springs, 1956. Letter on the back from Olive Pink to niece Heather Pink with dots marking landmarks.

Black and white photograph of bird bath under fig tree from south door of Hut 2

Photograph of Marjorie Blackwell baking scones at her 'dream home' -'Climar', Campbelltown, Tasmania - which she and her first husband Cliff Blackwell built in 1955

Australian Inland Mission card to Olive Pink from Margaret McKay and her children, dated Christmas 1955

Black and white photograph of two gum trees planted by mistake in one drum. Called them Naomi & Ruth. Two fig trees in the background.

Black and white photograph showing fig tree planted by Afghans

Postcard of Ghost Gum - Letter on back from Olive Pink to her niece Heather Pink 1955

Ten captioned fold out colour images in unidentified proprietary post-able envelope. Showing views of Huonville on one side and Hobart on the other.
From envelope : A Colorful Souvenir of Huonville and Hobart, Tas.. Natural views.

Seven captioned hand coloured images in proprietary envelope. Showing views of Hobart.
From envelope - Valentine's Snapshots. Eight real photographs. Hand Coloured Hobart, No. 1. Published by The Valentine Publishing Co. Melbourne and Sydney.

Eight small captioned black and white postcards in proprietary envelope. From envelope - For your Album, Murray's Snapshots - Series No. 2. produced by Murray Views Gympie, Queensland. Photographs like these allowed tourists to send many images of their holiday destination or hometown in the one small package.

Eight small captioned black and white postcards in proprietary envelope. From envelope - Beauty Spots in Australia, 8 Real Photographs for your Snapshot Album, Published by the Rose Stereographic Co. Armadale, Victoria

Eight small captioned black and white fold out images in proprietary post-able envelope. From envelope - Join us in a trip around St. Helens Tasmania. Southern series Registered. On reverse - Postage rates within the British Empire. Without correspondence, in an unsealed envelope, will be 3d. If correspondence is added, postage will be 3 1/2d whether envelope is sealed or unsealed. Foreign rate, 7 1/2 d

Photograph of the Floating Bridge across the Derwent River

Seven small captioned black & white images in proprietary envelope showing views of Launceston.
From envelope - Valentine's Snapshots. Eight real photographs. Launceston, Tas, No. 1. Published by The Valentine Publishing Co. Pty. Ltd. Melbourne and Sydney.

One hand coloured panorama image, captioned & numbered 23 , in proprietary envelope showing a panorama of New Norfolk.
From envelope - Valentine's Snapshots. Eight real photographs. Hand coloured. Beauty spots around Hobart, Tasmania No.3. Published by the Valentine Publishing Co., Melbourne and Sydney.

Eight captioned hand coloured images in proprietary envelope. Showing views of Hobart.
From envelope - Valentine's Snapshots. Eight real photographs. Hand Coloured Hobart, No. 1. Published by The Valentine Publishing Co. Melbourne and Sydney.

Eight small captioned coloured fold out images in proprietary post-able envelope. From envelope - Camera Views, Devonport, Tas. On reverse - Produced by Murray Views, Gympie. Q, Copyright, Samuel Lee & Co. Printers

Twelve small captioned coloured fold out images in proprietary post-able envelope. From envelope - A Souvenir of Beautiful East Coast Tasmania, 12 Specially selected views in full color. Published by Nucolorvue Productions, Victoria. From inside "The East Coast, Tasmania. The tourist referes to the East Coast a the section from scottsdale in the north to Sorell in the south of the island. This route provides an immense array of natures most lavish scenery. The rich fertile valleys of Scottsdale and Derby, rugged alpine areas near Pyengana, beautiful george Bay at St. Helens are in themselves a sheer delight.
Lovely beaches, quiet lagoons, rugged granite peaks of Coles Bay and Bicheno, restful Swansea and Triabunna, vie with may other picturesque parts of this lovely coastline.
Excellent fishing, swimming, hiking and boating are easily available. Relics of the early pioneer days are readily found in many parts of the coast."

Photograph of site for proposed Central Australian Museum and Constitution of proposed museum.

Seven small captioned and numbered hand coloured images in proprietary envelope showing views of Launceston.
From envelope - Valentine's Snapshots. Eight real photographs. Hand coloured. Launceston, Tasmania, No. 2. Published by the Valentine Publishing Co., Melbourne and Sydney.