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Private Deposit Collection : University of Tasmania Library Special and Rare Collections Image With digital objects
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Zygophyllum

Watercolour on card with some pencil painted by Olive Pink at Edwards Creek, South Australia 5/8/30. Identified by Olive Pink as Zygophyllum

Olive Pink

Yam flower

Watercolour on card sketched by Olive Pink 27/12/57 (location unknown). Identified by Olive Pink as "Yam flower? badly done"

Olive Pink

Wybalena, Flinders Island

Lantern slide of Wybalena, Flinders Island. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.

John Watt Beattie

Wood's huts

Photograph of Wood's huts at the Springs, Mount Wellington, in 1870 with old couple and younger gentleman and boy sitting outside. On the reverse of the photo post card 'Do you remember them. Huts and old Mr. and Mrs. Wood'.

Wood's hut, the Springs, Mount Wellington, Hobart, Tasmania

Lantern slide of Wood's hut, the Springs, Mount Wellington, Hobart. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.

John Watt Beattie

Woman and children on the foreshore

Photograph of a woman and three small barefooted girls on the foreshore with logs. Houses and orchards in the background. Thought to be Beltana now Lindisfarne.

William Grubb

Framed caricature of William Grubb. Wood and coal merchant known to Hobart as Billy. A keen yachtsman and fisherman.

Thomas Claude Wade Midwood

Wild Orange

Pencil on paper sketched by Olive Pink, at Barrow Creek, 1949. Identified by Olive Pink as Wild Orange. "pale lemon petal and stamens green end to pistil - bright green leaves of leathery texture"

Olive Pink

Whitewood (Tallow wood)

Coloured pencil on card sketched by Olive Pink, Thompsons Rock Hole, 1943. Identified by Olive Pink as Whitewood ( Tallow wood)

Olive Pink

Westella

Photograph of Elizabeth Street, Hobart, looking towards the harbour with Westella and the Memorial Congregational Church in the foreground. Taken prior to The photographer was Alfred Winter who had studios in Bathurst, Elizabeth and Liverpool Streets from 1869 until 1891.

Alfred Winter

West Australian Aboriginal stone implements

Lantern slide of West Australian aboriginal stone implements. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994.

John Watt Beattie

Webb's Hotel

Photograph of Webb's Hotel, later Hadley's, Murray Street, Hobart, in about 1877. The photographer was Henry Hall Baily who had studios in Elizabeth and Liverpool Streets, Hobart, from 1865 until 1918.

Henry Hall Baily

Watsonia

Pencil on paper sketched by Olive Pink at Edwards Creek, South Australia, 25/7/30 "near cottages". Identified by Olive Pink as Watsonia

Olive Pink

Waterworks Valley

Photograph of Stony Steps or Waterworks Valley, Hobart, Tasmania with Livingstone's house Marydale in the foreground and the Waterworks dam in the background, c.1870.

James Backhouse Walker

Waterloo House

Photograph of Waterloo House on the corner of Murray and Davey Streets, Hobart, Tasmania in 1880. The photographers were Anson Brothers whose firm was located in Liverpool, Collins and Elizabeth Streets between 1878 and 1891.

Anson Brothers

Waterfront buildings and Salamanca, Hobart, Tasmania

Lantern slide from the collection of James Backhouse Walker of waterfront buildings and Salamanca, Hobart,Tasmania. Thought to have been prepared by J.W. Beattie (1859-1930) whose studio locations were in Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle Arcade, Hobart, until 1994.

John Watt Beattie

Waterfall Bay to Cape Huay

Panorama from Waterfall Bay to Cape Huay on the Tasman Peninsula. The photographer is John Watt Beattie.

John Watt Beattie

Warra Warra

Coloured pencil on paper sketched by Olive Pink at Horseshoe Bend, Central Australia 13/9/30. "and Rodinga" Identified by Olive Pink as Warra Warra (3ft high in places and many on one plant) 6-5-1a drawn on other side of paper

Olive Pink

Wahlenbergia gracilis

Watercolour on paper sketched by Olive Pink, Northern Territory, 1930. Identified by Olive Pink as Wahlenbergia gracilis

Olive Pink

W. Watchorn

Framed caricature of W. Watchorn, merchant, Elizabeth St., Hobart. Senior partner in the firm of Watchorn Bros.

Thomas Claude Wade Midwood

W. Morling

Framed caricature of W. Morling. He hired boats at the Bellerive ferry.

Thomas Claude Wade Midwood

W. Baker

Framed caricature of W. Baker, a senior official in the Public Works Department.

Thomas Claude Wade Midwood

View outside gate

Black and white photograph of view outside of the gate at Olive Pinks flat in Ferntree, Hobart, Tasmania

Olive Pink

View of track

Photograph of a hillside track in the bush may be Shag Bay or Natone Hill Track

View of the Derwent River, Hobart, Tasmania

Lantern slide of view of the Derwent River, Hobart. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994. 1994.

John Watt Beattie

View of houses

Photograph of houses at Lindisfarne or Geilston Bay taken from hill.

View of Hobart from West Hobart

Photograph from the collection of James Backhouse Walker of a view of Hobart from West Hobart. Looking down Murray & Harrington Streets. The photographer is Henry Hall Baily who had studios in Elizabeth and Liverpool Streets Hobart from 1865 until 1918.

James Backhouse Walker

View of a Aermotor windmill

View of an Aermotor wind-powered water pump at Lindisfarne on the eastern shore of the Derwent River looking toward Mt. Wellington. James Martin & co. Sydney imported the Chicago-built windmills into Australia between 1895-1913

View from the roof of Government House

Photograph of ships on the Derwent River taken from the roof of Government House, Hobart, Tasmania in 1882. The photographer was Henry Hall Baily who had studios in Elizabeth and Liverpool Streets, Hobart from 1865 until 1918.

Henry Hall Baily

View from the Botanical Gardens

Photograph of view from the Botanical Gardens, Hobart, Tasmania in about 1880. Three Norfolk Island pines dominate the foreground and the view looks out to the River Derwent and Eastern Shore. The photographers were Anson Brothers, whose firm was located in Liverpool, Collins and Elizabeth Streets between 1878 and 1891.

Anson Brothers

View from Mr. Robert's garden, West Hobart

Photograph from the collection of James Backhouse Walker of a view of Hobart looking towards the Eastern Shore. The panorama has been taken from Mr. Roberts' garden with various shrubs and a Norfolk Island pine in the foreground. Henry Hall Baily is the photographer. He had studios in Elizabeth and Liverpool Streets Hobart from 1865 until 1918.

James Backhouse Walker

View from Mr. Robert's garden, West Hobart

Photograph from the collection of James Backhouse Walker of a view of Hobart looking towards the Eastern Shore. The panorama has been taken from Mr. Roberts' garden with various shrubs and a Norfolk Island pine in the foreground. Henry Hall Baily is the photographer. He had studios in Elizabeth and Liverpool Streets Hobart from 1865 until 1918.

James Backhouse Walker

View from Government House

Photograph of view from Government House looking over a vegetable garden and orchard which could either be in the Government House or Botanical Gardens grounds with the River Derwent and Mt. Direction in the background.

Vetch - Swainsona

Pencil, some coloured on card, sketched by Olive Pink "from" Meadows, South Australia 20/7/30. Identified by Olive Pink as Vetch - Swainsona

Olive Pink

University of Tasmania, Queen's Domain, Hobart, late nineteenth century

Lantern slides of the University of Tasmania, Queen's Domain, Hobart. Views of exterior and laboratories and library. Prepared by J.W. Beattie (1859-1930) whose studio locations were Elizabeth Street, Hobart from 1891-1920, Murray Street from 1921-40 and Cat and Fiddle until 1994 (Collection Pr.S.Uni/1-8)

John Watt Beattie

Unidentified birds

Pencil on card sketched by Olive Pink, (location unknown),7/7/45. " (1st) original sent to Mrs 'Pat' Chapman (Granits) July 1948"

Olive Pink

Unidentified birds

Water colour on card sketched by Olive Pink, 1944. "Violet". May be Superb Fairy-wrens

Olive Pink

Unidentified

Pencil drawing sketched by Olive Pink, Beltana, South Australia 19/7/30.

Olive Pink

Unidentified

Watercolour and pencil on paper sketched by Olive Pink at the The Finke, Northern Territory 4/9/30. "natural size"

Olive Pink

Unidentified

Pencil on paper, sketched by Olive Pink at Horseshoe Bend, Central Australia 12/7/30. "Very pale yellow blossom (wattle) - blue green leaves"

Olive Pink

Unidentified

Pencil and crayon on card, sketched by Olive Pink at Rodinga, Northern Territory 28/9/30. "from nature (exactly) but most often a creeper and therefore simple petal at top)+ sometimes 4 below - trails of it are feet long in every direction" "normal position of blossom (1 petal at top 3 below)"

Olive Pink

Unidentified

Coloured pencil on paper sketched by Olive Pink, Tortanga Quatcha, Northern Territory 4/12/30. Not identified by Olive Pink - some of original plant material attached - flower head

Olive Pink

Unidentified

Watercolour on card sketched by Olive Pink, Stanthorpe, Queensland, September, 1925. Not identified by Olive Pink

Olive Pink

Unidentified

Coloured pencil on paper sketched by Olive Pink, Gilla, Queensland, August 1934. Not identified by Olive Pink (Dimensions

Olive Pink

Unidentified

Coloured pencil on paper sketched by Olive Pink, Jila, Northern Territory, 1934. Not identified by Olive Pink

Olive Pink

Unidentified

Coloured pencil on paper sketched by Olive Pink, Jila, Northern Territory, 23/9/34. Not identified by Olive Pink

Olive Pink

Unidentified

Pencil on card sketched by Olive Pink, Anzac Hill, Alice Springs, 1946. "Traced from rough sketch - matt surface pale cream blossom and stamens, leaves leathery greenish - mature "orange" (lemon)"

Olive Pink

Unidentified

Watercolour on card sketched by Olive Pink, (date and location unknown)

Olive Pink

Unidentified

Watercolour on paper sketched by Olive Pink, (location and date unknown)

Olive Pink

Unidentified

Pencil and watercolour on card sketched by Olive Pink 30/9/57 (location unknown). Described by Olive Pink as "mauve-green calyx looking down on blossom - a marvel of beauty when looked at closely"

Olive Pink

Unidentified

Watercolour and pencil on paper sketched by Olive Pink 1958 (location unknown)

Olive Pink

Unidentified

Water colour and pencil on card sketched by Olive Pink in Alice Springs, 1958

Olive Pink

Unidentified

Coloured pencil drawing sketched by Olive Pink - Warraweena, Beltana, South Australia 19/7/30.

Olive Pink

Unidentified

Coloured pencil sketched by Olive Pink at Edwards Creek, South Australia "arrived" 25/7/30, "near waterhole"

Olive Pink

Unidentified

Coloured pencil on paper sketched by Olive Pink at the Finke, Northern Territory 4/9/30

Olive Pink

Unidentified

Coloured pencil on paper sketched by Olive Pink at Horseshoe Bend, Central Australia 13/9/30. "everlasting leaves drawn from faded specimen and from memory, flowers from nature" P6-5-1 drawn on other side of paper

Olive Pink

Unidentified

Colured pencil on card sketched by Olive pink at Horseshoe Bend, Central Australia 9/9/30

Olive Pink

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