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Archival description
Private Deposit Collection : University of Tasmania Library Special and Rare Collections With digital objects
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Photograph of the old prison station

Photograph of the old prison station, Broadmarsh, Tasmania. Taken April 1960. In 1842 Invercarron became the site of the Broadmarsh Convict Probation Station, which was deemed to be such a disaster [La Trobe’s 1847 report cited ‘utter abandonment of all order and decency’] that it was closed in 1847

Photograph of northern wall of Braeside

Photograph of northern wall of Braeside, Broadmarsh. Taken April 1960. Now known as Stonefield' , 'Braeside' was built in 1824, located at 266 Elderslie Rd, Lower Broadmarsh. A good example of a two storey Georgian home with a separate kitchen wing

Pussy Tails

Watercolour on card sketched by Olive Pink, (location unknown), 1960. Described by Olive Pink as " popular name Pussy Tails" (ugly?)

Olive Pink

Photograph of the old prison station

Photograph of the old prison station, Broadmarsh, Tasmania. Taken April 1960. In 1842 Invercarron became the site of the Broadmarsh Convict Probation Station, which was deemed to be such a disaster [La Trobe’s 1847 report cited ‘utter abandonment of all order and decency’] that it was closed in 1847.

Photograph of doorway at Strathelie

Photograph of doorway at Strathelie, Broadmarsh. Taken April 1960. Located at 974 Elderslie Road Broadmarsh. Strathelie is a very impressive late Georgian house thought to be built by Thomas Johnston in 1851. Constructed of silver grey sandstone, featuring a parapeted facade, enclosed rear courtyard, fine front door and front verandah with slender iron columns. The house is complemented by particularly fine outbuildings comprising stone barn with arched openings and brick stable forming a u-shape about a central yard.

Photograph of Roydon

Photograph of the front door of Roydon, Broadmarsh. Taken April 1960. Located at 58 Clifton Vale Road, Elderslie. Sandstone farm house with a central door and flanking double hung windows, an attic level and weatherboard addition to the rear. The building has a hipped roof and narrow boxed eaves. The sandstone stables feature a half hipped roof, sandstone walls and an iron roof. The building is a floor and a half and is still in use as a stable. There are some other early buildings on the site.

Photograph of Braeside from the south west

Photograph of Braeside from the South West, Broadmarsh. Taken April 1960. Now known as Stonefield' , 'Braeside' was built in 1824, located at 266 Elderslie Rd, Lower Broadmarsh. A good example of a two storey Georgian home with a separate kitchen wing

Photograph of the Congregational Church

Photograph of the Congregational Church, Broadmarsh, Tasmania. Taken April 1960.
Two churches were established at Broadmarsh, an Anglican church, St Augustine's in 1847 and a Congregational church in1861.
Location 1497 Elderslie Road. The Broadmarsh Uniting (Congregational) Church was built in 1861 on land owned by William Gunn, at ‘Arndell’.

Photograph of front view of Braeside

Photograph of front view of Braeside, Broadmarsh. Taken April 1960. Now known as Stonefield' , 'Braeside' was built in 1824, located at 266 Elderslie Rd, Lower Broadmarsh. A good example of a two storey Georgian home with a separate kitchen wing

Photograph of window at Strathelie

Photograph of window at Strathelie, Broadmarsh. Taken April 1960. Located at 974 Elderslie Road Broadmarsh. Strathelie is a very impressive late Georgian house thought to be built by Thomas Johnston in 1851. Constructed of silver grey sandstone, featuring a parapeted facade, enclosed rear courtyard, fine front door and front verandah with slender iron columns. The house is complemented by particularly fine outbuildings comprising stone barn with arched openings and brick stable forming a u-shape about a central yard.

Photograph of stables at Strathelie

Photograph of stables at Strathelie, Broadmarsh. Taken April 1960. Located at 974 Elderslie Road Broadmarsh. Strathelie is a very impressive late Georgian house thought to be built by Thomas Johnston in 1851. Constructed of silver grey sandstone, featuring a parapeted facade, enclosed rear courtyard, fine front door and front verandah with slender iron columns. The house is complemented by particularly fine outbuildings comprising stone barn with arched openings and brick stable forming a u-shape about a central yard.

Photograph of Roydon

Photograph of front view of Roydon, Broadmarsh. Taken April 1960. Located at 58 Clifton Vale Road, Elderslie. Sandstone farm house with a central door and flanking double hung windows, an attic level and weatherboard addition to the rear. The building has a hipped roof and narrow boxed eaves. The sandstone stables feature a half hipped roof, sandstone walls and an iron roof. The building is a floor and a half and is still in use as a stable. There are some other early buildings on the site.

Photograph of Roydon

Photograph of the front door of Roydon, Broadmarsh. Taken April 1960. Located at 58 Clifton Vale Road, Elderslie. Sandstone farm house with a central door and flanking double hung windows, an attic level and weatherboard addition to the rear. The building has a hipped roof and narrow boxed eaves. The sandstone stables feature a half hipped roof, sandstone walls and an iron roof. The building is a floor and a half and is still in use as a stable. There are some other early buildings on the site.

Macrocarpa gregoria- verso

Description on back of drawing : Louie an aboriginal worker at Aileron Station used to get it for Mrs (Elsie )Cobson (later Nolan) to send to me. Was never able to paint it from the plant and it faded when sent in. An exquisite blossom that grows close to the ground in Spinifex country hence the name Spinifex Snow : Watercolour on card sketched by Olive Pink, "Native Gap" ( Aileron Stn.), 1960. Identified by Olive Pink as Macrocarpa gregoria ( I think) Spinifex Snow .

Olive Pink

Unidentified

Watercolour and pencil on paper sketched by Olive Pink 1958 (location unknown)

Olive Pink

Unidentified

Water colour and pencil on card sketched by Olive Pink in Alice Springs, 1958

Olive Pink

Tankard 1958

Leadless pewter tankard, engraved 'To George Wilson. From History III B 1958'. Made by Silcraft Pty. Ltd., Melbourne

George Thomas Jamieson Wilson

Unidentified

Water colour on card sketched by Olive Pink, (location unknown), 1958

Olive Pink

Unidentified

Water colour and pencil on card sketched by Olive Pink in Alice Springs, 1958

Olive Pink

Prostantera striataflora

Water colour on card sketched by Olive Pink, Alice Springs, 1958. Arid regions (of Australia) Native Flora Reserve, Alice Springs. Identified by Olive Pink as botanical name Prostantera striataflora one "popular" name was the silly one of mint bush.

Olive Pink

Unidentified

Water colour on card sketched by Olive Pink 1958 (location unknown)

Olive Pink

Unidentified

Water colour on card sketched by Olive Pink, Alice Springs, 1958

Olive Pink

Capparis seedpod

Water colour and pencil on card sketched by Olive Pink 16/8/58 (location unknown). Identified by Olive Pink as rough sketch of Capparis seedpod (back) "suede texture!"

Olive Pink

Alfred Harrap & Son Collection

  • AU TAS UTAS SPARC H4
  • Collection
  • 1857-1957

Collection consists of correspondence concerning wool shipment and an illustrated booklet compiled by C.B. Thomson and issued to celebrate the firms centenary entitled Alfred Harrap & Son Pty Ltd 1857 - 1957

Alfred Harrap & Son

Yam flower

Watercolour on card sketched by Olive Pink 27/12/57 (location unknown). Identified by Olive Pink as "Yam flower? badly done"

Olive Pink

Unidentified

Watercolour on card sketched by Olive Pink 10/12/57 (location unknown)

Olive Pink

Capparis

Pencil on card sketched by Olive Pink 4/12/57 (location unknown). Identified by Olive Pink as "Capparis (in profile)"

Olive Pink

Unidentified

Pencil and watercolour on card sketched by Olive Pink 30/9/57 (location unknown). Described by Olive Pink as "mauve-green calyx looking down on blossom - a marvel of beauty when looked at closely"

Olive Pink

Cassia

Watercolour on card sketched by Olive Pink 30/9/57 (location unknown). "other Cassia not time for more leaves (foliage) have closed up!"

Olive Pink

Cassia eremophila

Watercolour on card sketched by Olive Pink 30/9/57 (location unknown). Identified by Olive Pink as Cassia eremophila - "very hurried - looks like big storm"

Olive Pink

Lightwood

Pencil on card sketched by Olive Pink 16/9/57, Alice Springs. Identified by Olive Pink as Lightwood (Whitewood)

Olive Pink

Photograph of Home Hut

Black and white photograph of two gum trees planted by mistake in one drum. Called them Naomi & Ruth. Two fig trees in the background.

Tankard 1952

Silver plated tankard, inscribed 'T.U.R.U.F.C., G.Wilson, in appreciation 1952'. On the base: Perfection E.P.N.S. A1

George Thomas Jamieson Wilson

Hounville : postcard

Ten captioned fold out colour images in unidentified proprietary post-able envelope. Showing views of Huonville on one side and Hobart on the other.
From envelope : A Colorful Souvenir of Huonville and Hobart, Tas.. Natural views.

Hobart : postcards

Seven captioned hand coloured images in proprietary envelope. Showing views of Hobart.
From envelope - Valentine's Snapshots. Eight real photographs. Hand Coloured Hobart, No. 1. Published by The Valentine Publishing Co. Melbourne and Sydney.

Valentine Publishing

Burnie : postcards

Eight small captioned black and white postcards in proprietary envelope. From envelope - For your Album, Murray's Snapshots - Series No. 2. produced by Murray Views Gympie, Queensland. Photographs like these allowed tourists to send many images of their holiday destination or hometown in the one small package.

Murray Views

Ulverstone : postcards

Eight small captioned black and white postcards in proprietary envelope. From envelope - Beauty Spots in Australia, 8 Real Photographs for your Snapshot Album, Published by the Rose Stereographic Co. Armadale, Victoria

St Helens : postcard

Eight small captioned black and white fold out images in proprietary post-able envelope. From envelope - Join us in a trip around St. Helens Tasmania. Southern series Registered. On reverse - Postage rates within the British Empire. Without correspondence, in an unsealed envelope, will be 3d. If correspondence is added, postage will be 3 1/2d whether envelope is sealed or unsealed. Foreign rate, 7 1/2 d

Launceston : postcards

Seven small captioned black & white images in proprietary envelope showing views of Launceston.
From envelope - Valentine's Snapshots. Eight real photographs. Launceston, Tas, No. 1. Published by The Valentine Publishing Co. Pty. Ltd. Melbourne and Sydney.

Valentine Publishing

New Norfolk : postcard

One hand coloured panorama image, captioned & numbered 23 , in proprietary envelope showing a panorama of New Norfolk.
From envelope - Valentine's Snapshots. Eight real photographs. Hand coloured. Beauty spots around Hobart, Tasmania No.3. Published by the Valentine Publishing Co., Melbourne and Sydney.

Valentine Publishing

Hobart : postcards

Eight captioned hand coloured images in proprietary envelope. Showing views of Hobart.
From envelope - Valentine's Snapshots. Eight real photographs. Hand Coloured Hobart, No. 1. Published by The Valentine Publishing Co. Melbourne and Sydney.

Valentine Publishing

Devonport : postcard

Eight small captioned coloured fold out images in proprietary post-able envelope. From envelope - Camera Views, Devonport, Tas. On reverse - Produced by Murray Views, Gympie. Q, Copyright, Samuel Lee & Co. Printers

East Coast : postcard

Twelve small captioned coloured fold out images in proprietary post-able envelope. From envelope - A Souvenir of Beautiful East Coast Tasmania, 12 Specially selected views in full color. Published by Nucolorvue Productions, Victoria. From inside "The East Coast, Tasmania. The tourist referes to the East Coast a the section from scottsdale in the north to Sorell in the south of the island. This route provides an immense array of natures most lavish scenery. The rich fertile valleys of Scottsdale and Derby, rugged alpine areas near Pyengana, beautiful george Bay at St. Helens are in themselves a sheer delight.
Lovely beaches, quiet lagoons, rugged granite peaks of Coles Bay and Bicheno, restful Swansea and Triabunna, vie with may other picturesque parts of this lovely coastline.
Excellent fishing, swimming, hiking and boating are easily available. Relics of the early pioneer days are readily found in many parts of the coast."

Nucolorvue Productions

Launceston : postcards

Seven small captioned and numbered hand coloured images in proprietary envelope showing views of Launceston.
From envelope - Valentine's Snapshots. Eight real photographs. Hand coloured. Launceston, Tasmania, No. 2. Published by the Valentine Publishing Co., Melbourne and Sydney.

Valentine Publishing

New Norfolk : postcard

Ten captioned fold out colour images in proprietary post-able envelope. Showing views of Hobart and New Norfolk.
From envelope : A Colorful Souvenir of New Norfolk, Tas. Derwent Valley with Hobart. Up-to-Date Views. G & G Series.

Hobart : postcards

Eight captioned black and white images in proprietary envelope. Showing views of Hobart.
From envelope - Valentine's Snapshots. Eight real photographs. Hobart, No. 1. Published by The Valentine Publishing Co. Pty. Ltd. Melbourne and Sydney.

Valentine Publishing

Burnie : postcards

Eight small captioned black and white postcards in proprietary envelope. From envelope - For your Album, Murray's Snapshots - Series No. 1. produced by Murray Views Gympie, Queensland. Photographs like these allowed tourists to send many images of their holiday destination or hometown in the one small package.

Launceston : postcard

Eighteen captioned fold out black and white images in proprietary post-able envelope. Showing views of Launceston.
From envelope : 18 Selected Views, Launceston, Tasmania Launceston. Produced by Murray View, Gympie, Q

Murray Views

Wild Orange

Pencil on paper sketched by Olive Pink, at Barrow Creek, 1949. Identified by Olive Pink as Wild Orange. "pale lemon petal and stamens green end to pistil - bright green leaves of leathery texture"

Olive Pink

Photograph of of nine gentleman

Photograph of nine gentlemen, three seated. Photograph named. Back row Thomas Mather, Thomas Binns, Charles H Robey, Lewis May, Robert Mather, N H Propsting. Seated William Wells, J. Francis Mather & William Corben

Friends' School

Unidentified

Watercolur and pencil on card sketched by Olive Pink, from Sister Goulder (Vic), 12/9/49 (from North Road I think?)

Olive Pink

Unidentified

Watercolor on card sketched by Olive Pink, (flower) from Sister Goulder (Vic), 12/9/49, (same as at Thompson's Rock Hole. 1942-46)

Olive Pink

Unidentified

Watercolour and pencil on paper, sketched by Olive pink at Alice Springs 19/8/49. Not identified by Olive Pink

Olive Pink

Prostanthera

Identified as Prostanthera striatiflora . Watercolor on card sketched by Olive Pink near power station at Alice Springs on 7 June 1958
'has aromatic scent (leaves?) (very honeyed flower)

Olive Pink

Tankard 1948

Sheffield pewter tankard, inscribed 'G. Wilson, Presented by T.U.R.C. 1948'. Made in England, Manor 2132

George Thomas Jamieson Wilson

Unidentified

Water colour on paper sketched by Olive Pink, at Alice Springs, 10/4/47

Olive Pink

Unidentified

Pencil on card sketched by Olive Pink, Anzac Hill, Alice Springs, 1946. "Traced from rough sketch - matt surface pale cream blossom and stamens, leaves leathery greenish - mature "orange" (lemon)"

Olive Pink

Ackworth School development plan

Ackworth School development plan drawn by John L Denman F.I.R.B.A. 27 Queens Road Brighton. Dated 1946. showing the location of existing buildings, existing buildings altered and new buildings.

Ackworth School

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